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Hail to thee, blithe Spirit!
Bird thou never wert,
That from heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art.
Higher still and higher
From the earth thou springest
Like a cloud of fire;
The blue deep thou wingest
And singing still dost soar, and soaring ever singest.
In the golden lightning
Of the sunken sim.
O’er which clouds are bright’ning,
Thou dost float and run
Like an unbodied joy whose race is just begun.
The pale purple even
Melts around thy flight;
Like a star of heaven.
In the broad daylight
Thou art unseen—but yet I hear thy shrill delight,
Keen as are the arrows
Of that silver sphere
Whose intense lamp narrows
In the white dawn clear,
Until we hardly see—we feel that it is there.
All the earth and air
With thy voice is loud,
As, when night is bare,
From one lonely cloud
The moon rains out her beams, and heaven is overflowed.
What thou art we know not:
What is most like thee?
From rainbow clouds there flow not
Drops so bright to see
As from thy presence showers a rain of melody.
Like a Poet hidden
In the light of thought,
Singing hymns unbidden
Till the world is wrought
To sympathy with hopes and fears it heeded not;
Like a high-born maiden
In a palace tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love—which overflows her bower;
Like a glow-worm golden
In a dell of dew.
Scattering unbeholden
Its aërial hue
Among the flowers and grass which screen it from the view;
Like a rose embowered
In its own green leaves.
By warm winds deflowered,
Till the scent it gives
Makes faint with too much sweet those heavy-winged thieves;
Sound of vernal showers
On the twinkling grass,
Rain-awakened flowers,
All that ever was
Joyous and clear and fresh, thy music doth surpass.
Teach us, Sprite or Bird,
What sweet thoughts are thine;
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.
Chorus Hymeneal,
Or triumphal chaunt,
Matched with thine would be all
But an empty vaunt,
A thing wherein we feel there is some hidden want.
What objects are the fountains
Of thy happy strain?
What fields or waves or mountains?
What shapes of sky or plain?
What love of thine own kind? What ignorance of pain?
With thy clear, keen joyance
Languor cannot be;
Shadow of annoyance
Never came near thee;
Thou lovest—but ne’er knew love’s sad satiety.
Waking or asleep
Thou of death must deem
Things more true and deep
Than we mortals dream —
Or how could thy notes flow in such a crystal stream?
We look before and after,
And pine for what is not;
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.
Yet if we could scorn
Hate and pride and fear;
If we were things born
Not to shed a tear,
I know not how thy joy we ever should come near.
Better than all measures
Of delightful sound,
Better than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!
Teach me half the gladness
That thy brain must know
Such harmonious madness
From my lips would flow,
The world should listen then—as I am listening now.
(Percy Bysshe Shelley )
Percy Bysshe Shelley (1792-1822) was an English poet, born at Field Place, Essex. He studied at Eton, one of England’s famous boarding schools for boys, and at Oxford University. Some years later he went to live in Italy, and it was there that his best-known poems were written. Although he wrote a number of long poems, his fame rests upon his shorter pieces and lyrics. Shelley had a very sensitive and sympathetic nature, a lively and charming imagination, and a rather unruly and unconventional personality. He was always generous and indulgent with others and fearless in his pursuit of what he thought was right. When only thirty, on a pleasure cruise off the coast of Italy, he was drowned.
even : evening
wrought : made, worked
unbeholden : unseen
deflowere : opened out, killed
vernal : spring
chaunt : song of praise
languor : dullness
fraught : burdened
Answer the following questions.
1) What is the skylark called in the first line
2) What question does the poet ask in the seventh stanza?
3) Is he satisfied with any of the comparisons he has made
4) From what does the poet say the skylark has never suffered?
5) What are some similarities of Shelley skylark with that of Wordsworth and Hogg?
6) Why do you think this poem is still popular even though it was written so long ago?