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9 THE MOCKING BIRD

It is where the great magnolia shoots up its majestic trunk, crowned with evergreen leaves, and decorated with a thousand beautiful flowers that perfume the air around ; where the forests and fields are adorned with blossoms of every hue; where the golden orange ornaments the gardens and the groves; where bignonias of various kinds interlace their climbing stems around the white-flowered stuartia, and mounting still higher, cover the summits of the lofty trees around, accompanied with innumerable vines that here and there festoon the dense foliage of the magnificent woods, lending to the vernal breeze a slight portion of the perfume of their clustered flowers;where a genial warmth seldom forsakes the atmosphere; where berries and fruits of all descriptions are met with at every step—in a word, kind reader,it is where Nature seems to have paused, as she passed over the earth, and opening her stores, to have strewed with unsparing hand the diversified seeds from which have sprung all the beautiful and splendid forms which I should in vain attempt to describe, that the mocking bird should have fixed its abode,there only that its wondrous song should be heard.

But where is that favored land? It is in that great continent to whose distant shores Europe has sent forth her adventurous sons, to wrest for themselves a habitation from the wild inhabitants of the forest, and to convert the neglected soil into fields of exuberant fertility. It is, reader, in Louisiana that these bounties of Nature are in the greatest perfection. It is there that you should listen to the love song of the mocking bird, as I at this moment do. See how he flies round his mate, with motions as light as those of the butterfly! His tail is widely expanded, he mounts in the air to a small distance, describes a circle, and, again alighting, approaches his beloved one, his eyes gleaming with delight, for she has already promised to be his and his only. His beautiful wings are gently raised, he bows to his love, and again bouncing upward, opens his bill, and pours forth his melody, full of exultation at the conquest which he has made.

They are not the soft sounds of the flute or the hautboy that I hear, but the sweeter notes of Nature’s own music. The mellowness of the song, the varied modulations and gradations, the extent of its compass, the great brilliancy of execution, are unrivaled. There is probably no bird in the world that possesses all the musical qualifications of this king of song, who has derived all from Nature’s self. Yes, reader, all!

No sooner has he again alighted near his mate than, as if his breast were about to be rent with delight, he again pours forth his notes with more softness and richness than before. He now soars higher, glancing around with a vigilant eye, to assure himself that none has witnessed his bliss. When these love scenes are over, he dances through the air, full of animation and delight, and, as if to convince his lovely mate that to enrich her hopes he has much more love in store, he that moment begins anew, and imitates all the notes which Nature has imparted to the other songsters of the grove.

For a while, each long day and pleasant night are thus spent. A nest is to be prepared, and the choice of a place in which to lay it is to become a matter of mutual consideration. The orange, the fig, the pear tree of the gardens are inspected; the thick brier patches are also visited. They appear all so well suited for the purpose in view, and so well do the birds know that man is not their most dangerous enemy, that, instead of retiring from him,they at length fix their abode in his vicinity, perhaps in the nearest tree to his window. Dried twigs, leaves, grasses, cotton, flax, and other substances are picked up, carried to a forked branch, and there arranged. Five eggs are deposited in due time, when the male, having little more to do than to sing his mate to repose, attunes his pipe anew. Every now and then he spies an insect on the ground, the taste of which he is sure will please his beloved one. He drops upon it, takes it in his bill, beats it against the earth, and flies to the nest to feed and receive the warm thanks of his devoted female.

When a fortnight has elapsed, the young brood demand all their care and attention. No cat, no vile snake, no dreaded hawk, is likely to visit their habitation. Indeed the inmates of the next house have by this time become quite attached to the lovely pair of mocking birds, and take pleasure in contributing to their safety. The dewberries from the fields, and many kinds of fruit from the gardens, mixed with insects, supply the young as well as the parents with food. The brood is soon seen emerging from the nest, and in another fortnight, being now able to fly with vigor, and to provide for themselves, they leave the parent birds, as many other species do.

In winter, nearly all the mocking birds approach the farm-houses and plantations, living about the gardens or outhouses.

They are then frequently seen on the roofs, and perched on the chimney tops; yet they always appear full of animation. While searching for food on the ground, their motions are light and elegant, and they frequently open their wings as butterflies do when basking in the sun, moving a step or two,and again throwing out their wings. When the weather is mild, the old males are heard singing with as much spirit as during the spring or summer,while the younger birds are busily engaged in practicing, preparatory to the love season. They seldom resort to the interior of the forest either during the day or by night, but usually roost among the foliage of evergreens, in the immediate vicinity of houses in Louisiana, although in the eastern states they prefer low fir trees.

The flight of the mocking bird is performed by short jerks of the body and wings, at every one of which a strong twitching motion of the tail is perceived. This motion is still more apparent while the bird is walking,when it opens its tail like a fan and instantly closes it again. When traveling,this flight is only a little prolonged, as the bird goes from tree to tree, or at most across a field, scarcely, if ever, rising higher than the top of the forest.During this migration, it generally resorts to the highest parts of the woods near watercourses, utters its usual mournful note, and roosts in these places.It travels mostly by day.

Few hawks attack the mocking birds, as on their approach, however sudden it may be, they are always ready not only to defend themselves vigorously and with undaunted courage, but to meet the aggressor half way,and force him to abandon his intention. The only hawk that occasionally surprises the mocking bird is the Falco Starlen, which flies low with great swiftness, and carries the bird off without any apparent stop. Should it happen that the ruffian misses his prey, the mocking bird in turn becomes the assailant, and pursues the hawk with great courage, calling in the meantime all the birds of its species to its assistance; and although it cannot overtake the marauder, the alarm created by their cries, which are propagated in succession among all the birds in the vicinity, like the watchwords of sentinels on duty, prevents him from succeeding in his attempts.

The musical powers of this bird have often been taken notice of by European naturalists, and persons who find pleasure in listening to the songs of different birds while in confinement or at large. Some of these persons have described the notes of the nightingale as occasionally fully equal to those of our bird. I have frequently heard both species, in confinement and in the wild state, and without prejudice have no hesitation in pronouncing the notes of the European philomel equal to those of a soubrette of taste,which, could she study under a Mozart, might perhaps in time become very interesting in her way. But to compare her essays to the finished talent of the mocking bird is, in my opinion, quite absurd.

( John James Audubon )

Biography

John James Audubon (1780-1851) was born near New Orleans. His mother died while he was very young, and his father, who was a Frenchman,took the boy to France. There Audubon grew up and was educated. He studied drawing with some of the celebrated French artists. In 1798 he returned to America, and from then on he spent most of his time in this country. He devoted himself to the study of natural history and especially to birds. His great work,The Birds of America, contains life-size pictures of more than a thousand birds.The drawings for these he made himself, and they are artistically excellent as well as true to nature. “The Mocking Bird’’ is taken from the text made by Audubon to accompany the pictures. Because of his interest in birds, the clubs for the care and study of birds, which have been formed throughout the United States, are called “Audubon Societies.”

Word list

diversifie : various

hautboy : a musical wind instrument

modulations : tones

derived : received, born

imparted : given

resort : go, hiding

You Practice

A) Answer the following questions.

1) How does the description in the second paragraph differ from the first

2) How does the author tell us that the richness of the plant life in this region is reproduced in the bird’s song?

3) How does Audubon say the musical powers of the mockingbird compare to those of the nightingale?

4) What do mockingbirds do in the winter?

5) What is Audubon’s description of how mockingbirds fly

B) What’s the word? Using the clues, write the correct words from the story.

1) tall, high – l _ _ _ _

2) extreme happiness – d _ _ _ _ _ _

3) forest – w _ _ _ _

4) things we must do – d _ _ _

5) ridiculous – a _ _ _ _ _

C) Summary—Write a short summary of this story. q3mwLKe+blvKex5uED++vK08j31zZOYUQfNfpfBS1ZmRKzPRQPRhphZSHJiDotHG

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