购买
下载掌阅APP,畅读海量书库
立即打开
畅读海量书库
扫码下载掌阅APP

CHAPTER XXVIII.

"There was only one thing that disappointed me," Mrs. Malt was saying at the dinner table of the Cologne hotel, "and that wasn't so much what you would call a disappointment as a surprise. White windows-blinds in a robber castle on the Rhine I did not expect to see."

I slipped away before momma had time to announce and explain her disappointments, but I heard her begin. Then I felt safe, for criticism of the Rhine is absorbing matter for conversation. The steamer's custom of giving one stewed plums with chicken is an affront to civilisation to last a good twenty minutes by myself. I tried to occupy and calm Isabel's mind with it as we walked over to the station, under the twin towers of the Cathedral, but with indifferent success. To add to her agitation at this crisis of her life, the top button came off her glove, and when that happened I felt the inutility of words.

We passed the policemen on the Cathedral square with affected indifference. We believed we were not liable to arrest, but policemen, when one is eloping, have a forbidding look. We refrained, by mutual arrangement, from turning once to look back for possible pursuers, but that is not a thing I would undertake to do again under similar circumstances. We even had the hardihood to buy a box of chocolates on the way, that is, Isabel bought them, while I watched current events at the confectioner's door. The station was really only about seven minutes' walk from the hotel, but it seemed an hour before I was able to point out Dicky, alert and expectant, on the edge of the platform behind the line of cabs.

"So near the fulfilment of his hopes, poor fellow," I remarked.

"Yes," concurred Isabel, "but do you know I almost wish he wasn't coming."

"Don't tell him so, whatever you do," I exclaimed. "I know Dicky's sensitive nature, and it is just as likely as not that he would take you at your word. And I will not elope with you alone."

I need not have been alarmed. Isabel had no intention of reducing the party at the last moment. I listened for protests and hesitations when they met, but all I heard was, " Have you got the bag?"

Dicky had the bag, the tickets, the places, everything. He had already assumed, though only a husband of to-morrow, the imperative and responsible connection with Isabel's arrangements. He told her she was to sleep with her head toward the engine, that she was to drink nothing but soda-water at any of the stations, and that she must not, on any account, leave the carriage when we changed for Paris until he came for her. It would be my business to see that these instructions were carried out.

"What shall I do," I asked, "if she cries in the night?"

But Dicky was sweeping us toward the waiting-room, and did not hear me. He placed us carefully in the seats nearest the main door, which opened upon the departure platform, full of people hurrying to and fro, and of the more leisurely movement of shunting trains. The lamps were lighted, though twilight still hung about; the scene was pleasantly exciting. I said to Isabel that I never thought I should enjoy an elopement so much.

" I shall enjoy settling down," she replied thoughtfully. "Dicky has promised me that all the china shall be hand-painted."

"You won't mind my leaving you for five seconds," said Mr. Dod, suddenly exploring his breast-pocket; "the train doesn't leave for a quarter of an hour yet, and I find I haven't a smoke about me," and he opened the door.

"Not more that five seconds then," I said, for nothing is more trying to the nerves than to wait for a train which is due in a few minutes and a man who is buying cigars at the same time.

Dicky left the door open, and that was how I heard a strangely familiar voice, with an inflexion of enforced calm and repression, suddenly address him from behind it.

" Good evening, Dod! "

I did not shriek, or even grasp Isabel's hand. I simply got up and stood a little nearer the door. But I have known few moments so electrical.

"My dear chap, how are you?" exclaimed Dicky. "How are you? Staying in Cologne? I'm just off to Paris."

I thought I heard a heavy sigh, but it was somewhat lost in the trundling of the porters' trucks.

"Then," said Arthur Page, for I had not been deceived, "it is as I supposed."

"What did you suppose, old chap?" asked Dicky in a joyous and expansive tone.

"You do not go alone?"

The bitterness of this was not a thing that could be communicated to paper and ink.

"Why, no," said Dicky, "the fact is——"

I saw the wave—it was characteristic—with which Mr. Page stopped him. "I have been made acquainted with the facts," he said. "Do not dwell upon them. I do not, cannot, blame you, if you have really won her heart."

"So far as I know," said Dicky, with some hauteur, "there's nothing in it to give you the hump."

"Why waste time in idle words?" replied Arthur. "You will lose your train. I could never forgive myself if I were the cause of that."

"You won't be," said Dicky sententiously, looking at his watch.

"But I must ask—must demand—the privilege of one parting word," said Arthur firmly. "Do not be apprehensive of any painful scene. I desire only to wish her every happiness, and to bid her farewell."

Mr. Dod, though on the eve of his wedding day, was not wholly oblivious of the love affairs of other people. I could see a new-born and overwhelming comprehension of the situation in his face as he put his head in at the door and beckoned to Isabel. Evidently he could not trust himself to speak.

"Miss Portheris," he said, with magnificent self-control, "Mr. Page. Mr. Page would like to wish you every happiness and to bid you farewell, Isabel, and I don't see why he shouldn't. We have still five minutes."

There are limits to the propriety of all practical jokes, and I walked out at once to assure Arthur that his misunderstanding was quite natural, and somewhat less exquisitely humorous than Mr. Dod appeared to find it.

"I am merely eloping too," I said, "in case anything should happen to Isabel." Realising that this was also being misinterpreted, I added, "She is not accustomed to travelling alone."

We had shaken hands, and that always makes a situation more normal, but there was still plainly an enormous amount to clear up, and painfully little time to do it in, though Dicky with great consideration immediately put Isabel into the carriage and followed her to its remotest corner, leaving me standing at the door, and Arthur holding it open. The second bell rang as I learned from Mr. Page that the Pattersons had gone to Newport this summer, and that it was extremely hot in New York when he left. As the guard came along the platform shutting up the doors of the train, Arthur's agitation increased, and I saw that his customary suffering in connection with me, was quite as great as anybody could desire. The guard had skipped our carriage, but it was already vibrating in departure—creaking—moving. I looked at Arthur in a manner—I confess it—which annihilated our two months of separation.

"Then since you're not going to marry Dod," he inquired breathlessly, walking along with the train—"I've heard various reports—whom, may I ask, are you going to marry?"

"Why, nobody," I said, "unless——"

"Well, I should think so!" ejaculated Arthur, and in spite of the frightful German language used by the guard, he jumped into the carriage.

He has maintained ever since that he was obliged to do it in order to explain his presence on the platform, which was, of course, carrying the matter to its logical conclusion. It seemed that the Senator had advised him to come over and meet us accidentally in Venice, where he had intimated that reunion would be only a question of privacy and a full moon. On his arrival at Venice—it was his gondola that we shared—the Senator had discouraged him for the moment, and had since constantly telegraphed him that the opportune moment had not yet arrived. Finally poppa had written to say that, though he grieved to announce that I was engaged to Dicky, and he could not guarantee any disengagement, he was still operating to that end. This, however, precipitated Mr. Page to Cologne, where observation of our movements at a distance brought him to the wrong conclusion, but fortunately to the right platform. As Isabel remarked, if such things were put in books nobody would believe them.

"Whom are you going to marry?"

It seemed quite unreasonable and absurd when we talked it over that Arthur and I should travel from Cologne to Dover merely to witness the nuptials of Dicky and Isabel. As Dicky pointed out, moreover, our moral support when it came to the interview with Mrs. Portheris would be much more valuable if it were united. There would be the registrar—one registrar would do—and there would be the opportunity of making it a square party. These were Dicky's arguments; Arthur's were more personal but equally convincing, and I must admit that I thought a good deal of the diplomatic anticipation of that magnificent wedding which was to illustrate and adorn the survival of the methods of the Doge of Venice in the family of a Senator of Chicago. And thus it was that we were all married sociably together in Dover the following morning, despatching a telegram immediately afterwards to the Senator at the Cologne hotel as follows:

"We have eloped.
(Signed) R. and I. Dod.
A. and M. Page."

Later on in the day we added details, to show that we bore no malice, and announced that we were prepared to await the arrival of the rest of the party for any length of time at Dover.

We even went down to the station to meet them, where recriminations and congratulations were so mingled that it was impossible, for some time, to tell whether we were most blessed or banned. Even in the confusion of the moment, however, I noticed that Mr. Mafferton made Miss Callis's baggage his special care, and saw clearly in the cordiality of her sentiments toward me, and the firmness of her manner in ordering him about, that the future peer had reached his last alternative.

I rejoice to add that the day also showed that even Count Filgiatti had fallen, in the general ordering of fates, upon happiness with honour. I noticed that Emmeline vigorously protected him from the Customs officer who wished to confiscate his cigarettes, and I mentioned her air of proprietorship to her father.

"Why, yes," said Mr. Malt, "he offered himself as a count you see, and Emmeline seemed to think she'd like to have one, so I closed with him. There isn't anything likely to come of it for three or four years, but he's willing to wait, and she's got to grow."

I expressed my felicitations, and Mr. Malt added somewhat regretfully that it would have been better if he'd had more in his clothes, but that was what you had to expect with counts; as a rule they didn't seem to have what you might call any money use for pockets. In the meantime they were taking him home to educate him in the duties of American citizenship. Emmeline put it to me briefly, "I'm not any Daisy Miller," she said, "and I prefer to live out of Rome."

Once a year the present Lady Mafferton invites Mrs. Portheris to tea, and I know they discuss my theory of engagements in a critical spirit. We have never seen either Miss Nancy or Miss Cora Bingham again, and I should have forgotten the names of Mr. Pabbley and Mr. Hinkson by this time if I had not written them down in earlier chapters. Arthur and I have not yet made up our minds to another visit to England. We have several friends there, however, whom we appreciate exceedingly, in spite, as we often say to one another, of their absurd and deplorable accent.

THE END.

D. APPLETON AND COMPANY'S PUBLICATIONS.

Miss F.F. Montrésor's Books. Uniform Edition. Each, 16MO, Cloth.

AT THE CROSS-ROADS . $1.50.

"Miss Montrésor has the skill in writing of Olive Schreiner and Miss Harrarden, added to the fullness of knowledge of life which is a chief factor in the success of George Eliot and Mrs. Humphry Ward.... There is as much strength in this book as in a dozen ordinary successful novels."— London Literary World .

"I commend it to all my readers who like a strong, cheerful, beautiful story. It is one of the truly notable books of the season."— Cincinnati Commercial Tribune .

FALSE COIN OR TRUE? $1.25.

"One of the few true novels of the day.... It is powerful, and touched with a delicate insight and strong impressions of life and character.... The author's theme is original, her treatment artistic, and the book is remarkable for its unflagging interest."— Philadelphia Record .

"The tale never flags in interest, and once taken up will not be laid down until the last page is finished."— Boston Budget .

"A well-written novel, with well-depicted characters and well-chosen scenes."— Chicago News .

"A sweet, tender, pure, and lovely story."— Buffalo Commercial .

THE ONE WHO LOOKED ON . $1.25.

"A tale quite unusual, entirely unlike any other, full of a strange power and realism, and touched with a fine humor."— London World .

"One of the most remarkable and powerful of the year's contributions, worthy to stand with Ian Maclaren's."— British Weekly .

"One of the rare books which can be read with great pleasure and recommended without reservation. It is fresh, pure, sweet, and pathetic, with a pathos which is perfectly wholesome."— St. Paul Globe .

"The story is an intensely human one and it is delightfully told.... The author shows a marvelous keenness in character analysis, and a marked ingenuity in the development of her story."— Boston Advertiser .

INTO THE HIGHWAYS AND HEDGES . $1.50.

"A touch of idealism, of nobility of thought and purpose, mingled with an air of reality and well-chosen expression, are the most notable features of a book that has not the ordinary defects of such qualities. With all its elevation of utterance and spirituality of outlook and insight it is wonderfully free from overstrained or exaggerated matter, and it has glimpses of humor. Most of the characters are vivid, yet there are restraint and sobriety in their treatment, and almost all are carefully and consistently evolved."— London Athenæum .

"'Into the Highways and Hedges' is a book not of promise only, but of high achievement. It is original, powerful, artistic, humorous. It places the author at a bound in the rank of those artists to whom we look for the skillful presentation of strong personal impressions of life and character."— London Daily News .

"The pure idealism of 'Into the Highways and Hedges' does much to redeem modern fiction from the reproach it has brought upon itself.... The story is original, and told with great refinement."— Philadelphia Public Ledger .

D. APPLETON AND COMPANY, NEW YORK.


D. APPLETON & CO.'S PUBLICATIONS.

RICHARD MALCOLM JOHNSTON'S STORIES.

WIDOW GUTHRIE . Illustrated by E.W. Kemble. 12mo. Cloth, $1.50.

"The Widow Guthrie stands out more boldly than any other figure we know—a figure curiously compounded of cynical hardness, blind love, and broken-hearted pathos.... A strong and interesting study of Georgia characteristics without depending upon dialect. There is just sufficient mannerism and change of speech to give piquancy to the whole."— Baltimore Sun .

"Southern humor is droll and thoroughly genuine, and Colonel Johnston is one of its prophets. The Widow Guthrie is admirably drawn. She would have delighted Thackeray. The story which bears her name is one of the best studies of Southern life which we possess."— Christian Union .

THE PRIMES AND THEIR NEIGHBORS . Illustrated by Kemble, Frost, and others. 12mo. Cloth, uniform with "Widow Guthrie," $1.25. Also in paper, not illustrated, 50 cents.

"The South ought to erect a monument in gratitude to Richard Malcolm Johnston. While scores of writers have been looking for odd Southern characters and customs and writing them up as curiosities, Mr. Johnston has been content to tell stories in which all the people are such as might be found in almost any Southern village before the war, and the incidents are those of the social life of the people, uncomplicated by anything which happened during the late unpleasantness."— New York Herald .

"These ten short stories are full of queer people, who not only talk but act in a sort of dialect. Their one interest is their winning oddity. They are as truly native to the soil as are the people of 'Widow Guthrie.' In both books the humor is genuine, and the local coloring is bright and attractive."— New York Commercial Advertiser .

THE CHRONICLES OF MR. BILL WILLIAMS. (Dukesborough Tales.) 12mo. Paper, 50 cents; cloth, with Portrait of the Author, $1.00.

"A delightful originality characterizes these stories, which may take a high rank in our native fiction that depicts the various phases of the national life. Their humor is equally genuine and keen, and their pathos is delicate and searching."— Boston Saturday Evening Gazette .

"Stripped of their bristling envelope of dialect, the core of these experiences emerges as lumps of pure comedy, as refreshing as traveler's trees in a thirsty land; and the literary South may be grateful that it has a living writer able and willing to cultivate a neglected patch of its wide domain with such charming skill."— The Critic .

MR. FORTNER'S MARITAL CLAIMS, and Other Stories . 16mo. Boards, 50 cents.

"When the last story is finished we feel, in imitation of Oliver Twist, like asking for more."— Public Opinion .

"Quaint and lifelike pictures, as characteristic in dialect as in description, of Georgia scenes and characters, and the quaintness of its humor is entertaining and delightful."— Washington Public Opinion .


D. APPLETON & CO., 72 Fifth Avenue. New York.


D. APPLETON AND COMPANY'S PUBLICATIONS.

BEATRICE WHITBY'S NOVELS. Each, 12mo, cloth, $1.00; paper, 50 cents.

SUNSET .

"'Sunset' will fully meet the expectations of Miss Whitby's many admirers, while for those (if such there be) who may not know her former books it will form a very appetizing introduction to these justly popular stories."— London Globe .

THE AWAKENING OF MARY FENWICK .

"Miss Whitby is far above the average novelist.... This story is original without seeming ingenious, and powerful without being overdrawn."— New York Commercial Advertiser .

PART OF THE PROPERTY .

"The book is a thoroughly good one. The theme is the rebellion of a spirited girl against a match which has been arranged for her without her knowledge or consent.... It is refreshing to read a novel in which there is not a trace of slipshod work."— London Spectator .

A MATTER OF SKILL .

"A very charming love story, whose heroine is drawn with original skill and beauty, and whom everybody will love for her splendid if very independent character."— Boston Home Journal .

ONE REASON WHY .

"A remarkably well-written story.... The author makes her people speak the language of everyday life, and a vigorous and attractive realism pervades the book."— Boston Saturday Evening Gazette .

IN THE SUNTIME OF HER YOUTH .

"The story has a refreshing air of novelty, and the people that figure in it are depicted with a vivacity and subtlety that are very attractive."— Boston Beacon .

MARY FENWICK'S DAUGHTER .

"A novel which will rank high among those of the present season."- Boston Advertiser .

ON THE LAKE OF LUCERNE, and other Stories. 16mo. Boards, with specially designed cover, 50 cents.

"Six short stories carefully and conscientiously finished, and told with the graceful ease of the practiced raconteur ."— Literary Digest .

"Very dainty, not only in mechanical workmanship but in matter and manner."— Boston Advertiser .

D. APPLETON AND COMPANY, NEW YORK.


D. APPLETON AND COMPANY'S PUBLICATIONS.

SOME NOTABLE AMERICAN FICTION in APPLETONS' TOWN AND COUNTRY LIBRARY. Each, 12mo, cloth, $1.00; paper, 50 cents.

A COLONIAL FREE-LANCE . By Chauncey C. Hotchkiss, author of "In Defiance of the King."

"We have had stories of the Revolution dealing with its statesmen, its soldiers, and its home life, but the good books relating to adventure by sea have been few and far between. The best of these for many a moon is 'A Colonial Free-Lance' There is a rattle and dash, a continuity of adventure that constantly chains the reader's attention and makes the book delightful reading."— Philadelphia Inquirer .

THE SUN OF SARATOGA . By Joseph A. Altsheler.

"Taken altogether, 'The Sun of Saratoga' is the best historical novel of American origin that has been written for years, if not, indeed, in a fresh, simple, unpretending, unlabored, manly way, that we have ever read."— New York Mail and Express .

MASTER ARDICK, BUCCANEER . By F.H. Costello.

"This story is one of the real old-fashioned kind that novel readers will take delight in perusing. There are incident and adventure in plenty. The characters are bold, knightly, and chivalrous, and delightful entertainers."— Boston Courier .

THE INTRIGUERS . A Novel. By John D. Barry.

"The story is a wholesome, enlivening bit of romance. It rings pure and sweet, and is most happy in its characterizations."— Boston Herald .

"A bright society novel, sparkling with wit and entertaining from beginning to end."— Boston Times .

IN DEFIANCE OF THE KING . A Romance of the American Revolution. By Chauncey C. Hotchkiss.

"Thrills from beginning to end with the spirit of the Revolution.... His whole story is so absorbing that you will sit up far into the night to finish it, and lay it aside with the feeling that you have seen a gloriously true picture of the Revolution."— Boston Herald .

IN OLD NEW ENGLAND . The Romance of a Colonial Fireside. By Hezekiah Butterworth.

"We do not remember any other volume which holds within its covers a series of such charming legends and traditions of New England's earlier history.... 'In Old New England' possesses a charm rare indeed. It will be welcomed by young and old alike."— New York Mail and Express .

D. APPLETON AND COMPANY, NEW YORK. ggQmnK0w6q52TkOwZtKWf1SS392DOjW5nBJF2aBrVsCH/dMX3l6xBcMCGXbIiBhv

点击中间区域
呼出菜单
上一章
目录
下一章
×

打开