Aus den Himmelsaugen droben
Fallen zitternd goldne Funken
Durch die Nacht, und meine Seele
Dehnt sich liebeweit und weiter.

O ihr Himmelsaugen droben,
Weint euch aus in meine Seele,
Dass von lichten Sternentranen
Uberfliesset meine Seele!
Heine.

They rose, fluttered a moment above the lilac bushes, and then shot forward like the curve of a rainbow into the sleeping house. The next second they stood beside the bed of the Widow Jequier.

She lay there, so like a bundle of untidy sticks that, but for the sadness upon the weary face, they could have burst out laughing. The perfume of the wistaria outside the open window came in sweetly, yet could not lighten the air of heavy gloom that clothed her like a garment. Her atmosphere was dull, all streaked with greys and black, for her mind, steeped in anxiety even while she slept, gave forth cloudy vapours of depression and disquietude that made impossible the approach of—light. Starlight, certainly, could not force an entrance, and even sunlight would spill half its radiance before it reached her heart. The help she needed she thus deliberately shut out. Before going to bed her mood had been one of anxious care and searching worry. It continued, of course, in sleep.

'Now,' thought their leader briskly, 'we must deal with this at once'; and the children, understanding his unspoken message, approached closer to the bed. How brilliant their little figures were—Jimbo, a soft, pure blue, and Monkey tinged faintly here and there with delicate clear orange. Thus do the little clouds of sunset gather round to see the sun get into bed. And in utter silence; all their intercourse was silent—thought, felt, but never spoken.

For a moment there was hesitation. Cousinenry was uncertain exactly how to begin. Tante Jeanne's atmosphere was so very thick he hardly knew the best way to penetrate it. Her mood had been so utterly black and rayless. But his hesitation operated like a call for help that flew instantly about the world and was communicated to the golden threads that patterned the outside sky. They quivered, flashed the message automatically; the enormous network repeated it as far as England, and the answer came. For thought is instantaneous, and desire is prayer. Quick as lightning came the telegram. Beside them stood a burly figure of gleaming gold.

'I'll do it,' said the earthy voice. 'I'll show you 'ow. For she loves 'er garden. Her sympathy with trees and flowers lets me in. Always send for me when she's in a mess, or needs a bit of trimmin' and cleanin' up.'

The Head Gardener pushed past them with his odour of soil and burning leaves, his great sunburned face and his browned, stained hands. These muscular, big hands he spread above her troubled face; he touched her heart; he blew his windy breath of flowers upon her untidy hair; he called the names of lilac, wistaria, roses, and laburnum….

The room filled with the little rushing music of wind in leaves; and, as he said 'laburnum,' there came at last a sudden opening channel through the fog that covered her so thickly. Starlight, that was like a rivulet of laburnum blossoms melted into running dew, flowed down it. The Widow Jequier stirred in her sleep and smiled. Other channels opened. Light trickled down these, too, drawn in and absorbed from the store the Gardener carried. Then, with a rush of scattering fire, he was gone again. Out into the enormous sky he flew, trailing golden flame behind him. They heard him singing as he dived into the Network —singing of buttercups and cowslips, of primroses and marigolds and dandelions, all yellow flowers that have stored up starlight.

And the atmosphere of Tante Jeanne first glowed, then shone; it changed slowly from gloom to glory. Golden channels opened everywhere, making a miniature network of their own. Light flashed and corruscated through it, passing from the children and their leader along the tiny pipes of sympathy the Gardener had cleared of rubbish and decay. Along the very lines of her face ran tiny shining rivers; flooding across her weary eyelids, gilding her untidy hair, and pouring down into her heavy heart. She ceased fidgeting; she smiled in her sleep; peace settled on her face; her fingers on the coverlet lost their touch of strain. Finally she turned over, stretched her old fighting body into a more comfortable position, sighed a moment, then settled down into a deep and restful slumber. Her atmosphere was everywhere 'soft-shiny' when they left her to shoot next into the attic chamber above, where Miss Waghorn lay among her fragments of broken memory, and the litter of disordered images that passed with her for 'thinking.'

And here, again, although their task was easier, they needed help to show the right way to begin. Before they reached the room Jimbo had wondered how they would 'get at' her. That wonder summoned help. The tall, thin figure was already operating beside the bed as they entered. His length seemed everywhere at once, and his slender pole, a star hanging from the end, was busy touching articles on walls and floor and furniture. The disorder everywhere was the expression of her dishevelled mind, and though he could not build the ruins up again, at least he could trace the outlines of an ordered plan that she might use when she left her body finally and escaped from the rebellious instrument in death. And now that escape was not so very far away. Obviously she was already loose. She was breaking up, as the world expresses it.

And the children, watching with happy delight, soon understood his method. Each object that he touched emitted a tiny light. In her mind he touched the jumble of wandering images as well. On waking she would find both one and the other better assorted. Some of the lost things her memory ever groped for she would find more readily. She would see the starlight on them.

'See,' said their leader softly, as the long thin figure of the Lamplighter shot away into the night, 'she sleeps so lightly because she is so old—fastened so delicately to the brain and heart. The fastenings are worn and loose now. Already she is partly out!'

'That's why she's so muddled in the daytime,' explained Jimbo, for his sister's benefit.

'Exaccurately, I knew it already!' was the reply, turning a somersault like a wheel of twirling meteors close to the old lady's nose.

'Carefully, now!' said their leader. 'And hurry up! There's not much we can do here, and there's heaps to do elsewhere. We must remember Mother and Daddy—before the Interfering Sun is up, you know.'

They flashed about the attic chamber, tipping everything with light, from the bundle of clothes that strewed the floor to the confused interior of the black basket-trunk where she kept her money and papers. There were no shelves in this attic chamber; no room for cupboards either; it was the cheapest room in the house. And the old woman in the bed sometimes opened her eyes and peered curiously, expectantly, about her. Even in her sleep she looked for things. Almost, they felt, she seemed aware of their presence near her, she knew that they were there; she smiled.

A moment later they were in mid-air on their way to the Citadelle, singing as they went:—

He keeps that only
For the old and lonely,
Who sleep so little that they need the best.
The rest—
The common stuff—
Is good enough
For Fraulein, or for baby, or for mother,
Or any other
Who likes a bit of dust,
And yet can do without it—
If they must…

Already something of the Dawn's faint magic painting lay upon the world. Roofs shone with dew. The woods were singing, and the flowers were awake. Birds piped and whistled shrilly from the orchards. They heard the Mer Dasson murmuring along her rocky bed. The rampart of the Alps stood out more clearly against the sky.

'We must be very quick,' Cousin Henry flashed across to them, 'quicker than an express train.'

'That's impossible,' cried Jimbo, who already felt the call of waking into his daily world. 'Hark! There's whistling already….'

The next second, in a twinkling, he was gone. He had left them. His body had been waked up by the birds that sang and whistled so loudly in the plane tree outside his window. Monkey and her guide raced on alone into the very room where he now sat up and rubbed his eyes in the Citadelle. He was telling his mother that he had just been 'dreaming extraordinary.' But Mother, sleeping like a fossil monster in the Tertiary strata, heard him not.

'He often goes like that,' whispered Monkey in a tone of proud superiority. 'He's only a little boy really, you see.'

But the sight they then witnessed was not what they expected.

For Mademoiselle Lemaire herself was working over Mother like an engine, and Mother was still sleeping like the dead. The radiance that emanated from the night-body of this suffering woman, compared to their own, was as sunlight is to candle-light. Its soft glory was indescribable, its purity quite unearthly, and the patterns that it wove lovely beyond all telling. Here they surprised her in the act, busy with her ceaseless activities for others, working for the world by thinking beauty. While her pain-racked body lay asleep in the bed it had not left for thirty years, nor would ever leave again this side of death, she found her real life in loving sympathy for the pain of others everywhere. For thought is prayer, and prayer is the only true effective action that leaves no detail incomplete. She thought light and glory into others. Was it any wonder that she drew a special, brilliant supply from the Starlight Cavern, when she had so much to give? For giving-out involved drawing-in to fill the emptied spaces. Her pure and endless sources of supply were all explained.

'I've been working on her for years,' she said gently, looking round at their approach, 'for her life is so thickly overlaid with care, and the care she never quite knows how to interpret. We were friends, you see, in childhood…. You'd better hurry on to the carpenter's house. You'll find Jinny there doing something for her father.' She did not cease her working while she said it, this practical mind so familiar with the methods of useful thinking, this loving heart so versed in prayer while her broken body, deemed useless by the world, lay in the bed that was its earthly prison-house. ' He can give me all the help I need,' she added.

She pointed, and they saw the figure of the Sweep standing in the corner of the room among a pile of brimming sacks. His dirty face was beaming. They heard him singing quietly to himself under his breath, while his feet and sooty hands marked time with a gesture of quaintest dancing:—

Such a tremendously busy Sweep,
Catching the world when it's all asleep,
And tossing the blacks on the Rubbish Heap
Over the edge of the world!

'Come,' whispered Cousin Henry, catching at Monkey's hair, 'we can do something, but we can't do that . She needs no help from us!'

They sped across to the carpenter's house among the vineyards.

'What a splendour!' gasped the child as they went. 'My starlight seems quite dim beside hers.'

'She's an old hand at the game,' he replied, noticing the tinge of disappointment in her thought. 'With practice, you know——'

'And Mummy must be pretty tough,' she interrupted with a laugh, her elastic nature recovering instantly.

'——with practice, I was going to say, your atmosphere will get whiter too until it simply shines. That's why the saints have halos.'

But Monkey did not hear this last remark, she was already in her father's bedroom, helping Jinny.

Here there were no complications, no need for assistance from a Sweep, or Gardener, or Lamplighter. It was a case for pulling, pure and simple. Daddy was wumbled, nothing more. Body, mind, and heart were all up-jumbled. In making up the verse about the starlight he had merely told the truth—about himself. The poem was instinctive and inspirational confession. His atmosphere, as he lay there, gently snoring in his beauty sleep, was clear and sweet and bright, no darkness in it of grey or ugliness; but its pattern was a muddle, or rather there were several patterns that scrambled among each other for supremacy. Lovely patterns hovered just outside him, but none of them got really in. And the result was chaos. Daddy was not clear-headed; there was no concentration. Something of the perplexed confusion that afflicted his elder daughter in the daytime mixed up the patterns inextricably. There was no main pathway through his inner world.

And the picture proved it. It explained why Jinny pulled in vain. His night-body came out easily as far as the head, then stuck hopelessly. He looked like a knotted skein of coloured wools. Upon the paper where he had been making notes before going to sleep—for personal atmosphere is communicated to all its owner touches—lay the same confusion. Scraps of muddle, odds and ends of different patterns, hovered in thick blots of colour over the paragraphs and sentences. His own uncertainty was thus imparted to what he wrote, and his stories brought no conviction to his readers. He was too much the Dreamer, or too much the Thinker, which of the two was not quite clear. Harmony was lacking.

'That's probably what I'M like, too,' thought his friend, but so softly that the children did not hear it. That Scheme of his passed vaguely through his mind.

Then he cried louder—a definite thought:—

'There's no good tugging like that, my dears. Let him slip in again.
You'll only make him restless, and give him distorted dreams.'

'I've tugged like this every night for months,' said Jinny, 'but the moment I let go he flies back like elastic.'

'Of course. We must first untie the knots and weave the patterns into one. Let go!'

Daddy's night-body flashed back like a sword into its sheath. They stood and watched him. He turned a little in his sleep, while above him the lines twined and wriggled like phosphorus on moving water, yet never shaped themselves into anything complete. They saw suggestions of pure beauty in them here and there that yet never joined together into a single outline; it was like watching the foam against a steamer's sides in moonlight—just failing of coherent form.

'They want combing out,' declared Jane Anne with a brilliant touch of truth. 'A rake would be best.'

'Assorting, sifting, separating,' added Cousinenry, 'but it's not easy.' He thought deeply for a moment. 'Suppose you two attend to the other things,' he said presently, 'while I take charge of the combing- out.'

They knew at once his meaning; it was begun as soon as thought, only they could never have thought of it alone; none but a leader with real sympathy in his heart could have discovered the way.

Like Fairies, lit internally with shining lanterns, they flew about their business. Monkey picked up his pencils and dipped their points into her store of starlight, while Jinny drew the cork out of his ink- pot and blew in soft-shiny radiance of her own. They soaked his books in it, and smoothed his paper out with their fingers of clean gold. His note-books, chair, and slippers, his smoking-coat and pipes and tobacco-tins, his sponge, his tooth-brush and his soap—everything from dressing-gown to dictionary, they spread thickly with their starlight, and continued until the various objects had drunk in enough to make them shine alone.

Then they attacked the walls and floor and ceiling, sheets and bed- clothes. They filled the tin-bath full to the very brim, painted as well the windows, door-handles, and the wicker chair in which they knew he dozed after dejeuner. But with the pencils, pens, and ink-pots they took most trouble, doing them very thoroughly indeed. And his enormous mountain-boots received generous treatment too, for in these he went for his long lonely walks when he thought out his stories among the woods and valleys, coming home with joy upon his face—'I got a splendid idea to-day—a magnificent story—if only I can get it on to paper before it's gone…!' They understood his difficulty now: the 'idea' was wumbled before he could fashion it. He could not get the pattern through complete.

And his older friend, working among the disjointed patterns, saw his trouble clearly too. It was not that he lacked this sympathy that starlight brings, but that he applied it without discernment. The receiving instrument was out of order, some parts moving faster than others. Reason and imagination were not exaccurately adjusted. He gathered plenty in, but no clear stream issued forth again; there was confusion in delivery. The rays were twisted, the golden lines caught into knots and tangles. Yet, ever just outside him, waiting to be taken in, hovered these patterns of loveliness that might bring joy to thousands. They floated in beauty round the edges of his atmosphere, but the moment they sank in to reach his mind, there began the distortion that tore their exquisite proportions and made designs mere disarrangement. Inspiration, without steady thought to fashion it, was of no value.

He worked with infinite pains to disentangle the mass of complicated lines, and one knot after another yielded and slipped off into rivulets of gold, all pouring inwards to reach heart and brain. It was exhilarating, yet disappointing labour. New knots formed themselves so easily, yet in the end much surely had been accomplished. Channels had been cleared; repetition would at length establish habit.

But the line of light along the eastern horizon had been swiftly growing broader meanwhile. It was brightening into delicate crimson. Already the room was clearer, and the radiance of their bodies fading into a paler glory. Jane Anne grew clumsier, tumbling over things, and butting against her more agile sister. Her thoughts became more muddled. She said things from time to time that showed it—hints that waking was not far away.

'Daddy's a wumbled Laplander, you know, after all. Hurry up!' The foolish daylight speech came closer.

'Give his ink-pot one more blow,' cried Monkey. Her body always slept at least an hour longer than the others. She had more time for work.

Jane Anne bumped into the washhand-stand. She no longer saw quite clearly.

'I'm a plenipotentiary, that's what I am. I'm afraid of nothing. But the porridge has to be made. I must get back….'

She vanished like a flash, just as her brother had vanished half an hour before.

'We'll go on with it to-morrow night,' signalled Cousin Henry to his last remaining helper. 'Meet me here, remember, when…the moon…is high enough to…cast…a…shadow….'

The opening and shutting of a door sounded through his sleep. He turned over heavily. Surely it was not time to get up yet. That could not be hot water coming! He had only just fallen asleep. He plunged back again into slumber.

But Monkey had disappeared.

'What a spanking dream I've had…!' Her eyes opened, and she saw her school-books on the chair beside the bed. Mother was gently shaking her out of sleep. 'Six o'clock, darling. The bath is ready, and Jinny's nearly got the porridge done. It's a lovely morning!'

'Oh, Mummy, I——'

But Mummy lifted her bodily out of bed, kissed her sleepy eyes awake, and half carried her over to the bath. 'You can tell me all about that later,' she said with practical decision; 'when the cold water's cleared your head. You're always fuzzy when you wake.'

Another day had begun. The sun was blazing high above the Blumlisalp. The birds sang in chorus. Dew shone still on the fields, but the men were already busy in the vineyards.

And presently Cousin Henry woke too and stared lazily about his room.
He looked at his watch.

'By Jove,' he murmured. 'How one does sleep in this place! And what a dream to be sure—I who never dream!'

He remembered nothing more. From the moment he closed his eyes, eight hours before, until this second, all was a delicious blank. He felt refreshed and wondrously light-hearted, at peace with all the world. There was music in his head. He began to whistle as he lay among the blankets for half an hour longer. And later, while he breakfasted alone downstairs, he remembered that he ought to write to Minks. He owed Minks a letter. And before going out into the woods he wrote it. 'I'm staying on a bit,' he mentioned at the end. 'I find so much to do here, and it's such a rest. Meanwhile I can leave everything safely in your hands. But as soon as I get a leisure moment I'll send you the promised draft of my Scheme for Disabled, etc., etc.'

But the Scheme got no further somehow. New objections, for one thing, kept cropping up in his mind. It would take so long to build the place, and find the site, satisfy County Councils, and all the rest. The Disabled, moreover, were everywhere; it was invidious to select one group and leave the others out. Help the world, yes—but what was 'the world'? There were so many worlds. He touched a new one every day and every hour. Which needed his help most? Bourcelles was quite as important, quite as big and hungry as any of the others. 'That old Vicar knew a thing or two,' he reflected later in the forest, while he gathered a bunch of hepaticas and anemones to take to Mlle. Lemaire. 'There are "neighbours" everywhere, the world's simply chock full of 'em. But what a pity that we die just when we're getting fit and ready to begin. Perhaps we go on afterwards, though. I wonder…!' CwzJQYLVu57BmAs/QPhxh6GOVcZYfNaNbPvLHQ3E1duikstjTHmD7/rZuvDqKH1z

The stars ran loose about the sky,
Wasting their beauty recklessly,
Singing and dancing,
Shooting and prancing,
Until the Pole Star took command,
Changing each wild, disordered band
Into a lamp to guide the land—
A constellation.

And so, about my mind and yours,
Thought dances, shoots, and wastes its powers,
Coming and going,
Aimlessly flowing,
Until the Pole Star of the Will
Captains them wisely, strong, and still,
Some dream for others to fulfil
With consecration.
Selected Poems, Montmorency Minke.

There was a certain air of unreality somewhere in the life at Bourcelles that ministered to fantasy. Rogers had felt it steal over him from the beginning. It was like watching a children's play in which the scenes were laid alternately in the Den, the Pension, and the Forest. Side by side with the grim stern facts of existence ran the coloured spell of fairy make-believe. It was the way they mingled, perhaps, that ministered to this spirit of fantasy.

There were several heroines for instance—Tante Jeanne, Mademoiselle Lemaire, and Mother; each played her role quite admirably. There were the worthy sterling men who did their duty dumbly, regardless of consequences—Daddy, the Postmaster, and the picturesque old clergyman with failing powers. There was the dark, uncertain male character, who might be villain, yet who might prove extra hero—the strutting postman of baronial ancestry; there was the role of quaint pathetic humour Miss Waghorn so excellently filled, and there were the honest rough-and-tumble comedians—half mischievous, half malicious—the retired governesses. Behind them all, brought on chiefly in scenes of dusk and moonlight, were the Forest Elves who, led by Puck, were responsible for the temporary confusion that threatened disaster, yet was bound to have a happy ending—the children. It was all a children's play set in the lovely scenery of mountain, forest, lake, and old-world garden.

Numerous other characters also flitted in and out. There was the cat, the bird, the donkey as in pantomime; goblin caves and haunted valleys and talking flowers; and the queer shadowy folk who came to the Pension in the summer months, then vanished into space again. Links with the outside world were by no means lacking. As in the theatre, one caught now and again the rumble of street traffic and the roar of everyday concerns. But these fell in by chance during quiet intervals, and served to heighten contrast only.

And so many of the principal roles were almost obviously assumed, interchangeable almost; any day the players might drop their wigs, rub off the paint, and appear otherwise, as they were in private life. The Widow Jequier's husband, for instance, had been a pasteur who had gone later into the business of a wine-merchant. She herself was not really the keeper of a Pension for Jeune Filles, but had drifted into it owing to her husband's disastrous descent from pulpit into cellar— understudy for some one who had forgotten to come on. The Postmaster, too, had originally been a photographer, whose funereal aspect had sealed his failure in that line. His customers could never smile and look pleasant. The postman, again, was a baron in disguise—in private life he had a castle and retainers; and even Gygi, the gendarme, was a make-believe official who behind the scenes was a vigneron and farmer in a very humble way. Daddy, too, seemed sometimes but a tinsel author dressed up for the occasion, and absurdly busy over books that no one ever saw on railway bookstalls. While Mademoiselle Lemaire was not in fact and verity a suffering, patient, bed-ridden lady, but a princess who escaped from her disguise at night into glory and great beneficent splendour.

Mother alone was more real than the other players. There was no make- believe about Mother. She thundered across the stage and stood before the footlights, interrupting many a performance with her stubborn common-sense and her grip upon difficult grave issues. 'This performance will finish at such and such an hour,' was her cry. 'Get your wraps ready. It will be cold when you go out. And see that you have money handy for your 'bus fares home!' Yes, Mother was real. She knew some facts of life at least. She knitted the children's stockings and did the family mending.

Yet Rogers felt, even with her, that she was merely waiting. She knew the cast was not complete as yet. She waited. They all waited—for some one. These were rehearsals; Rogers himself had dropped in also merely as an understudy. Another role was vacant, and it was the principal role. There was no one in the company who could play it, none who could understudy it even. Neither Rogers nor Daddy could learn the lines or do the 'business.' The part was a very important one, calling for a touch of genius to be filled adequately. And it was a feminine role. For here was a Fairy Play without a Fairy Queen. There was not even a Fairy Princess!

This idea of a representation, all prepared specially for himself, induced a very happy state of mind; he felt restful, calm, at peace with all the world. He had only to sit in his stall and enjoy. But it brought, too, this sense of delicate bewilderment that was continually propounding questions to which he found no immediate answer. With the rest of the village, he stood still while Time flowed past him. Later, with Minks, he would run after it and catch it up again. Minks would pick out the lost clues. Minks stood on the banks—in London—noting the questions floating by and landing them sometimes with a rod and net. His master would deal with them by and by; but just now he could well afford to wait and enjoy himself. It was a holiday; there was no hurry; Minks held the fort meanwhile and sent in reports at intervals.

And the sweet spring weather continued; days were bright and warm; the nights were thick with stars. Rogers postponed departure on the flimsiest reasons. It was no easy thing to leave Bourcelles. 'Next week the muguet will be over in the vallon vert. We must pick it quickly together for Tante Anna.' Jinny brought every spring flower to Mademoiselle Lemaire in this way the moment they appeared. Her room was a record of their sequence from week to week. And Jimbo knew exactly where to find them first; his mind was a time-table of flowers as well as of trains, dates of arrival, and stations where they grew. He knew it all exaccurately. This kind of fact with him was never wumbled. 'Soon the sabot de Venus will be in flower at the Creux du Van, but it takes time to find it. It's most awfully rare, you see. You'll have to climb beyond the fontaine froide. That's past the Ferme Robert, between Champ du Moulin and Noiraigue. The snow ought to be gone by now. We'll go and hunt for it. I'll take you in—oh, in about deux semaines—comme ca.' Alone, those dangerous cliffs were out of bounds for him, but if he went with Cousinenry, permission could not be refused. Jimbo knew what he was about. And he took for granted that his employer would never leave Bourcelles again. 'Thursday and Saturday would be the best days,' he added. They were his half- holidays, but he did not say so. Secretaries, he knew, did not have half-holidays comme ca. 'Je suis son vrai secretaire,' he had told Mademoiselle Lemaire, who had confirmed it with a grave mais oui. No one but Mother heard the puzzled question one night when he was being tucked into bed; it was asked with just a hint of shame upon a very puckered little face—'But, Mummy, what really is a sekrity?'

And so Rogers, from day to day, stayed on, enjoying himself and resting. The City would have called it loafing, but in the City the schedule of values was a different one. Meanwhile the bewilderment he felt at first gradually disappeared. He no longer realised it, that is. While still outside, attacked by it, he had realised the soft entanglement. Now he was in it, caught utterly, a prisoner. He was no longer mere observer. He was part and parcel of it. 'What does a few weeks matter out of a whole strenuous life?' he argued. 'It's all to the good, this holiday. I'm storing up strength and energy for future use. My Scheme can wait a little. I'm thinking things out meanwhile.'

He often went into the forest alone to think his things out, and 'things' always meant his Scheme … but the more he thought about it the more distant and impracticable seemed that wondrous Scheme. He had the means, the love, the yearning, all in good condition, waiting to be put to practical account. In his mind, littered more and more now with details that Minks not infrequently sent in, this great Scheme by which he had meant to help the world ran into the confusion of new issues that were continually cropping up. Most of these were caused by the difficulty of knowing his money spent exactly as he wished, not wasted, no pound of it used for adornment, whether salaries, uniforms, fancy stationery, or unnecessary appearances, whatever they might be. Whichever way he faced it, and no matter how carefully thought out were the plans that Minks devised, these leakages cropped up and mocked him. Among a dozen propositions his original clear idea went lost, and floundered. It came perilously near to wumbling itself away altogether.

For one thing, there were rivals on the scene—his cousin's family, the education of these growing children, the difficulties of the Widow Jequier, some kind of security he might ensure to old Miss Waghorn, the best expert medical attendance for Mademoiselle Lemaire … and his fortune was after all a small one as fortunes go. Only his simple scale of personal living could make these things possible at all. Yet here, at least, he would know that every penny went exaccurately where it was meant to go, and accomplished the precise purpose it was intended to accomplish.

And the more he thought about it, the more insistent grew the claims of little Bourcelles, and the more that portentous Scheme for Disabled Thingumabobs faded into dimness. The old Vicar's words kept singing in his head: 'The world is full of Neighbours. Bring them all back to Fairyland.' He thought things out in his own way and at his leisure. He loved to wander alone among the mountains… thinking in this way. His thoughts turned to his cousin's family, their expenses, their difficulties, the curious want of harmony somewhere. For the conditions in which the famille anglaise existed, he had soon discovered, were those of muddle pure and simple, yet of muddle on so large a scale that it was fascinating and even exhilarating. It must be lovely, he reflected, to live so carelessly. They drifted. Chance forces blew them hither and thither as gusts of wind blow autumn leaves. Five years in a place and then—a gust that blew them elsewhere. Thus they had lived five years in a London suburb, thinking it permanent; five years in a lonely Essex farm, certain they would never abandon country life; and five years, finally, in the Jura forests.

Neither parent, though each was estimable, worthy, and entirely of good repute, had the smallest faculty for seeing life whole; each studied closely a small fragment of it, the fragment limited by the Monday and the Saturday of next week, or, in moments of optimistic health, the fragment that lies between the first and thirty-first of a single month. Of what lay beyond, they talked; oh, yes, they talked voluminously and with detail that sounded impressive to a listener, but somehow in circles that carried them no further than the starting- point, or in spirals that rose higher with each sentence and finally lifted them bodily above the solid ground. It was merely talk— ineffective—yet the kind that makes one feel it has accomplished something and so brings the false security of carelessness again. Neither one nor other was head of the house. They took it in turns, each slipping by chance into that onerous position, supported but uncoveted by the other. Mother fed the children, mended everything, sent them to the dentist when their teeth ached badly, but never before as a preventative, and—trusted to luck.

'Daddy,' she would say in her slow gentle way, 'I do wish we could be more practical sometimes. Life is such a business, isn't it?' And they would examine in detail the grain of the stable door now that the horse had escaped, then close it very carefully.

'I really must keep books,' he would answer, 'so that we can see exactly how we stand,' having discovered at the end of laborious calculation concerning the cost of the proposed Geneva schooling for Jinny that they had reckoned in shillings instead of francs. And then, with heads together, they selected for their eldest boy a profession utterly unsuited to his capacities, with coaching expenses far beyond their purses, and with the comforting consideration that 'there's a pension attached to it, you see, for when he's old.'

Similarly, having planned minutely, and with personal sacrifice, to save five francs in one direction, they would spend that amount unnecessarily in another. They felt they had it to spend, as though it had been just earned and already jingled in their pockets. Daddy would announce he was walking into Neuchatel to buy tobacco. 'Better take the tram,' suggested Mother, 'it's going to rain. You save shoe leather, too,' she added laughingly. 'Will you be back to tea?' He thought not; he would get a cup of tea in town. 'May I come, too?' from Jimbo. 'Why not?' thought Mother. 'Take him with you, he'll enjoy the trip.' Monkey and Jane Ann, of course, went too. They all had tea in a shop, and bought chocolate into the bargain. The five francs melted into—nothing, for tea at home was included in their Pension terms. Saving is in the mind. There was no system in their life.

'It would be jolly, yes, if you could earn a little something regular besides your work,' agreed Mother, when he thought of learning a typewriter to copy his own books, and taking in work to copy for others too.

'I'll do it,' he decided with enthusiasm that was forgotten before he left the room ten minutes later.

It was the same with the suggestion of teaching English. He had much spare time, and could easily have earned a pound a week by giving lessons, and a pound a week is fifty pounds a year—enough to dress the younger children easily. The plan was elaborated laboriously. 'Of course,' agreed Daddy, with genuine interest. 'It's easily done. I wonder we never thought of it before.' Every few months they talked about it, but it never grew an inch nearer to accomplishment. They drifted along, ever in difficulty, each secretly blaming the other, yet never putting their thoughts into speech. They did not quite understand each other's point of view.

'Mother really might have foreseen that !' when Jimbo, growing like a fairy beanstalk, rendered his recent clothes entirely useless. 'Boys must grow. Why didn't she buy the things a size or two larger?'

'It's rather thoughtless, almost selfish, of Daddy to go on writing these books that bring in praise without money. He could write anything if he chose. At least, he might put his shoulder to the wheel and teach, or something!'

And so, not outwardly in spoken words or quarrels, but inwardly, owing to that deadliest of cancers, want of sympathy, these two excellent grown-up children had moved with the years further and further apart. Love had not died, but want of understanding, not attended to in time, had frayed the edges so that they no longer fitted well together. They have blown in here, thought Rogers as he watched them, like seeds the wind has brought. They have taken root and grown a bit. They think they're here for ever, but presently a wind will rise and blow them off again elsewhere. And thinking it is their own act, they will look wisely at each other, as children do, and say, 'Yes, it is time now to make a move. The children are getting big. Our health, too, needs a change.' He wondered, smiling a little, in what vale or mountain top the wind would let them down. And a big decision blazed up in his heart. 'I'm not very strong in the domestic line,' he exclaimed, 'but I think I can help them a bit. They're neighbours at any rate. They're all children too. Daddy's no older than Jimbo, or Mother than Jane Anne!'

* * *

In the spaces of the forest there was moss and sunshine. It was very still. The primroses and anemones had followed the hepaticas and periwinkles. Patches of lily of the valley filled the air with fragrance. Through openings of the trees he caught glimpses of the lake, deep as the Italian blue of the sky above his head. White Alps hung in the air beyond its farther shore line. Below him, already far away, the village followed slowly, bringing its fields and vineyards with it, until the tired old church called halt. And then it lay back, nestling down to sleep, very small, very cosy, mere handful of brown roofs among the orchards. Only the blue smoke of occasional peat fires moved here and there, betraying human occupation.

The peace and beauty sank into his heart, as he wandered higher across Mont Racine's velvet shoulder. And the contrast stirred memories of his recent London life. He thought of the scurrying busy-bodies in the 'City,' and he thought of the Widow Jequier attacking life so restlessly in her garden at that very minute. That other sentence of the old Vicar floated though his mind: 'the grandeur of toil and the insignificance of acquisition.'… Far overhead two giant buzzards circled quietly, ceaselessly watching from the blue. A brimstone butterfly danced in random flight before his face. Two cuckoos answered one another in the denser forest somewhere above him. Bells from distant village churches boomed softly through the air, voices from a world forgotten.

And the contrast brought back London. He thought of the long busy chapter of his life just finished. The transition had been so abrupt. As a rule periods fade into one another gradually in life, easily, divisions blurred; it is difficult on looking back to say where the change began. One is well into the new before the old is realised as left behind. 'How did I come to this?' the mind asks itself. 'I don't remember any definite decision. Where was the boundary crossed?' It has been imperceptibly accomplished.

But here the change had been sudden and complete, no shading anywhere. He had leaped a wall. Turmoil and confusion lay on that side; on this lay peace, rest and beauty. Strain and ugliness were left behind, and with them so much that now seemed false, unnecessary, vain. The grandeur of toil, and the insignificance of acquisition—the phrase ran through his mind with the sighing of the pine trees; it was like the first line of a song. The Vicar knew the song complete. Even Minks, perhaps, could pipe it too. Rogers was learning it. 'I must help them somehow,' he thought again. 'It's not a question of money merely. It's that they want welding together more—more harmony—more sympathy. They're separate bits of a puzzle now, whereas they might be a rather big and lovely pattern. …'

He lay down upon the moss and flung his hat away. He felt that Life stood still within him, watching, waiting, asking beautiful, deep, searching questions. It made him slightly uncomfortable. Henry Rogers, late of Threadneedle Street, took stock of himself, not of set intention, yet somehow deliberately. He reviewed another Henry Rogers who had been unable to leap that wall. The two peered at one another gravely.

The review, however, took no definite form; precise language hardly came to help with definite orders. A vague procession of feelings, half sad, half pleasurable, floated past his closing eyes. … Perhaps he slept a moment in the sunshine upon that bed of moss and pine needles. …

Such curious thoughts flowed up and out and round about, dancing like the brimstone butterflies out of reach before he could seize them, calling with voices like the cuckoos, themselves all the time just out of sight. Who ever saw a cuckoo when it's talking? Who ever foretold the instant when a butterfly would shoot upwards and away? Such darting, fragile thoughts they were, like hints, suggestions. Still, they were thoughts.

Minks, dragging behind him an enormous Scheme, emerged from the dark vaults of a Bank where gold lay piled in heaps. Minks was looking for him, yet smiling a little, almost pityingly, as he strained beneath the load. It was like a comic opera. Minks was going down the noisy, crowded Strand. Then, suddenly, he paused, uncertain of the way. From an upper window a shining face popped out and issued clear directions —as from a pulpit. 'That way—towards the river,' sang the voice—and far down the narrow side street flashed a gleam of flowing water with orchards on the farther bank. Minks instantly turned and went down it with his load so fast that the scenery changed before the heavy traffic could get out of the way. Everything got muddled up with fields and fruit-trees; the Scheme changed into a mass of wild- flowers; a lame boy knocked it over with his crutch; gold fell in a brilliant, singing shower, and where each sovereign fell there sprang up a buttercup or dandelion. Rogers rubbed his eyes … and realised that the sun was rather hot upon his face. A dragon fly was perched upon his hat three feet away. …

The tea hour at the Den was close, and Jimbo, no doubt, was already looking for him at the carpenter's house. Rogers hurried home among the silent forest ways that were sweet with running shadows and slanting sunshine. Oh, how fragrant was the evening air! And how the lily of the valley laughed up in his face! Normally, at this time, he would be sitting in a taxi, hurrying noisily towards his Club, thoughts full of figures, politics, philanthropy cut to line and measure—a big Scheme standing in squares across the avenue of the future. Now, moss and flowers and little children took up all the available space. … How curiously out of the world Bourcelles was, to be sure. Newspapers had no meaning any longer. Picture-papers and smart weekly Reviews, so necessary and important in St. James's Street, here seemed vulgar, almost impertinent—ridiculous even. Big books, yes; but not pert, topical comments issued with an absurd omnipotence upon things merely ephemeral. How the mind accumulated rubbish in a city! It seemed incredible. He surely had climbed a wall and dropped down into a world far bigger, though a world the 'city' would deem insignificant and trivial. Yet only because it had less detail probably! A loved verse flashed to him across the years:—

'O to dream, O to awake and wander
There, and with delight to take and render,
Through the trance of silence,
Quiet breath!

Lo! for there among the flowers and grasses,
Only the mightier movement sounds and passes;
Only winds and rivers,
Life and death.'

Bourcelles was important as London, yes, while simple as the nursery. The same big questions of life and death, of battle, duty, love, ruled the peaceful inhabitants. Only the noisy shouting, the clatter of superfluous chattering and feverish striving had dropped away. Hearts and minds wore fewer clothes among these woods and vineyards. There was no nakedness though … there were flowers and moss, blue sky and peace and beauty. … Thought ran into confused, vague pictures. He could not give them coherence, shape, form. …

He crossed the meadows and entered the village through the Pension garden. The Widow Jequier gave him a spray of her Persian lilac on the way. 'It's been growing twenty-five years for you,' she said, 'only do not look at me . I'm in my garden things—invisible.' He remembered with a smile Jane Anne's description—that 'the front part of the house was all at the back.'

Tumbling down the wooden stairs, he crossed the street and made for the Citadelle, where the children opened the door for him even before he rang. Jimbo and Monkey, just home from school, pulled him by both arms towards the tea-table. They had watched for his coming.

'The samovar's just boiling,' Mother welcomed him. Daddy was on the sofa by the open window, reading manuscript over to himself in a mumbling voice; and Jane Anne, apron on, sleeves tucked up, face flushed, poked her head in from the kitchen:

'Excuse me, Mother, the cupboard's all in distress. I can't find the marmalade anywhere.'

'But it's already on the table, child.'

She saw her Cousin and popped swiftly back again from view. One heard fragments of her sentences—'wumbled … chronic … busy monster. … 'And two minutes later la famille anglaise was seriously at tea. CwzJQYLVu57BmAs/QPhxh6GOVcZYfNaNbPvLHQ3E1duikstjTHmD7/rZuvDqKH1z

What art thou, then? I cannot guess;
But tho' I seem in star and flower
To feel thee some diffusive power,
I do not therefore love thee less.
Love and Death, TENNYSON.

In the act of waking up on the morning of the Star Cave experience, Henry Rogers caught the face of a vivid dream close against his own— but in rapid motion, already passing. He tried to seize it. There was a happy, delightful atmosphere about it. Examination, however, was impossible; the effort to recover the haunting dream dispersed it. He saw the tip, like an express train flying round a corner; it flashed and disappeared, fading into dimness. Only the delightful atmosphere remained and the sense that he had been somewhere far away in very happy conditions. People he knew quite well, had been there with him; Jimbo and Monkey; Daddy too, as he had known him in his boyhood. More than this was mere vague surmise; he could not recover details. Others had been also of the merry company, familiar yet unrecognisable. Who in the world were they? It all seemed oddly real.

'How I do dream in this place, to be sure,' he thought; 'I, who normally dream so little! It was like a scene of my childhood— Crayfield or somewhere.' And he reflected how easily one might be persuaded that the spirit escaped in sleep and knew another order of experience. The sense of actuality was so vivid.

He lay half dozing for a little longer, hoping to recover the adventures. The flying train showed itself once or twice again, but smaller, and much, much farther away. It curved off into the distance. A deep cutting quickly swallowed it. It emerged for the last time, tiny as a snake upon a chess-board of far-off fields. Then it dipped into mist; the snake shot into its hole. It was gone. He sighed. It had been so lovely. Why must it vanish so entirely? Once or twice during the day it returned, touched him swiftly on the heart and was gone again. But the waking impression of a dream is never the dream itself. Sunshine destroys the sense of enormous wonder.

'I believe I've been dreaming all night long, and going through all kinds of wild adventures.'

He dressed leisurely, still hunting subconsciously for fragments of that happy dreamland. Its aroma still clung about him. The sunshine poured into the room. He went out on to the balcony and looked at the Alps through his Zeiss field-glasses. The brilliant snow upon the Diablerets danced and sang into his blood; across the broken teeth of the Dent du Midi trailed thin strips of early cloud. Behind him rose great Boudry's massive shoulders, a pyramid of incredible deep blue. And the limestone precipices of La Tourne stood dazzlingly white, catching the morning sunlight full in their face.

The air had the freshness of the sea. Men were singing at their work among the vineyards. The tinkle of cow-bells floated to him from the upper pastures upon Mont Racine. Little sails like sea-gulls dipped across the lake. Goodness, how happy the world was at Bourcelles! Singing, radiant, careless of pain and death. And, goodness, how he longed to make it happier still!

Every day now this morning mood had been the same. Desire to do something for others ran races with little practical schemes for carrying it out. Selfish considerations seemed to have taken flight, all washed away while he slept. Moreover, the thought of his Scheme had begun to oppress him; a touch of shame came with it, almost as though an unworthy personal motive were somewhere in it. Perhaps after all—he wondered more and more now—there had been an admixture of personal ambition in the plan. The idea that it would bring him honour in the eyes of the world had possibly lain there hidden all along. If so, he had not realised it; the depravity had been unconscious. Before the Bourcelles standard of simplicity, artificial elements dropped off automatically, ashamed. … And a profound truth, fished somehow out of that vanished dreamland, spun its trail of glory through his heart. Kindness that is thanked-for surely brings degradation—a degradation almost as mean as the subscription acknowledged in a newspaper, or the anonymous contribution kept secret temporarily in order that its later advertisement may excite the more applause. Out flashed this blazing truth: kind acts must be instinctive, natural, thoughtless. One hand must be in absolute ignorance of the other's high adventures. … And when the carpenter's wife brought up his breakfast tray, with the bunch of forest flowers standing in a tumbler of water, she caught him pondering over another boyhood's memory—that friend of his father's who had given away a million anonymously.

… In his heart plans shaped themselves with soft, shy eyes and hidden faces…. He longed to get la famille anglaise straight … for one thing. …

It was an hour later, while he still sat dreaming in the sunshine by the open window, that a gentle tap came at the door, and Daddy entered. The visit was a surprise. Usually, until time for dejeuner , he kept his room, busily unwumbling stories. This was unusual. And something had happened to him; he looked different. What was it that had changed? Some veil had cleared away; his eyes were shining. They greeted one another, and Rogers fell shyly to commonplaces, while wondering what the change exactly was.

But the other was not to be put off. He was bursting with something.
Rogers had never seen him like this before.

'You've stopped work earlier than usual,' he said, providing the opening. He understood his diffidence, his shyness in speaking of himself. Long disappointments lay so thinly screened behind his unfulfilled enthusiasm.

But this time the enthusiasm swept diffidence to the winds. It had been vitally stirred.

'Early indeed,' he cried. 'I've been working four hours without a break, man. Why, what do you think?—I woke at sunrise, a thing I never do, with—with a brilliant idea in my head. Brilliant, I tell you. By Jove, if only I can carry it out as I see it——!'

'You've begun it already?'

'Been at it since six o'clock, I tell you. It was in me when I woke— idea, treatment, everything complete, all in a perfect pattern of Beauty.'

There was a glow upon his face, his hair was untidy; a white muffler with blue spots was round his neck instead of collar. One end stuck up against his chin. The safety pin was open.

'By Jove! I am delighted!' Rogers had seen him excited before over a 'brilliant idea,' but the telling of it always left him cold. It touched the intellect, yet not the heart. It was merely clever. This time, however, there was a new thing in his manner. 'How did you get it?' he repeated. Methods of literary production beyond his own doggerels were a mystery to him. 'Sort of inspiration, eh?'

'Woke with it, I tell you,' continued his cousin, twisting the muffler so that it tickled his ear now instead of his chin. 'It must have come to me in sleep——' 'In sleep,' exclaimed the other; 'you dreamt it, then?'

'Kind of inspiration business. I've heard of that sort of thing, but never experienced it——' The author paused for breath.

'What is it? Tell me.' He remembered how ingenious details of his patents had sometimes found themselves cleared up in the morning after refreshing slumber. This might be something similar. 'Let's hear it,' he added; 'I'm interested.'

His cousin's recitals usually ended in sad confusion, so that all he could answer by way of praise was—' You ought to make something good out of that. I shall like to read it when you've finished it.' But this time, he felt, there was distinctly a difference. There were new conditions.

The older man leaned closer, his face alight, his manner shyly, eagerly confidential. The morning sunshine blazed upon his untidy hair. A bread crumb from breakfast still balanced in his beard.

'It's difficult to tell in a few words, you see,' he began, the enthusiasm of a boy in his manner, 'but—I woke with the odd idea that this little village might be an epitome of the world. All the emotions of London, you see, are here in essence—the courage and cowardice, the fear and hope, the greed and sacrifice, the love and hate and passion—everything. It's the big world in miniature. Only—with one difference.'

'That's good,' said Rogers, trying to remember when it was he had told his cousin this very thing. Or had he only thought it? 'And what is the difference?'

'The difference,' continued the other, eyes sparkling, face alight, 'that here the woods, the mountains and the stars are close. They pour themselves in upon the village life from every side—above, below, all round. Flowers surround it; it dances to the mountain winds; at night it lies entangled in the starlight. Along a thousand imperceptible channels an ideal simplicity from Nature pours down into it, modifying the human passions, chastening, purifying, uplifting. Don't you see? And these sweet, viewless channels—who keeps them clean and open? Why, God bless you——. The children! My children!'

'By Jingo, yes; your children.'

Rogers said it with emphasis. But there was a sudden catch at his heart; he was conscious of a queer sensation he could not name. This was exactly what he had felt himself—with the difference that his own thought had been, perhaps, emotion rather than a reasoned-out idea. His cousin put it into words and gave it form. A picture—had he seen it in a book perhaps?—flashed across his mind. A child, suspiciously like Monkey, held a pen and dipped it into something bright and flowing. A little boy with big blue eyes gathered this shining stuff in both hands and poured it in a golden cataract upon the eyelids of a sleeping figure. And the figure had a beard. It was a man … familiar. … A touch of odd excitement trembled through his undermind … thrilled … vanished. …

All dived out of sight again with the swiftness of a darting swallow. His cousin was talking at high speed. Rogers had lost a great deal of what he had been saying.

'… it may, of course, have come from something you said the other night as we walked up the hill to supper—you remember?—something about the brilliance of our stars here and how they formed a shining network that hung from Boudry and La Tourne. It's impossible to say. The germ of a true inspiration is never discoverable. Only, I remember, it struck me as an odd thing for you to say. I was telling you about my idea of the scientist who married—no, no, it wasn't that, it was my story of the materialist doctor whom circumstances compelled to accept a position in the Community of Shakers, and how the contrast produced an effect upon his mind of—of—you remember, perhaps? It was one or the other; I forget exactly,'—then suddenly— 'No, no, I've got it—it was the analysis of the father's mind when he found——'

'Yes, yes,' interrupted Rogers. 'We were just passing the Citadelle fountain. I saw the big star upon the top of Boudry, and made a remark about it.' His cousin was getting sadly wumbled. He tried to put severity and concentration into his voice.

'That's it,' the other cried, head on one side and holding up a finger, 'because I remember that my own thought wandered for a moment —thought will, you know, in spite of one's best effort sometimes—and you said a thing that sent a little shiver of pleasure through me for an instant—something about a Starlight Train—and made me wonder where you got the idea. That's it. I do believe you've hit the nail on the head. Isn't it curious sometimes how a practical mind may suggest valuable material to the artist? I remember, several years ago——'

'Starlight Express, wasn't it?' said his friend with decision in his voice. He thumped the table vigorously with one fist. 'Keep to the point, old man. Follow it out. Your idea is splendid.'

'Yes, I do believe it is.' Something in his voice trembled.

One sentence in particular Rogers heard, for it seemed plucked out of the talk he had with the children in the forest that day two weeks ago.

'You see, all light meets somewhere. It's all one, I mean. And so with minds. They all have a common meeting-place. Sympathy is the name for that place—that state—they feel with each other, see flash-like from the same point of view for a moment. And children are the conduits. They do not think things out. They feel them, eh?' He paused an instant.

'For you see, along these little channels that the children—my children, as I think I mentioned—keep sweet and open, there might troop back into the village—Fairyland. Not merely a foolish fairyland of make-believe and dragons and princesses imprisoned in animals, but a fairyland the whole world needs—the sympathy of sweet endeavour, love, gentleness and sacrifice for others. The stars would bring it— starlight don't you see? One might weave starlight in and out everywhere—use it as the symbol of sympathy—and—er—so on—-'

Rogers again lost the clue. Another strangely familiar picture, and then another, flashed gorgeously before his inner vision; his mind raced after them, yet never caught them up. They were most curiously familiar. Then, suddenly, he came back and heard his cousin still talking. It was like a subtle plagiarism. Too subtle altogether, indeed, it was for him. He could only stare and listen in amazement.

But the recital grew more and more involved. Perhaps, alone in his work-room, Daddy could unwumble it consistently. He certainly could not tell it. The thread went lost among a dozen other things. The interfering sun had melted it all down in dew and spider gossamer and fairy cotton. …

'I must go down and work,' he said at length, rising and fumbling with the door handle. He seemed disappointed a little. He had given out his ideas so freely, perhaps too freely. Rogers divined he had not sympathised enough. His manner had been shamefully absent-minded. The absent-mindedness was really the highest possible praise, but the author did not seem to realise it.

'It's glorious, my dear fellow, glorious,' Rogers added emphatically. 'You've got a big idea, and you can write it too. You will.' He said it with conviction. 'You touch my heart as you tell it. I congratulate you. Really I do.'

There was no mistaking the sincerity of his words and tone. The other came back a step into the room again. He stroked his beard and felt the crisp, hard crumb. He picked it out, examining it without surprise. It was no unfamiliar thing, perhaps; at any rate, it was an excuse to lower his eyes. Shyness returned upon him.

'Thank you,' he said gently; 'I'm glad you think so. You see, I sometimes feel—perhaps—my work has rather suffered from—been a little deficient in—the human touch. One must reach people's hearts if one wants big sales. So few have brains. Not that I care for money, or could ever write for money, for that brings its own punishment in loss of inspiration. But of course, with a family to support. … I have a family, you see.' He raised his eyes and looked out into the sunshine. 'Well, anyhow, I've begun this thing. I shall send it in short form to the X. Review . It may attract attention there. And later I can expand it into a volume.' He hesitated, examined the crumb closely again, tossed it away, and looked up at his cousin suddenly full in the face. The high enthusiasm flamed back into his eyes again. 'Bring the world back to Fairyland, you see!' he concluded with vehemence, 'eh?'

'Glorious!' Surely thought ran about the world like coloured flame, if this was true.

The author turned towards the door. He opened it, then stopped on the threshold and looked round like a person who has lost his way.

'I forgot,' he added, 'I forgot another thing, one of the chief almost. It's this: there must be a Leader—who shall bring it back. Without the Guide, Interpreter, Pioneer, how shall the world listen or understand, even the little world of Bourcelles?'

'Of course, yes—some big figure—like a priest or prophet, you mean?
A sort of Chairman, President, eh?'

'Yes,' was the reply, while the eyes flashed fires that almost recaptured forgotten dreams, 'but hardly in the way you mean, perhaps. A very simple figure, I mean, unconscious of its mighty role. Some one with endless stores of love and sympathy and compassion that have never found an outlet yet, but gone on accumulating and accumulating unexpressed.'

'I see, yes.' Though he really did not 'see' a bit. 'But who is there like that here? You'll have to invent him.' He remembered his own thought that some principal role was vacant in his Children's Fairy Play. How queer it all was! He stared. 'Who is there?' he repeated.

'No one—now. I shall bring her, though.'

' Her !' exclaimed Rogers with surprise. 'You mean a woman?'

'A childless woman,' came the soft reply. 'A woman with a million children—all unborn.' But Rogers did not see the expression of the face. His cousin was on the landing. The door closed softly on the words. The steps went fumbling down the stairs, and presently he heard the door below close too. The key was turned in it.

'A childless woman!' The phrase rang on long after he had gone. What an extraordinary idea! 'Bring her here' indeed! Could his cousin mean that some such woman might read his story and come to claim the position, play the vacant role? No, nothing so literal surely. The idea was preposterous. He had heard it said that imaginative folk, writers, painters, musicians, all had a touch of lunacy in them somewhere. He shrugged his shoulders. And what a job it must be, too, the writing of a book! He had never realised it before. A real book, then, meant putting one's heart into sentences, telling one's inmost secrets, confessing one's own ideals with fire and lust and passion. That was the difference perhaps between literature and mere facile invention. His cousin had never dared do this before; shyness prevented; his intellect wove pretty patterns that had no heat of life in them. But now he had discovered a big idea, true as the sun, and able, like the sun, to warm thousands of readers, all ready for it without knowing it. …

Rogers sat on thinking in the bright spring sunshine, smoking one cigarette after another. For the idea his cousin had wumbled over so fubsily had touched his heart, and for a long time he was puzzled to find the reason. But at length he found it. In that startling phrase 'a childless woman' lay the clue. A childless woman was like a vessel with a cargo of exquisite flowers that could never make a port. Sweetening every wind, she yet never comes to land. No harbour welcomes her. She sails endless seas, charged with her freight of undelivered beauty; the waves devour her glory, her pain, her lovely secret all unconfessed. To bring such a woman into port, even imaginatively in a story, or subconsciously in an inner life, was fulfilment of a big, fine, wholesome yearning, sacred in a way, too.

'By George!' he said aloud. He felt strange, great life pour through him. He had made a discovery … in his heart … deep, deep down.

Something in himself, so long buried it was scarcely recognisable, stirred out of sight and tried to rise. Some flower of his youth that time had hardened, dried, yet never killed, moved gently towards blossoming. It shone. It was still hard a little, like a crystal, glistening down there among shadows that had gathered with the years. And then it suddenly melted, running in a tiny thread of gold among his thoughts into that quiet sea which so rarely in a man may dare the relief of tears. It was a tiny yellow flower, like a daisy that had forgotten to close at night, so that some stray starbeam changed its whiteness into gold.

Forgotten passion, and yearning long denied, stirred in him with that phrase. His cousin's children doubtless had prepared the way. A faded Dream peered softly into his eyes across the barriers of the years. For every woman in the world was a mother, and a childless woman was the grandest, biggest mother of them all. And he had longed for children of his own; he, too, had remained a childless father. A vanished face gazed up into his own. Two vessels, making the same fair harbour, had lost their way, yet still sailed, perhaps, the empty seas. Yet the face he did not quite recognise. The eyes, instead of blue, were amber. …

And did this explain a little the spell that caught him in this Jura village, perhaps? Were these children, weaving a network so cunningly about his feet, merely scouts and pilots? Was his love for the world of suffering folk, after all, but his love for a wife and children of his own transmuted into wider channels? Denied the little garden he once had planned for it, did it seek to turn the whole big world into a garden? Suppression was impossible; like murder, it must out. A bit of it had even flamed a passage into work and patents and 'City' life. For love is life, and life is ever and everywhere one. He thought and thought and thought. A man begins by loving himself; then, losing himself, he loves a woman; next, that love spreads itself over a still bigger field, and he loves his family, his wife and children, and their families again in turn. But, that expression denied, his love inevitably, irrepressibly seeking an outlet, finds it in a Cause, a Race, a Nation, perhaps in the entire world. The world becomes his 'neighbour.' It was a great Fairy Story. …

Again his thoughts returned to that one singular sentence … and he realised what his cousin meant. Only a childless Mother, some woman charged to the brim with this power of loving to which ordinary expression had been denied, could fill the vacant role in his great Children's Play. No man could do it. He and his cousin were mere 'supers' on this stage. His cousin would invent her for his story. He would make her come. His passion would create her. That was what he meant.

Rogers smiled to himself, moving away from the window where the sunshine grew too fierce for comfort. What a funny business it all was, to be sure! And how curiously every one's thinking had intermingled! The children had somehow divined his own imaginings in that Crayfield garden; their father had stolen the lot for his story. It was most extraordinary. And then he remembered Minks, and all his lunatic theories about thought and thought-pictures. The garden scene at Crayfield came back vividly, the one at Charing Cross, in the orchard, too, with the old Vicar, when they had talked beneath the stars. Who among them all was the original sponsor? And which of them had set the ball a-rolling? It was stranger than the story of creation. … It was the story of creation.

Yet he did not puzzle very long. Actors in a play are never puzzled; it is the bewildered audience who ask questions. And Henry Rogers was on the stage. The gauzy curtain hung between him and the outside point of view. He was already deeply involved in Fairyland. … His feet were in the Net of Stars. … He was a prisoner.

And that woman he had once dreamed might mother his own children— where was she? Until a few years ago he had still expected, hoped to meet her. One day they would come together. She waited somewhere. It was only recently he had let the dream slip finally from him, abandoned with many another personal ambition.

Idly he picked up a pencil, and before he was aware of it the words ran into lines. It seemed as though his cousin's mood, thought, inspiration, worked through him.

Upon what flowering shore,
'Neath what blue skies
She stands and waits,
It is not mine to know;
Only I know that shore is fair,
Those skies are blue.

Her voice I may not hear,
Nor see her eyes,
Yet there are times
When in the wind she speaks.
When stars and flowers
Tell me of her eyes.
When rivers chant her name.

If ever signs were sure,
I know she waits;
If not, what means this sweetness in the wind,
The singing in the rain, the love in flowers?
What mean these whispers in the air,
This calling from the hills and from the sea?
These tendernesses of the Day and Night?
Unless she waits!

What in the world was this absurd sweetness running in his veins?

He laughed a little. A slight flush, too, came and went its way. The tip of the pencil snapped as he pressed too heavily on it. He had drawn it through the doggerel with impatience, for he suddenly realised that he had told a deep, deep secret to the paper. It had stammered its way out before he was aware of it. This was youth and boyhood strong upon him, the moods of Crayfield that he had set long ago on one side—deliberately. The mood that wrote the Song of the Blue Eyes had returned, waking after a sleep of a quarter of a century.

'What rubbish!' he exclaimed; 'I shall be an author next!' He tore it up and, rolling the pieces into a ball, played catch with it. 'What waste of energy! Six months ago that energy would have gone into something useful, a patent—perhaps an improvement in the mechanism of—of—' he hesitated, then finished the sentence with a sigh of yearning and another passing flush—'a perambulator!'

He tossed it out of the window and, laughing, leaned out to watch it fall. It bounced upon a head of tousled hair beneath, then flew off sideways in the wind and rattled away faintly among the vines. The head was his cousin's.

'What are you up to?' cried the author, looking up. 'I'm not a waste- paper basket.' There was a cigarette ash in his beard.

'Sending you ideas, he answered. 'I'm coming myself now. Look out!' He was in high spirits again. He believed in that Fairy Princess.

'All right; I've put you in already. Everybody will wonder who
Cousinenry is. …' The untidy head of hair popped in again.

'Hark!' cried Rogers, trying to look round the corner of the house. He edged himself out at a dangerous angle. His ears had caught another sound. There was music in the air. CwzJQYLVu57BmAs/QPhxh6GOVcZYfNaNbPvLHQ3E1duikstjTHmD7/rZuvDqKH1z