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Chapter XIV. A Revelation.

The next day threatened to be a dreary one, for the rain fell so steadily as to make all sunny, out-of-door pleasures impossible. Many looked abroad with faces as dismal and cloudy as the sky; for the number of those who rise above their circumstances with a cheery courage are but few. Human faces can shine, although the sun be clouded; but, as a rule, the shadow falls on the face also, and the regal spirit succumbs like a clod of earth.

The people came straggling down late to breakfast in the dark morning, and, with a childish egotism that considers only self and immediate desires, the lowering weather which meant renewed beauty and wealth to all the land, was berated as if it were a small spite against the handful of people at the Lake House. Van Berg heard Ida Mayhew exclaiming against the clouds as if this spite were aimed at herself only.

"Some of her friends might not venture from the city," she said.

"They youths are not venturesome, then," remarked Stanton, who never lost an opportunity to tease.

"Of course they don't wish to get wet," she pouted.

"And yet I'll wager any amount that they are not of the 'salt of the earth' in any scriptural sense. Well, they had better stay in town, for this would be an instance of 'much ventured, nothing gained.'"

"You remind me of a certain fox who could not say enough hard things about the grapes that were out of reach. But mark my words, Mr. Sibley will come, if it pours."

"He wouldn't risk the spoiling of his clothes for any woman living."

"You judge him by yourself. Oh, dear, how shall I get through this long, horrible day! You men can smoke like bad chimneys through a storm, but for me there is no resource to-day, but a dull novel that I've read once before. Let me see, I'll read an hour and sleep three, and then it will be time to dress for dinner. Oh, good-morning, Mr. Van Berg," she says to the artist who had been listening to her while apparently giving close attention to Mrs. Mayhew's interminable tirade against rainy days; "I have just been envying you gentlemen who can kill stupid hours by smoking."

"I admit that it is almost as bad as sleeping."

"I see that you have a homily prepared on improving the time, so
I shall escape at once."

On the stairs she met Miss Burton, who was descending with a breezy swiftness as if she were making a charge on the general gloom and sullenness of the day.

"Good-morning, Miss Mayhew," she said; "I'm glad to see you looking so well after the severe shaking up you had yesterday. You would almost tempt one to believe that rough usage is sometimes good for us."

"I have no such belief, I assure you. Yesterday was bad enough, but to-day promises to be worse. I was going to make up a boating party, but what can one do when the water is overhead instead of under the keel?"

"Scores of things," was the cheery reply. "I'm going to have a good time."

"I'm going to sleep," said Ida, passing on.

"Miss Burton," said Stanton, joining her at the foot of the stairs,
"I perceive, even from your manner of descending to our lower world,
that you are destined to vanquish the dullness of this rainy day.
Don't you wish an ally?"

"Would you be an ally, Mr. Stanton, if you saw I was destined to be vanquished?"

"Of course I would."

"Look in the parlor then. There are at least a dozen ladies already vanquished. They are oppressed by the foul-fiend, 'ennui.' Transfer your chivalric offer to them and deliver them."

"Stanton," laughed Van Berg, "you are in honor bound to devote yourself to those oppressed ladies."

"The prospect is so dark and depressing that I shall at least cheer myself first with the light of a cigar."

"And so your chivalry will end in smoke," she said.

"Yes, Miss Burton, the smoke of battle, where you are concerned."

"I fear your wit is readier than your sword. The soldier that boasts how he would overwhelm some other foe than the one before him loses credit to the degree that he protests."

"You are more exacting, Miss Burton, than the lady who threw her glove down among the lions. What chance would Hercules himself have of lifting those twelve heavy females out of the dumps?"

"It's not what we do, but what we attempt, that shows our spirit."

"Then I shall expect to see you attempt great things."

"I'm only a woman."

"And I'm only a man."

"Only a man! what greater vantage-ground could one have than to be a man?"

"The advantage is not so uncommon that one need be unduly elated," state Stanton with a shrug. "I forget how many hundred millions of us there are. But I'm curious to see how you will set about rendering the hues of this leaden day prismatic."

"Only by being the innocent cause of your highly colored language,
I imagine."

"Oh, dear," exclaimed a little boy petulantly, as he strolled through the hall and looked out at the steady downfall of rain. "Oh dear! Why can't it stop raining?"

"There's the philosophy of our time for you in a nutshell," said Van Berg. "When a human atom wants anything, what business has the universe to stand in its way?"

"But you have no better philosophy to offer the disconsolate little fellow, Mr. Ban Berg?" Miss Burton asked.

"Now, Van, it's your turn. Remember, Miss Burton, he has the same vantage-ground that I have. Indeed he's half an inch taller."

"The world long ago learned better than to measure men by inches,
Mr. Stanton."

"Alas, Miss Burton," said Van Berg; "the best philosophy I have is this: when it rains, let it rain."

"And thus I'm privileged to meet representatives of those two ancient and honorable schools, the Stoic and Epicurean, and you both think, I fear, that if Xanthippe had founded a school, my philosophy would also be defined. But perhaps you will think better of me if I tell that little fellow a story to pass the time for him. What's the matter, little folk?" she asked, for two or three more small clouded faces had gathered at the door.

"Matter enough," said the boy. "This horrid old rain keeps us in the house, where we can't do anything or stay anywhere. We mustn't play in the parlor, we mustn't make a noise in the halls, we mustn't run on the piazzas. I'd like to live in a world where there was some place for boys."

"Poor child," said Miss Burton; "this rain is as bad for you as the deluge to Noah's dove, it has left you no refuge for the sole of your foot. Will you come with me? No one has said you must not hear a jolly story."

"You won't tell me about any good little boys who died when they were as big as I am?"

"I'll keep my word—it shall be a jolly story."

"May we hear it too?" asked the other children.

"Yes, all of you."

"Where shall we go?"

"We won't disturb any one in the far corner of the parlor by the piano. If you know of any other little people, you can bring them there, too," and they each darted off in search of especial cronies.

"May we not hear the story also?" asked Stanton.

"No, indeed, I may be able to interest children, but not philosophers."

"Then we will go and meditate," said Van Berg.

"Yes," she added, "and in accordance with a New York custom of great antiquity, made familiar to you, no doubt, by that grave historian Diedrich Knickerbocker, who gives several graphic accounts of such cloudy ruminations on the part of your city's great-grandfathers."

"I fear you think that the worshipful Peter Stuyvensant's counsellors indulged in more tobacco than thought, and that the majority of them had as few ideas as one of Mr. Burleigh's chimneys," said Van Berg. "And you regard us as the direct descendants of these men, whose lives were crowned with smoke-wreaths only."

"Now, Mr. Van Berg, you prove yourself to be a philosopher of a modern school, you draw your inductions so far and wide from your diminutive premise."

"Well, Miss Burton, you stand in very favorable contrast with us poor mortals. We are going out to add to the clouds that lower over the world, while you are trying to banish them."

"And if, after helping the children towards the close of this dismal day, your heart should relent towards us," added Stanton, "you will find two worthy objects of your charity."

"Oh what a falling off is here!" she exclaimed, following the impatient children. "Knights at first, then philosophers, and now objects of charity."

Miss Burton evidently kept her word, and told a "jolly story," for the friends saw through the parlor windows that the circle around her grew larger and more hilarious continually. Then would follow moments of rapt and eager attention, showing that the tale gained in excitement and interest what it lost in humor. Young people, who did not like to be classed with children, one by one yielded to the temptation. There was life and enjoyment in that corner and dulness elsewhere, and nothing is so attractive in the world as genuine and joyous life.

Even elderly ladies looked wistfully up at the occasional bursts of contagious merriment, and then sighed that they had lost the power of laughing so easily.

At last the marvelous legend came to an end amid a round of prolonged applause.

"Another, another!" was the general outcry.

But Miss Burton had observed that the ladies and gentlemen present seemed inclined to be friendly towards the young people's fun, and therefore she broached another scheme of pleasure that would vary the entertainment.

"Perhaps," she said, "your papas and mammas and the other good people will not object to an old-fashioned Virginia reel."

A shout of welcome greeted this proposition.

Miss Burton raised her finger so impressively that there was an instant hush. Indeed she seemed to have gained entire control of the large and miscellaneous group which surrounded her.

"We will draw up a petition," she said; "for we best enjoy our own rights and pleasures when respecting those of others. This little boy and girl shall take the petition around to all the ladies and gentlemen in the room, and this shall be the petition:

"'Dear lady and kind sir: Please don't object to our dancing a
Virginia reel in the parlor.'"

"All who wish to dance can sign it. Now we will go to the office and draw up the petition." And away they all started, the younger children, wild with glee, capering in advance.

Stanton threw away his cigar and met her at the office register.

"Gentle shepherdess," he asked, "whither are you leading your flock?"

"How behind the age you are!" she replied. "Can you not see that the flock is leading me?"

"If I were a wolf I would not trouble the flock but would carry off the shepherdess—to a game of billiards."

"What, then, would become of the flock?"

"that's a question that never troubles a wolf."

"A wolfish answer truly. I think, however, you have reversed the parable, and are but a well-meaning sheep that has donned a wolf's skin, and so we will put you to the test. We young people will give you a chance to draw up our petition, which, if you would save your character, you must do at once with sheep-like docility, asking no questions and causing no delay. There, that will answer; very sheepishly done, but no sheep's eyes, if you please," she added, as Stanton pretended to look up to her for inspiration, while writing. "Now, all sign. I think I can trust you, sir, on the outskirts of the flock. Here, my little man and woman, go to each of the ladies and gentlemen, make a bow and a courtesy, and present the petition."

"May I not gambol with the shepherdess in the coming pastoral?" asked Stanton.

"No, indeed! You are much too old; besides, I am going to play.
You may look gravely on."

Every one in the parlor smiling assented to the odd little couple that bobbed up and down before them, and moved out of the way for the dancers. The petitioners therefore soon returned and were welcomed with applause.

"Now go to the inner office and present the petition to Mr. Burleigh," said Miss Burton.

"Hollo!" cried that gentleman, looking around with a great show of savagery, as the little girl pulled the skirt of his coat to attract his attention; "where's King Herod?"

"We wish to try another method with the children," answered Miss Burton. "Will it please you therefore graciously to read the petition. All in the parlor have assented."

"My goodness gracious—-"

"No swearing, sir, if you please."

"Woman has been too many for man ever since she got him into trouble by eating green apples," ejaculated Mr. Burleigh with a despairing gesture. "Why do you mock me with petitions? THERE is the power behind the throne," pointing to Miss Burton.

"Take your places, small ladies and gentlemen," she cried. "That's Mr. Burleigh's way of saying yes. While you are forming, I'll play a few bars to give you the time."

Did she bewitch the piano that it responded so wonderfully to her touch? Where had she found such quaint, dainty music, simple as the old-fashioned dance itself, so that the little ones could keep time to it, and yet pleasing Van Berg's fastidious ear with its unhackneyed and refined melody. But the marked and marvellous feature in her playing was an airy rolicksomeness that was as irresistible as a panic. Old ladies' heads began to bob over their fancy work most absurdly. Two quartets of elderly gentlemen at whist were evidently beginning to play badly, their feet meantime tapping the floor in a most unwonted manner.

"Were I as dead as Julius Caesar I could not resist that quickstep," cried Stanton; and he rushed over to his aunt, Mrs. Mayhew, and dragged her into line.

"What in the name of all the witches of Salem has got into that piano!" cried Mr. Burleigh, bursting into the parlor from the office, with his pen stuck behind his ear, and his hair brushed up perpendicularly. "There's sorcery in the air. I'm practised upon—Keep still? No, not if I was nailed up in one of the soldier's 'wooden overcoats.' The world is transformed, transfigured, transmogrified, and 'things are not what they seem!' Here's a blooming girl who'll dance with me," and he seized the hand of a white-haired old lady who yielded to the contagion so far as to take a place in the line beside her granddaughter.

Indeed, in a few moments, all who had been familiar with the pastime in their youth, caught the joyous infection, and lengthened out the lines, each new accession being greeted with shouts and laughter.

The scene approached in character that described by Hawthorne as occurring in the grounds of the Villa Borghese when Donatello, with a simple "tambourine," produced music of such "indescribably potency" that sallow, haggard, half-starved peasants, French soldiers, scarlet-costumed contadinas, Swiss guards, German artists, English lords, and herdsmen from the Campagna, all "joined hands in the dance" which the musician himself led with the frisky, frolicsome step of the mythical faun.

In the latter instance it was a contagious, mad excitement easily possible among hot-blooded people and wandering pleasure-seekers, the primal laws of whose being are impulse and passion. That the joyous exhilaration which filled Mr. Burleigh's parlor was akin to the wild, half pagan frenzy that the great master of fiction imagined as seizing upon the loiterers near the Villa Borghese cannot be denied. Both phases of excitement would spring naturally from the universal craving for pleasurable life and activity. The one, however, was a rank growth from a rank soil—the passionate ebullition of passion-swayed natures; the other was inspired by the magnetic spirit of a New England maiden, who, by some law of her nature or consecration of her life, devoted every power of her being to the vivifying of others, and the frolic she had instigated was as free from the grosser elements as the tossing wild flowers of her native hills. With the exception perhaps of Van Berg, she had impressed every one as possessing a peculiarly sunny temperament. Be this as it may, it certainly appeared true that she found her happiness in enlivening others; and it is difficult even to imagine how much a gifted mind can accomplish in this respect when every faculty is devoted to the ministry of kindness.

This view of Miss Burton's character would account in part, but not wholly, for the power she exercised over others. Van Berg thought he at times detected a suppressed excitement in her manner. A light sometimes flickered in her deep blue eyes that might have been caused by a consuming and hidden fire, rather than by genial and joyous thoughts.

As he watched her now through the parlor window, her eyes were burning, her face reminded him of a delicate flame, and her whole being appeared concentrated into the present moment. In its vivid life it seemed one of the most remarkable faces he ever saw; but the thought occurred again and again—"If the features of Ida Mayhew could be lighted up like that I'd give years of my lifetime to be able to paint the beauty that would result."

Just at this moment he saw that young lady approach the parlor entrance with an expression of wonder on her face. He immediately joined her, and she said:

"Mr. Van Berg, what miracle has caused this scene?"

"Come with me and I'll show you," he answered and he led her to the window opposite to Miss Burton, where she sat at the piano. "There," he said, "is the miracle,—a gifted, magnetic, unselfish woman devoting herself wholly to the enjoyment of others. She has created more sunshine this dismal day than we have had in the house since I've been here. Is not that face there a revelation?"

"A revelation of what?" she asked with rising color.

"Of the possibilities of the human face to grow in beauty and power, if kindled by a noble and animating mind. Ye gods!" cried the artist, expressing the excitement which he felt in common with others in accordance with the law of his own ruling passion, "but I would give much to reproduce that face on canvas;" and then he added with a despairing gesture, "but who can paint flame and spirit?"

After a moment he exclaimed, with flushed cheeks and flashing eyes: "It appears to me that if kindled by such a mind as that which is burning in yonder face, I could attempt anything and accomplish everything. Limitations melt away before a growing sense of power. What an inspiration a woman can be to a man, or what a mill-stone about his neck, according to what she is! Ah!—-"

The cause of this exclamation cannot be explained in the brief time that it occurred. Stanton had happened at that moment to catch a glimpse of Van Berg and his cousin, and he called quite loudly:

"Harold, bring Miss Mayhew in and join us."

At the same instant Mr. Burleigh's heavy step passing near the piano, jarred down a picture that was hung insecurely, and it fell with a crash at Miss Burton's side. Was it the shock of the falling picture upon unprepared and overstrained nerves, or what was it that produced the instantaneous change in the joyous-appearing maiden? Her hands dropped nerveless from the keys. So great was the pallor that swept over her face that it suggested to he artist the sudden extinguishment of a lamp. She bowed her head and trembled a moment and then escaped by a side door.

Van Berg walked hastily to the main entrance, thinking she was ill, but only saw her vanishing up the stairway with hasty steps. Many of the dancers, in their kindly solicitude, had tried to intercept her, but had been too late. It would seem that all ascribed her indisposition to a nervous shock.

"It is evident," said the lady who had been conversing with her when she had acted in a like manner on the first day of her arrival, "that she possesses a highly sensitive organism, which suddenly gives way when subjected to a strain too severe;" and she remained Van Berg of her former manifestation of weakness.

He accepted this view as the most natural explanation that could be given. F3ybUcem+W9aQDi0/o9yiRAFB9fMfVITTv+bZh+/mLdisyQ/VuSfSOZH3/B+3mcG

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