It was Arthur Rattray who generally did the art criticism for the Decade , and when a temporary indisposition interfered between Mr. Rattray and this duty early in May, he had acquired so much respect for Elfrida's opinion in artistic matters, and so much good-will toward her personally, that he wrote and asked her to undertake it for him with considerable pleasure. This respect and regard had dawned upon him gradually, from various sources, in spite of the fact that the Latin Quarter article had not been a particular success. That, to do Miss Bell justice, as Mr. Rattray said in mentioning the matter to the editor-in-chief, was not so much the fault of the article as the fault of their public. Miss Bell wrote the graphic naked truth about the Latin Quarter. Even after Rattray had sent her copy back to be amended for the third time, she did not seem able to realize that their public wouldn't stand unions libres when not served up with a moral purpose—that no artistic apology for them would do. In the end, therefore, Rattray was obliged to mutilate the article himself, and to neutralize it here and there. He was justified in taking the trouble, for it was matter they wanted, on account of some expensive drawings of the locality that had been in hand a long time. Even then the editor-in-chief had grumbled at its "tone," though the wrath of the editor-in-chief was nothing to Miss Bell's. Mr. Rattray could not remember ever having had before a conversation with a contributor which approached in liveliness or interest the one he sustained with Miss Bell the day after her copy appeared. If he imparted some ideas of expediency, he received some of obligation to artistic truth, which he henceforth associated with Elfrida's expressive eyes and what he called her foreign accent. On the whole, therefore, the conversation was agreeable, and it left him with the impression that Miss Bell, under proper guidance, could very possibly do some fresh unconventional work for the Age . Freshness and unconventionality for the Age was what Mr. Rattray sought as they seek the jewel in the serpent's head in the far East. He talked to the editor-in-chief about it, mentioning the increasing lot of things concerning women that had to be touched, which only a woman could treat "from the inside," and the editor-in-chief agreed sulkily, because experience told him it was best to agree with Mr. Rattray, that Miss Bell should be taken on the staff on trial, at two pounds a week. "But the paper doesn't want a female Zola," he growled; "you can tell her that." Rattray did not tell her precisely that, but he explained the situation so that she quite understood it, the next afternoon when he called to talk the matter over with her. He could not ask her to come to the office to discuss it, he said, they were so full up, they had really no place to receive a lady. And he apologized for his hat, which was not a silk one, in the uncertain way of a man who has heard of the proprieties in these things. She made him tea with her samovar, and she talked to him about Parisian journalism and the Parisian stage in a way that made her a further discovery to him; and his mind, hitherto wholly devoted to the service of the Illustrated Age , received an impetus in a new direction. When he had gone Elfrida laughed a little, silently, thinking first of this, for it was quite plain to her. Then, contrasting what the Age wanted her to write with her ideal of journalistic literature, she stated to Buddha that it was "worse than panade ." "But it means two pounds a week, Buddha," she said; "fifty francs! Do you understand that? It means that we shall be able to stay here, in the world—that I shall not be obliged to take you to Sparta. You don't know, Buddha, how you would loathe Sparta! But understand, it is at that price that we are going to despise ourselves for a while—not for the two pounds!"

And next day she was sent to report a distribution of diplomas to graduating nurses by the Princess of Wales.

Buddha was not an adequate confidant. Elfrida found him capable of absorbing her emotions indefinitely, but his still smile was not always responsive enough, so she made a little feast, and asked Golightly Ticke to tea, the Sunday after the Saturday that made her a salaried member of the London press. Golightly's felicitations were sincere and spasmodically sympathetic, but he found it impossible to conceal the fact that of late the world had not smiled equally upon him. In spite of the dramatic fervor with which the part of James Jones, a solicitor's clerk, had been rendered every evening, the piece at the Princess's had to come to an unprofitable close, the theatre had been leased to an American company, Phyllis had gone to the provinces, and Mr. Ticke's abilities were at the service of chance. By the time he had reached his second cigarette he was so sunk in cynicism that Elfrida applied herself delicately to discover these facts. Golightly made an elaborate effort to put her off. He threw his head back in his chair and watched the faint rings of his cigarette curling into indistinguishability against the ceiling, and said he was only the dust that blew about the narrow streets of the world, and why should she care to know which way the wind took him! Lighting his third, he said, as bitterly as that engrossment would permit him, that the sooner—puff—it was over—puff—the sooner—puff—to sleep; and when the lighting was quite satisfactorily accomplished he laughed harshly. "I shall think," said Elfrida earnestly, "if you do not tell me how things are with you, since they are bad, that you are not a true Bohemian—that you have scruples."

"You know better—at least I hope you do—than to charge me with that," Golightly returned, with an inflection full of reproachful meaning. "I—I drank myself to sleep last night, Miss Bell. When the candle flickered out I thought that it was all over—curious sensation. This morning," he added, looking through his half-closed eyelashes with sardonic stage effect, "I wished it had been."

"Tell me," Elfrida insisted gently; and looking attentively at his long, thin fingers Mr. Ticke then told her. He told her tersely, it did not take long; and in the end he doubled up his hand and pulled a crumpled cuff down over it. "To me," he said, "a thing like that represents the worst of it. When I look at that I feel capable of crime. I don't know whether you'll understand, but the consideration of what my finer self suffers through sordidness of this sort sometimes makes me think that to rob a bank would be an act of virtue."

"I understand," said Elfrida.

"Washerwomen as a class are callous. I suppose the alkalies they use finally penetrate to their souls. I said to mine last Thursday, 'But I must be clean, Mrs. Binkley!' and the creature replied, 'I don't see at all, Mr. Ticks' —she has an odious habit of calling me Mr. Ticks—'why you shouldn't go dirty occasional.' She seemed to think she had made a joke!"

"They live to be paid," Elfrida said, with hard philosophy, and then she questioned him delicately about his play. Could she induce him to show it to her, some day? Her opinion was worth nothing really—oh no, absolutely nothing—but it would be a pleasure if Golightly were sure he didn't mind.

Golightly found a difficulty in selecting phrases repressive enough to be artistic, in which to tell her that he would be delighted.

When Mr. Ticke came in that evening he found upon his dressing-table a thick square envelope addressed to him in Elfrida's suggestive hand. With his fingers and thumb he immediately detected a round hardness in one corner, and he took some pains to open the letter so that nothing should fall out. He postponed the pleasure of reading it until he had carefully extracted the two ten-shilling pieces, divested them of their bits of tissue-paper, and put them in his waistcoat pocket. Then he held the letter nearer to the candle and read: "I have thought about this for a whole hour. You must believe, please, that it is no vulgar impulse. I acknowledge it to be a very serious liberty, and in taking it I rely upon not having misinterpreted the scope of the freedom which exists between us. In Bohemia—our country—one may share one's luck with a friend, n'est ce pas? I will not ask to be forgiven."

"Nice girl," said Mr. Golightly Ticke, taking off his boots. He went to bed rather resentfully conscious of the difference there was in the benefactions of Miss Phyllis Fane.

Shortly after this Mr. Ticke's own luck mended, and on two different occasions Elfrida found a bunch of daffodils outside her door in the morning, that made a mute and graceful acknowledgment of the financial bond Mr. Ticke did not dream of offering to materialize in any other way. He felt his gratitude finely; it suggested to him a number of little directions in which he could make himself useful to Miss Bell, putting aside entirely the question of repayment. One of these resolved itself into an invitation from the Arcadia Club, of which Mr. Ticke was a member in impressive arrears, to their monthly soiree in the Landscapists' rooms in Bond Street. The Arcadia Club had the most liberal scope of any in London, he told Elfrida, and included the most interesting people. Painters belonged to it, and sculptors, actors, novelists, musicians, journalists, perhaps above all, journalists. A great many ladies were members, Elfrida would see, and they were always glad to welcome a new personality. The club recognized how the world had run to types, and how scarce and valuable personalities were in consequence. It was not a particularly conventional club, but he would arrange that, if Elfrida would accept his escort. Mrs. Tommy Morrow should meet her in the dressing-room, as a concession to the prejudices of society.

"Mrs. Tommy is a brilliant woman in her way," Mr. Ticke added; "she edits the Boudoir —I might say she created the Boudoir . They call her the Queen of Arcadia. She has a great deal of manner."

"What does Mr. Tommy Morrow do?" Elfrida asked. But Golightly could not inform her as to Mr. Tommy Morrow's occupation.

The rooms were half full when they arrived, and as the man in livery announced them, "Mrs. Morrow, Miss Bell, and Mr. Golightly Ticke," it seemed to Elfrida that everybody turned simultaneously to look. There was nobody to receive them; the man in livery published them, as it were, to the company, which she felt to be a more effective mode of entering society, when it was the society of the arts. She could not possibly help being aware that a great many people were looking in her direction over Mrs. Tommy Morrow's shoulder. Presently it became obvious that Mrs. Tommy Morrow was also aware of it. The shoulder was a very feminine shoulder, with long lines curving forward into the sulphur-colored gown that met them not too prematurely. Mrs. Tommy Morrow insisted upon her shoulder, and upon her neck, which was short behind but long in front in effect, and curved up to a chin which was somewhat too persistently thrust forward. Mrs. Tommy had a pretty face with an imperious expression. "Just the face," as Golightly murmured to Elfrida, "to run the Boudoir ." She seemed to know everybody, bowed right and left with varying degrees of cordiality, and said sharply, "No shop to-night!" to a thin young woman in a high black silk, who came up to her exclaiming, "Oh, Mrs. Morrow, that function at Sandringham has been postponed." Presently Mrs. Morrow's royal progress was interrupted by a gentleman who wished to present Signer Georgiadi, "the star of the evening," Golightly said hurriedly to Elfrida. Mrs. Morrow was very gracious, but the little fat Italian with the long hair and the drooping eyelids was atrociously embarrassed to respond to her compliments in English. He struggled so violently that Mrs. Morrow began to smile with a compassionate patronage which turned him a distressing terra-cotta. Elfrida looked on for a few minutes, and then, as one of the group, she said quietly in French, "And Italian opera in England, how do you find it, Signor?"

The Italian thanked her with every feature of his expressive countenance, and burst with polite enthusiasm into his opinion of the Albert Hall concerts. When he discovered Elfrida to be an American, and therefore not specially susceptible to praise of English classical interpretations, he allowed himself to become critical, and their talk increased in liveliness and amiability.

Mrs. Morrow listened with an appreciative air for a few minutes, playing with her fan; then she turned to Mr. Ticke.

"Golightly," she said acidly, "I am dying of thirst You shall take me to the refreshment table."

So the star of the evening was abandoned to Elfrida, and finding in her a refuge from the dreadful English tongue, he clung to her. She was so occupied with him in this character that almost all the other distinguished people who attended the soiree of the Arcadia Club escaped her. Golightly asked her reproachfully afterward how he could possibly have pointed them out to her, absorbed as she was—and some of them would have been so pleased to be introduced to her! She met a few notwithstanding; they were chiefly rather elderly unmarried ladies, who immediately mentioned to her the paper they were connected with, and one or two of them, learning that she was a newcomer, kindly gave her their cards, and asked her to come and see them any second Tuesday. They had indefinite and primitive ideas of doing their hair, and they were certainly mal tournee ; but Elfrida saw that she made an impression on them—that they would remember her and talk of her; and seeing that, other things became less noteworthy. She felt that these ladies were more or less emancipated, on easy terms with the facts of life, free from the prejudices that tied the souls of people she saw shopping at the Stores, for instance. That, and a familiarity with the exigencies of copy at short notice, was discernible in the way they talked and looked about them, and the readiness with which they produced a pencil to write the second Tuesday on their cards. Almost every lady suggested that she might have decorated the staff of her journal an appreciable number of years, if that supposition had not been forbidden by the fact that the feminine element in journalism is of comparatively recent introduction. Elfrida wondered what they occupied themselves with before. It did not detract from her sense of the success of the evening—Golightly Ticke went about telling everybody that she was the new American writer on the Age —to feel herself altogether the youngest person present, and manifestly the most effectively dressed, in her cloudy black net and daffodils. Her spirits rose with a keen instinct that assured her she would win, if it were only a matter of a race with them . She had never had the feeling, in any security, before; it lifted her and carried her on in a wave of exhilaration. Golightly Ticke, taking her in turn to the buffet for lemonade and a sandwich, told her that he knew she would enjoy it—she must be enjoying it, she looked in such capital form. It was the first time she had been near the buffet; so she had not had the opportunity of observing how important a feature the lemonade and sandwiches formed in the entertainment of the evening—how persistently the representatives of the arts, with varying numbers of buttons off their gloves, returned to this light refreshment.

Elfrida thanked Mrs. Tommy Morrow very sweetly for her chaperonage in the cloak-room when the hour of departure came. "Well," said Mrs. Morrow, "you can say you have seen a characteristic London literary gathering."

"Yes, thanks!" said Elfrida; and then, looking about her for a commonplace, "How much taller the women seem to be than the men," she remarked.

"Yes," returned Mrs. Tommy Morrow, "Du Maurier drew attention to that in Punch , some time ago." b3ma+Np1x2/BGDQJBIkw0pT7zRA/nc17NrdjW/2WkWF/7gK0ZcWrxiw82JLjcROe