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Most people who go on the West Pier at Brighton walk at once straight to the farthest part. This is the order and custom of pier promenading; you are to stalk along the deck till you reach the end, and there go round and round the band in a circle like a horse tethered to an iron pin, or else sit down and admire those who do go round and round. No one looks back at the gradually extending beach and the fine curve of the shore. No one lingers where the surf breaks—immediately above it—listening to the remorseful sigh of the dying wave as it sobs back to the sea. There, looking downwards, the white edge of the surf recedes in hollow crescents, curve after curve for a mile or more, one succeeding before the first can disappear and be replaced by a fresh wave. A faint mistiness hangs above the beach at some distance, formed of the salt particles dashed into the air and suspended. At night, if the tide chances to be up, the white surf rushing in and returning immediately beneath has a strange effect, especially in its pitiless regularity. If one wave seems to break a little higher it is only in appearance, and because you have not watched long enough. In a certain number of times another will break there again; presently one will encroach the merest trifle; after a while another encroaches again, and the apparent irregularity is really sternly regular. The free wave has no liberty—it does not act for itself,—no real generous wildness. "Thus far and no farther," is not a merciful saying. Cold and dread and pitiless, the wave claims its due—it stretches its arms to the fullest length, and does not pause or hearken to the desire of any human heart. Hopeless to appeal to is the unseen force that sends the white surge underneath to darken the pebbles to a certain line. The wetted pebbles are darker than the dry; even in the dusk they are easily distinguished. Something merciless is there not in this conjunction of restriction and impetus? Something outside human hope and thought—indifferent—cold?
Considering in this way, I wandered about fifty yards along the pier, and sat down in an abstracted way on the seat on the right side. Beneath, the clear green sea rolled in crestless waves towards the shore—they were moving "without the animation of the wind," which had deserted them two days ago, and a hundred miles out at sea. Slower and slower, with an indolent undulation, rising and sinking of mere weight and devoid of impetus, the waves passed on, scarcely seeming to break the smoothness of the surface. At a little distance it seemed level; yet the boats every now and then sank deeply into the trough, and even a large fishing-smack rolled heavily. For it is the nature of a groundswell to be exceedingly deceptive. Sometimes the waves are so far apart that the sea actually is level—smooth as the surface of a polished dining-table—till presently there appears a darker line slowly approaching, and a wave of considerable size comes in, advancing exactly like the crease in the cloth which the housemaid spreads on the table—the air rolling along underneath it forms a linen imitation of the groundswell. These unexpected rollers are capital at upsetting boats just touching the beach; the boat is broadside on and the occupants in the water in a second. To-day the groundswell was more active, the waves closer together, not having had time to forget the force of the extinct gale. Yet the sea looked calm as a millpond—just the morning for a bath.
Along the yellow line where sand and pebbles meet there stood a gallant band, in gay uniforms, facing the water. Like the imperial legions who were ordered to charge the ocean, and gather the shells as spoils of war, the cohorts gleaming in purple and gold extended their front rank—their fighting line one to a yard—along the strand. Some tall and stately; some tall and slender; some well developed and firm on their limbs; some gentle in attitude, even in their war dress; some defiant; perhaps forty or fifty, perhaps more, ladies; a splendid display of womanhood in the bright sunlight. Blue dresses, pink dresses, purple dresses, trimmings of every colour; a gallant show. The eye had but just time to receive these impressions as it were with a blow of the camera—instantaneous photography—when, boom! the groundswell was on them, and, heavens, what a change! They disappeared. An arm projected here, possibly a foot yonder, tresses floated on the surface like seaweed, but bodily they were gone. The whole rank from end to end was overthrown—more than that, overwhelmed, buried, interred in water like Pharaoh's army in the Red Sea. Crush! It had come on them like a mountain. The wave so clear, so beautifully coloured, so cool and refreshing, had struck their delicate bodies with the force of a ton weight. Crestless and smooth to look at, in reality that treacherous roller weighed at least a ton to a yard.
Down went each fair bather as if hit with shot from a Gatling gun. Down she went, frantically, and vainly grasping at a useless rope; down with water driven into her nostrils, with a fragment, a tiny blade, of seaweed forced into her throat, choking her; crush on the hard pebbles, no feather bed, with the pressure of a ton of water overhead, and the strange rushing roar it makes in the ears. Down she went, and at the same time was dragged head foremost, sideways, anyhow, but dragged— ground along on the bitter pebbles some yards higher up the beach, each pebble leaving its own particular bruise, and the suspended sand filling the eyes. Then the wave left her, and she awoke from the watery nightmare to the bright sunlight, and the hissing foam as it subsided, prone at full length, high and dry like a stranded wreck. Perhaps her head had tapped the wheel of the machine in a friendly way—a sort of genial battering ram. The defeat was a perfect rout; yet they recovered position immediately. I fancy I did see one slip limply to cover; but the main body rose manfully, and picked their way with delicate feet on the hard, hard stones back again to the water, again to meet their inevitable fate.
The white ankles of the blonde gleaming in the sunshine were distinguishable, even at that distance, from the flesh tint of the brunette beside her, and these again from the swarthiness of still darker ankles, which did not gleam, but had a subdued colour like dead gold. The foam of a lesser wave ran up and touched their feet submissively. Three young girls in pink clustered together; one crouched with her back to the sea and glanced over her timorous shoulder. Another lesser wave ran up and left a fringe of foam before them. I looked for a moment out to sea and saw the smack roll heavily, the big wave was coming. By now the bathers had gathered confidence, and stepped, a little way at a time, closer and closer down to the water. Some even stood where each lesser wave rose to their knees. Suddenly a few leant forwards, pulling their ropes taut, and others turned sideways; these were the more experienced or observant. Boom! The big roller broke near the pier and then ran along the shore; it did not strike the whole length at once, it came in aslant and rushed sideways. The three in pink went first—they were not far enough from their machine to receive its full force, it barely reached to the waist, and really I think it was worse for them. They were lifted off their feet and shot forward with their heads under water; one appeared to be under the two others, a confused mass of pink. Their white feet emerged behind the roller, and as it sank it drew them back, grinding them over the pebbles: every one knows how pebbles grate and grind their teeth as a wave subsides. Left lying on their faces, I guessed from their attitudes that they had dug their finger-nails into the pebbles in an effort to seize something that would hold. Somehow they got on their knees and crept up the slope of the beach. Beyond these three some had been standing about up to their knees; these were simply buried as before—quite concealed and thrown like beams of timber, head first, feet first, high up on shore. Group after group went down as the roller reached them, and the sea was dyed for a minute with blue dresses, purple dresses, pink dresses; they coloured the wave which submerged them. From end to end the whole rank was again overwhelmed, nor did any position prove of advantage; those who sprang up as the wave came were simply turned over and carried on their backs, those who tried to dive under were swept back by the tremendous under-rush. Sitting on the beach, lying at full length, on hands and knees, lying on this side or that, doubled up—there they were, as the roller receded, in every disconsolate attitude imaginable; the curtain rose and disclosed the stage in disorder. Again I thought I saw one or two limp to their machines, but the main body adjusted themselves and faced the sea.
Was there ever such courage? National untaught courage—inbred, and not built of gradual instruction as it were in hardihood. Yet some people hesitate to give women the franchise! actually, a miserable privilege which any poor fool of a man may exercise.
I was philosophising admirably in this strain when first a shadow came and then the substance, that is, a gentleman sat down by me and wished me good morning, in a slightly different accent to that we usually hear. I looked wistfully at the immense length of empty seats; on both sides of the pier for two hundred yards or more there extended an endless empty seat. Why could not he have chosen a spot to himself? Why must he place himself just here, so close as to touch me? Four hundred yards of vacant seats, and he could not find room for himself.
It is a remarkable fact in natural history that one's elbow is sure to be jogged. It does not matter what you do; suppose you paint in the most secluded spot, and insert yourself, moreover, in the most inconspicuous part of that spot, some vacant physiognomy is certain to intrude, glaring at you with glassy eye. Suppose you do nothing (like myself), no matter where you do it some inane humanity obtrudes itself. I took out my note-book once in a great open space at the Tower of London, a sort of court or place of arms, quite open and a gunshot across; there was no one in sight, and if there had been half a regiment they could have passed (and would have passed) without interference. I had scarcely written three lines when the pencil flew up the page, some hulking lout having brushed against me. He could not find room for himself. A hundred yards of width was not room enough for him to go by. He meant no harm; it did not occur to him that he could be otherwise than welcome. He was the sort of man who calmly sleeps on your shoulder in a train, and merely replaces his head if you wake him twenty times. The very same thing has happened to me in the parks, and in country fields; particularly it happens at the British Museum and the picture galleries, there is room sufficient in all conscience; but if you try to make a note or a rough memorandum sketch you get a jog. There is a jogger everywhere, just as there is a buzzing fly everywhere in summer. The jogger travels, too.
One day, while studying in the Louvre, I am certain three or four hundred French people went by me, mostly provincials I fancy, country-folks, in short, from their dress, which was not Parisian, and their accent, which was not of the Boulevards. Of all these not one interfered with me; they did not approach within four or five feet. How grateful I felt towards them! One man and his sweetheart, a fine southern girl with dark eyes and sun-browned cheeks, sat down near me on one of the scanty seats provided. The man put his umbrella and his hat on the seat beside him. What could be more natural? No one else was there, and there was room for three more couples. Instantly an official—an authority!—stepped hastily forward from the shadow of some sculpture (beasts of prey abide in darkness), snatched up the umbrella and hat, and rudely dashed them on the floor. In a flow of speech he explained that nothing must be placed on the seats. The man, who had his handkerchief in his hand, quietly dropped it into his hat on the floor, and replied nothing. This was an official "jogger." I felt indignant to see and hear people treated in this rough manner; but the provincial was used to the jogger system and heeded it not. My own jogger was coming. Three to four hundred country-folk had gone by gently and in a gentlemanly way. Then came an English gentleman, middle-aged, florid, not much tinctured with art or letters, but garnished with huge gold watchchain and with wealth as it were bulging out of his waistcoat pocket. This gentleman positively walked into me, pushed me-literally pushed me aside and took my place, a place valuable to me at that moment for one special aspect, and having shoved me aside, gazed about him through his eyeglass, I suppose to discover what it was interested me. He was a genuine, thoroughbred jogger. The vast galleries of the Louvre had not room enough for him. He was one of the most successful joggers in the world, I feel sure; any family might be proud of him. While I am thus digressing, the bathers have gone over thrice.
The individual who had sat himself down by me produced a little box and offered me a lozenge. I did not accept it; he took one himself in token that they were harmless. Then he took a second, and a third, and began to tell me of their virtues; they cured this and they alleviated that, they were the greatest discovery of the age; this universal lozenge was health in the waistcoat pocket, a medicine-chest between finger and thumb; the secret had been extracted at last, and nature had given up the ghost as it were of her hidden physic. His eloquence conjured up in my mind a vision of the rocks beside the Hudson river papered over with acres of advertising posters. But no; by his further conversation I found that I had mentally slandered him; he was not a proprietor of patent medicine; he was a man of education and private means; he belonged to a much higher profession, in fact he was a "jogger" travelling about from place to place—"globetrotting" from capital city to watering-place—all over the world in the exercise of his function. I had wondered if his accent was American (petroleum-American), or German, or Italian, or Russian, or what. Now I wondered no longer, for the jogger is cosmopolitan. When he had exhausted his lozenge he told me how many times the screw of the steamer revolved while carrying him across the Pacific from Yokohama to San Francisco. I nearly suggested that it was about equal to the number of times his tongue had vibrated in the last ten minutes. The bathers went over twice more. I was anxious to take note of their bravery, and turned aside, leaning over the iron back of the seat. He went on just the same; a hint was no more to him than a feather bed to an ironclad.
My rigid silence was of no avail; so long as my ears were open he did not care. He was a very energetic jogger. However, it occurred to me to try another plan: I turned towards him (he would much rather have had my back) and began to talk in the most strident tones I could command. I pointed out to him that the pier was decked like a vessel, that the cliffs were white, that a lady passing had a dark blue dress on, which did not suit with the green sea, not because it was blue, but because it was the wrong tint of blue. I informed him that the Pavilion was once the residence of royalty, and similar novelties; all in a string without a semicolon. His eyes opened; he fumbled with his lozenge-box, said "Good morning," and went on up the pier. I watched him go—English-Americano- Germano-Franco-Prussian-Russian-Chinese-New Zealander that he was. But he was not a man of genius; you could choke him off by talking. Still he had effectually jogged me and spoiled my contemplative enjoyment of the bathers' courage; upon the whole I thought I would go down on the beach now and see them a little closer. The truth is, I suppose, that it is people like myself who are in the wrong, or are in the way. What business had I to make a note in the Tower yard, or study in the Louvre? what business have I to think, or indulge myself in an idea? What business has any man to paint, or sketch, or do anything of the sort? I suppose the joggers are in the right.
Dawdling down Whitehall one day a jogger nailed me—they come to me like flies to honey—and got me to look at his pamphlet. He went about, he said, all his time distributing them as a duty for the safety of the nation. The pamphlet was printed in the smallest type, and consisted of extracts from various prophetical authors, pointing out the enormity of the Babylonian Woman, of the City of Scarlet, or some such thing; the gist being the bitterest—almost scurrilous—attack on the Church of Rome. The jogger told me, with tears of pride in his eyes and a glorified countenance, that only a few days before, in the waiting-room of a railway station, he had the pleasure to present his pamphlet to Cardinal Manning. And the Cardinal bowed and put it in his pocket.
Just as everybody walks on the sunny side of Regent-street, so there are certain spots on the beach where people crowd together. This is one of them; just west of the West Pier there is a fair between eleven and one every bright morning. Everybody goes because everybody else does. Mamma goes down to bathe with her daughters and the little ones; they take two machines at least; the pater comes to smoke his cigar; the young fellows of the family-party come to look at "the women," as they irreverently speak of the sex. So the story runs on ad infinitum , down to the shoeless ones that turn up everywhere. Every seat is occupied; the boats and small yachts are filled; some of the children pour pebbles into the boats, some carefully throw them out; wooden spades are busy; sometimes they knock each other on the head with them, sometimes they empty pails of sea-water on a sister's frock. There is a squealing, squalling, screaming, shouting, singing, bawling, howling, whistling, tin-trumpeting, and every luxury of noise. Two or three bands work away; niggers clatter their bones; a conjurer in red throws his heels in the air; several harps strum merrily different strains; fruit-sellers push baskets into folks' faces; sellers of wretched needlework and singular baskets coated with shells thrust their rubbish into people's laps. These shell baskets date from George IV. The gingerbeer men and the newsboys cease not from troubling. Such a volume of uproar, such a complete organ of discord I mean a whole organful cannot be found anywhere else on the face of the earth in so comparatively small a space. It is a sort of triangular plot of beach crammed with everything that ordinarily annoys the ears and offends the sight.
Yet you hear nothing and see nothing; it is perfectly comfortable, perfectly jolly and exhilarating, a preferable spot to any other. A sparkle of sunshine on the breakers, a dazzling gleam from the white foam, a warm sweet air, light and brightness and champagniness; altogether lovely. The way in which people lie about on the beach, their legs this way, and their arms that, their hats over their eyes, their utter give-themselves-up expression of attitude is enough in itself to make a reasonable being contented. Nobody cares for anybody; they drowned Mrs. Grundy long ago. The ancient philosopher (who had a mind to eat a fig) held that a nail driven into wood could only support a certain weight. After that weight was exceeded either the wood must break or the nail come out. Yonder is a wooden seat put together with nails—a flimsy contrivance, which defies all rules of gravity and adhesion. One leg leans one way, the other in the opposite direction; very lame legs indeed. Careful folk would warn you not to sit on it lest it should come to pieces. The music, I suppose, charms it, for it holds together in the most marvellous manner. Four people are sitting on it, four big ones, middle-aged, careful people; every moment the legs gape wide apart, the structure visibly stretches and yields and sinks in the pebbles, yet it does not come down. The stoutest of all sits actually over the lame legs, reading his paper quite oblivious of the odd angle his plump person makes, quite unconscious of the threatened crack—crash! It does not happen. A sort of magnetism sticks it together; it is in the air; it makes things go right that ought to go wrong. Awfully naughty place; no sort of idea of rightness here. Humming and strumming, and singing and smoking, splashing, and sparkling; a buzz of voices and booming of sea! If they could only be happy like this always!
Mamma has a tremendous fight over the bathing-dresses, her own, of course; the bathing woman cannot find them, and denies that she had them, and by-and-by, after half an hour's exploration, finds them all right, and claims commendation for having put them away so safely. Then there is the battle for a machine. The nurse has been keeping guard on the steps, to seize it the instant the occupant comes out. At last they get it, and the wonder is how they pack themselves in it. Boom! The bathers have gone over again, I know. The rope stretches as the men at the capstan go round, and heave up the machines one by one before the devouring tide.
As it is not at all rude, but the proper thing to do, I thought I would venture a little nearer (not too obtrusively near) and see closer at hand how brave womanhood faced the rollers. There was a young girl lying at full length at the edge of the foam. She reclined parallel to the beach, not with her feet towards the sea, but so that it came to her side. She was clad in some material of a gauzy and yet opaque texture, permitting the full outline and the least movement to be seen. The colour I do not exactly know how to name; they could tell you at the Magasin du Louvre, where men understand the hues of garments as well as women. I presume it was one of the many tints that are called at large "creamy." It suited her perfectly. Her complexion was in the faintest degree swarthy, and yet not in the least like what a lady would associate with that word. The difficulty in describing a colour is that different people take different views of the terms employed; ladies have one scale founded a good deal on dress, men another, and painters have a special (and accurate) gamut which they use in the studio. This was a clear swarthiness a translucent swarthiness clear as the most delicate white. There was something in the hue of her neck as freely shown by the loose bathing dress, of her bare arms and feet, somewhat recalling to mind the kind of beauty attributed to the Queen of Egypt. But it was more delicate. Her form was almost fully developed, more so than usual at her age. Again and again the foam rushed up deep enough to cover her limbs, but not sufficiently so to hide her chest, as she was partly raised on one arm. Washed thus with the purest whiteness of the sparkling foam, her beauty gathered increase from the touch of the sea. She swayed slightly as the water reached her, she was luxuriously recked to and fro. The waves, toyed with her; they came and retired, happy in her presence; the breeze and the sunshine were there.
Standing somewhat back, the machines hid the waves from me till they reached the shore, so that I did not observe the heavy roller till it came and broke. A ton of water fell on her, crush! The edge of the wave curled and dropped over her, the arch bowed itself above her, the keystone of the wave fell in. She was under the surge while it rushed up and while it rushed back; it carried her up to the steps of the machine and back again to her original position. When it subsided she simply shook her head, raised herself on one arm, and adjusted herself parallel to the beach as before.
Let any one try this, let any one lie for a few minutes just where the surge bursts, and he will understand what it means. Men go out to the length of their ropes—past and outside the line of the breakers, or they swim still farther out and ride at ease where the wave, however large, merely lifts them pleasantly as it rolls under. But the smashing force of the wave is where it curls and breaks, and it is there that the ladies wait for it. It is these breakers in a gale that tear to pieces and destroy the best-built ships once they touch the shore, scattering their timbers as the wind scatters leaves. The courage and the endurance women must possess to face a groundswell like this! All the year they live in luxury and ease, and are shielded from everything that could hurt. A bruise—a lady to receive a bruise; it is not be to thought of! If a ruffian struck a lady in Hyde Park the world would rise from its armchair in a fury of indignation. These waves and pebbles bruise them as they list. They do not even flinch. There must, then, be a natural power of endurance in them.
It is unnecessary, and yet I was proud to see it. An English lady could do it; but could any other?—unless, indeed, an American of English descent. Still, it is a barbarous thing, for bathing could be easily rendered pleasant. The cruel roller receded, the soft breeze blew, the sunshine sparkled, the gleaming foam rushed up and gently rocked her. The Infanta Cleopatra lifted her arm gleaming wet with spray, and extended it indolently; the sun had only given her a more seductive loveliness. How much more enjoyable the sea and breeze and sunshine when one is gazing at something so beautiful. That arm, rounded and soft——
"Excuse me, sir, but your immortal soul"—a hand was placed on my elbow. I turned, and saw a beaming face; a young lady, elegantly dressed, placed a fly-sheet of good intentions in my fingers. The fair jogger beamed yet more sweetly as I took it, and went on among the crowd. When I looked back the Infanta Cleopatra had ascended into her machine. I had lost the last few moments of loveliness.