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I wasn't frightened, of course. There isn't anything terrifying in finding a little old leather-covered book on a prie-dieu by one's bedside. But it was some minutes before I could induce myself to take up that yellowed old diary and examine it.
It begins the year of Freeman's return from college, "a Finish'd Young Gentleman." He has refused to go abroad, considering that "our Young Gentlemen have enough Fripperies & Fopperies at Home without bringing worse Ones from Abroad." Brother Richard has been abroad more than once, and Freeman does not "find him Improv'd save in Outer Elegancies."
The only person that "much Travelling hath not Spoil'd," he finds, is Mistress Emily Hope of Hope Plantation. "Shee was a Sweet Child," he remembers; and now that the dew of their youth is upon them both, he finds her "of a Graceful and Delicate Shape, with the Most Beautiful Countenance in the World, a Sweet & Modest Demeanour, a Sprightly Wit, an Accomplish'd Mind, & a Heart Fix'd upon Virtue."
The estates are near each other, the families intimate friends. Emily seems to like the boy. At any rate, she doesn't repel him. And then returns Richard—the gay, the handsome, the irresistible Richard—who adds to the stalwart comeliness of a colonial gentleman the style, the grace, the cultivated manners of the Old World.
Almost fiercely Freeman notes the effect he produces, and how "Women do catch an Admiration for him as't were a Pox."
Then he begins to set down, grimly, "The Sums my Father hath paid for My Brother's Debts." A little later, he adds: "You Might Pour the Atlantic Ocean full of Gold through his Pocketts & Overnight would He empty Them." Richard, also, "Makes Choice of rake-hell Companions," to his father's growing unease and indignation, his mother's distress. But "Good God! how is all Forgiven the Beautiful, the Gift'd!"
"Jezebel herself, that carries her Head so High, wears her Heart upon her Sleeve, een like a simple Milkmaid! 'Tis a Rare Spectacle. Sure there's a Fatality about this Man!"
"This Day dress'd I in my new Blue Cloathes, the which become me not Ill & riding over to Hope Plant'n did ask for Emily's Hand. Alas, 'Tis even as my Fears foretold! Shee loves me Not. 'Tis Richard alone hath her Heart.
"I do Fear Shee will sup Sorrow & drink Tears that setts her Affection upon the Unstable. Shee's too Mild, too Tender, hath not a Firm enough Hand to restrain him. He should een have ta'en Madame Jezebel. Hath a Grand Passion for him. Will not lightly wear the Willow."
"This Day did Richard my Brother Wed Emily Hope," he records, after a six-months' silence. "All say 'tis a most Noble Mating. My Mother in a Gown from London Town, & our Finest Gems, enow to make a Dutchess envious of a Carolina Lady. My Father in high Spiritts.
"I danc'd with the Bridesmaids, but Salut'd not the Bride, the Which noted Madame Jezebel. Was Handsomer than ever I did See her, many thinking her Handsomer than the Bride. Had a great Following, the which the Hussy treat'd with Disdain.
"'Have you Kiss'd the Bride, Sir?' says shee, a-mocking of me after her Wont. 'What a Fine Thing is a Love-Match, Master Freeman!'
"'Have you Wish'd the Bridegroom Joy?' says I. The woman anger'd me.
"'May Heaven send him all the Happiness he Deserves!' cries shee. 'Sure, you'll echo that yourself, Master Freeman!' 'Tis a jibing Wench. Would to God Richard had Wedded her!"
Then came dry notes of a visit to Kinsfolk in Virginia. Freeman seems to have been away from home for some time. When he returns, it is to chronicle in brief his brother's downward course. "They have sold Hope Plantation and Most of the Slaves. 'Tis an evil Chance."
"I shall be Twenty-one next month, though I feel a Thousand. We shall have a Ball, after the Custom of our House. 'Tis to be a Grand Affair. I do think my Parents are somewhat Tender of Conscience to meward. Though my Father Loves me not as he Loves my Brother, yet he begins to Lean upon me more & More Heavily. My poor Mother is a Little Envious of these Dry Virtues of mine, seeing her Darling is like to come to Shipwreck for Lack of them. Yet had he Fortune & Beauty & Emily!"
The next entry records the loss of the Hynds jewels. "'Tis a great Mystery!" One is sorely puzzled here. There is no getting at what Freeman really thinks. Coldly, tritely, he sets down the bald, bare facts of the tragedies that wrecked the Hyndses.
With a strange lack of emotion he chronicles Richard's death, and adds: "At the Pleasure of God his Birth fell upon a Wednesday, at Sun-rising, the which was by some Accounted Favourable. His Death came upon a Friday, at Noone, it Raining heavily."
Then comes his father's sudden death; and this curious item:
"Despite his Anguish & Affliction of Spiritt upon that Date, he did tell me Part, after the Custom of our House, the morning of my Twenty-first Birthday. Alas, when he was Stricken, upon the News of Richard's Demise, he had no Chance to tell me All, nor was there among his Papers the Keye nor any Clue to It. When J. call'd us, he was Beyond Speech & shee Hystericall with Affright. Thus the Whole Secret perishes, since Without the Keye & his Instructions 'twould be Impossible to Proceed."
"This evening came Capt. B., the worst of the Plundering Crew that pluck'd Richard. 'Sirrah,' says he, impudently, 'thy Brother owe'd me three thousand pounds.' And he pulls me out a great fistfull of Billets.
"'Sirrah,' says I, 'my Brother owes his Wife and Orphan'd Infant three thousand times more than that. There be Debts of Nature which precede so-called Debts of Honour. Each billet in thy hand, thou swindling runnigate, calls for a bullet. Begone, lest I owe thee a horse-whipping.'
"'Anan!' says he, 'and one of you a Thief! That for Honour, in the mouth of a Hynds!' And snapp'd me his fingers under my Nose.
"We arrang'd a Meeting, though 'T was Foolish to Risk myself, with the Roof tottering over my Mother's Head. My fellow Pompey, Mr. G. Dalzell, Mr. F. Mayne, & Dr. Baltassar Bobo with me. Two of his scoundrelly Associates with him. His ball graz'd my arm above the Elbow & Burnt the Linen of my Shirt. Mine Finish'd him. 'T was too great an Honour & more than he Deserv'd, to die by the Hand of a Gentleman."
A little later: "This morn disappear'd my Cozen Jessamine.
"Nothing discover'd of her Whereabouts," he records from time to time.
"This morn saw I Emily & Richard's little Son. 'T is a Fine child, much Resembling my Brother. Emily turn'd her Face away, drawing down of her Widow's Weeds, & turn'd also the Babe's face aside. I felt Embitter'd."
By this time he has taken over the whole Hynds estate as heir. He mentions his sisters' marriages, notes that they have received their dowers, and so dismisses them.
His mother has been dead some time when he marries. One wonders what the bride was like, whom he commends for "Housekeeping Virtues, so that the Servants instantly Obey, there is no Pilfering & Loitering, & the House moves like Clockwork."
He must have been like clockwork, himself. There seems less and less human emotion in him. The birth of his only child gets this:
"This day was born Sophronisba Harriott Hynds, nam'd for her Estimable Mother. I am told 'Tis a fine healthy Child."
Casually thereafter he mentions "my Daughter." Twice her mother "Requested me to Chastise her for Unchristian Temper," which chastisement he seems to have administered with thoroughness and a rattan, in his office. On the second occasion, "I whip'd her Severely & did at the same Time admonish her to Ask Pardon of God. Whereupon she Yell'd Aloud & did Seize the Calf of my Leg & Bite me, Causing me Great Physical Pain and Mental Anguish. How sharper than a Serpent's Tooth is an Ungrateful Child!"
(Oh, Ungrateful Child, I do not find it in my heart to blame you overmuch. Somehow I can't feel sorry that you bit him, Sophronisba!)
"This day died my Wife, an Estimable Helpmeet. I shall sadly Lack her Management of the House." In spite of which, he buys more land. Life seems to run smoothly enough. "The Lord hath bless'd me with Abundance. They that Spoke evil of me are Astonied & made Asham'd. The Lord hath done it."
Then comes this last entry:
"Two nights since died Scipio, son of old Shooba's last Wife, the which did send for me, Urgently entreating of my Presence. 'T was ever a Simple-minded Creature & found a faithful Servant, wherefore I did go to him.
"He was greatly in Dread of Dying, for that he was in mortal Terrour of old Shooba, fearing to Meet that Evil Being outside of the Flesh. Had been with Shooba when the wretched Creature passed away, a harden'd Heathen among Convert'd & Profess'd Christians. Said he was a Snake Soul.
"The man was craz'd with Fear, dreading Shooba to be even then in the Room. And indeed the Tale he whisper'd me was enough to Craze a Christian Man, & hath all but crack'd mine own Witts. If 't were not for the Paper he slip't into my Palm, I should sett it down for a Phantazy, one of old Shooba's evil Spells. Most merciful God, how came he by that Paper if the Tale be untrue?
"Greatly am I upsett by this Improbable & Frightful Thing. Sure this requires Prayer & Fasting, lest I be Delud'd."
Between the pages following this last entry was a piece of yellowed paper, the paper that had been lost from the Author's coat pocket, in the locked closet of his room.
After a while I managed to work the slit of a drawer open, and to this hiding-place I returned Freeman's diary, and with it the faintly scented bit of paper that The Author mourned.
The failure of her matrimonial plans for me did not occasion Miss Alicia Gaines overmuch grief. She seemed to have dismissed the whole matter from her mind. Restored to her old time gaiety, she sang like a thrush as she worked. She bubbled over with the sheer joy of living, until the very sight of her gladdened one. And she simply couldn't make her feet behave! She danced with the broom one morning, to the great amusement of our scholarly old Englishman.
"I'm supposed to be somewhat of an old stick myself: why not try me, instead of the broom?" he suggested slyly. Instantly she took him at his word, and danced him up and down the hall until he was breathless.
"This," panted the scholar, "is a fair sample of what the Irish do to the English."
"We do lead you a pretty dance, don't we, dear John Bull?" dimpled Alicia.
"You do, you engaging baggage!" he admitted. "But," he added, in a tone of satisfaction, "we manage to keep step, my dear! Oh, yes, we manage to keep step!" And he trotted off, chuckling.
"There are times," said The Author to me, darkly, "when the terrifying tirelessness of youth gives me a vertigo. Come away, Miss Smith. Leave that kitten to chase her own shadow up the wall."
"Cross-patch, draw the latch,
Sit by the fire and spin—yarns!"
chanted Alicia.
"Go away, you pink-and-white delusion!" said The Author, severely. "You have made Scholarship and Wisdom put on cap and bells and prance like a morris-dancer. Isn't that mischief enough for one day?"
Alicia has a round, snow-white chin, and when she tilts it the curve of her throat is distracting.
"On second thoughts," said The Author, critically, "I discover that I do not wholly disapprove of you. Come outside. I wish to talk about the venerable, and yet common design that tops every outside window and door of this house.—What do you call that design, may I ask?"
"Why, everybody knows the Greek fret!" said Alicia, staring at it. "It's as old as the hills."
"Exactly," agreed The Author. "The Greek fret is as old as the hill. And, with the single exception of the swastika, it is the design most universally known to man. You may find it on a bit of ancient Greek pottery, or on a crumbling wall in Yucatan. Many people refer to it as the Greek key."
Something began to glimmer in my mind—the vaguest, most tenuous shadow of an idea; a tantalizing, hide-and-seek phantom of a thought.
"
Turne Hellens Keye
Three Tennes and Three
,"
he quoted the doggerel verse.
We looked at him mutely.
"It is a tiresome truism," he went on, reflectively, "that what lies close to the eye often escapes observation. For instance, these windows have been staring at me daily, each with its nice little eyebrow of design, and I overlooked the design until my subconscious mind suggested to me that here, in all probability, lies Hellen's Keye."
I remembered the entry in Freeman's diary, concerning the loss of a "Keye," which hadn't been found among his father's papers, and of a secret which had died with the older man.
"I think I told you," said The Author, "that this house was built by master masons, shortly after the Grand Lodge was established in London. Thirty-three is rather a significant number. Yet, how to apply it," he paused, frowning.
"Without disturbing a Watcher in the Dark?" Alicia made light of The Authors itch for mystery. "Aren't you rather forgetting the Watcher in the Dark? Teller of tales, isn't it moon-stuff you're trying to spin?"
"Who talks of a Watcher in the Dark?" asked a pleasant voice. Accompanied by Mr. Johnson, Mr. Nicholas Jelnik had strolled up unperceived.
"The Author," Alicia explained, mischievously, "is trying to make sense out of nonsense."
"That," said Mr. Jelnik, smiling, "is not an uncommon occupation."
"It's all about a bit of doggerel we found on a scrap of paper in the attic," I told him. And I quoted it, adding: "There was a column of dots under it. The Author laments that he lost it, before he had chance to unravel it."
"I lost it, walking in my sleep," said The Author, disagreeably.
"And now he's trying to make us believe that the design in the brick-work above our windows, just because it's the Greek fret, is Hellen's Keye," Alicia said, jestingly.
"Well, you know, if a thing means anything , it's got to mean something ," put in Mr. Johnson.
"Ain't it the truth, though?" hissed The Author, with fury.
Mr. Johnson was saved from stammering explanations by the irruption of Beautiful Dog, who at sound of his voice had wriggled, and cringed, and fawned his way out of the shrubbery, cocking a wary eye to see that none of the Black family was around. Beautiful Dog rolled his eyes at his god, swung his tail, waggled his ears, made uncouth movements with his splay feet, and grinned from ear to ear. He was so utterly absurd that he claimed everybody's amused attention.
"Why, old chap! You're rather glad to see your friends, aren't you?" the secretary said in his pleasant voice.
Beautiful Dog yelped with rapture, darted back into the shrubbery, and a moment later emerged and laid at his adored one's feet all his treasure, a chewed slipper. He tried to say that precious as this gift undoubtedly was, he gave it willingly, joyfully. But scenting other white people too near, he backed off, and fled.
The Author's eyes followed him.
"I wonder if I'd have been equal to that, myself, if I'd been born a nigger dog with an ingrained distrust of the white man?" he questioned. "Gad! it comes near being the real thing, Johnson!"
The secretary looked at the slipper lying at his feet: "I wonder where he found that, now?"
I was wondering the same thing, and so was Alicia.
"Let's show Beautiful Dog the Chinese politeness of being decent enough not to accept his gift when he's decent enough to offer it," she suggested.
"Yes, throw it into the shrubbery and let him find it. That may raise white people somewhat in his estimation," I added, hastily.
Instantly Mr. Jelnik picked it up and tossed it among the bushes. His action seemed the merest polite compliance with my request, and he barely glanced at the object he cast away. Yet it was really worth a second glance. Chewed, frayed, and torn, it had once been of finest red Morocco leather; and it was such a flat and heelless slipper as no native Hyndsville foot had ever worn. It was The Jinnee's slipper.