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There is in the Faubourg St. Honoré, not far from the Hotel of the Silver Scissors, an old house set far back in a court-yard of its own. A gray stone wall, the height of the first two stories, protects both garden and house from the eyes of the passer-by; and, save for the sound of singing, the place seems uninhabited most of the time.
On a misty morning in late November Katrine clapped the knocker of this old house with fear in her heart, for her future hung on the word of the great teacher who lived here, Josef, whose genius, generosity, and brutal frankness were the talk of the musical world. A Brittany peasant woman opened the door with no salutation whatever, for the huge Brigitte, in her white coiffe and blue flannel frock, spoke in awed whispers only, when the master was at home.
"Mademoiselle Dulany?" she asked.
Katrine nodded an affirmative.
"The master is expecting you," Brigitte said, leading the way up a wide oak staircase to the second floor, which had been made into one great room. It was a bare place, with no draperies and little furniture. Two grand pianos stood at one end near a small platform, like a model-stand. There were photographs of some great singers on the walls, and a few chairs huddled together.
In the corner at a desk a woman was writing from the dictation of a man who stood gazing out of the window. He turned at Katrine's entrance. She has seen his picture frequently, and knew on the instant that it was Josef, the greatest teacher in Europe—in the world.
"You may go, Zelie," he said to the woman. "I shall not need you till to-morrow." And the dismissal over, he came forward toward Katrine as she stood by the entrance, uncertain what to do.
He was a man about fifty years of age, below the medium height, heavily built, and dressed in black, with a waistcoat buttoned to the collar like a priest's. His hair was iron-gray, his eyes brown, and the pupils of them widened and contracted when he spoke. He had a clean-shaven face of ivory paleness, a sensuous mouth and chin, and when he looked at Katrine she understood his power, for it seemed to her as though he could see backward to her past and forward to all of her future.
Being alone with her, he motioned her to a seat by the window, near which he remained standing.
"I have been hearing that you have a voice. I have heard great things concerning it. I hope they are true." His tone implied that he had small belief that they were. "You have a serious drawback. You are too rich." She started at this. "The management of your income, however, is given to me, as I suppose you know. Will you be so good as to remove your jacket and hat, and walk up and down the room several times?"
Katrine obeyed.
"Good!" he said, at the first turn; and at the last, " Very good! Sing," he said, as abruptly as he had issued his former order.
In the after years she was given to making light of her choice, but the command was scarcely spoken before she began, in her lovely, sonorous voice, the song which it was her heritage to sing well:
As she sang the three great stanzas, Josef stood motionless, his lips drawn, his eyes half shut, his face like a wooden man's; but his hands trembled, and as she ended her singing he opened the piano and seated himself in front of it. "Take the notes I strike," he said, "little—very little—so—so—so!" he sang.
Up and down, over and over, listening with his head turned to one side like a dog, he had her sing the tones, saying only, "Once more!" and "yet again!" and "over—over—over!" At last, with a sigh, he closed the instrument. "I am not one given to extravagance in language," he said, "but you have the greatest natural voice I have ever heard. It is almost placed. Sit down a minute, I want to talk to you. Two kinds of pupils I have had in my life: those with voice and no temperament, and those with temperament and no voice. God seldom gives both; if He does, it is the great artist that may be made. To be great one must have both. But even with both given, one must have the ability to work, to work like a galley-slave, to work when all the world is resting, at the dead of night, in the small hours of the morning. When all the others have let go, you must hold on, till your head is tired and your body aches and you faint by the wayside; but you must never let go, you must learn to endure to the end. You will understand me. It is the mental part of which I speak. I do not mean that you are to wear your voice or your body out practising. It's something far harder. You must learn to surrender yourself, to lose your life to have it!" He looked at her keenly. She was drinking his words in, as it were, and the expression on her face assured even him. "Do you want me," he said, suddenly coming nearer, "to tell you about yourself; what I see in you?"
She bent her head, quivering from head to foot, before the power of this man, who seemed uncanny in his knowledge.
"You have had some great sorrow. It is an unhappy love-affair. I understand." Here he smiled his critical, unfathomable, remote smile. "You are not yet eighteen, and have been capable of a great sorrow! Child," he said, "thank God for it! You have a voice of gold. We will make of that sorrow diamonds and rubies and pearls to set in the voice, so that the world will stand at gaze before you. When you have real insight you will know that nothing was ever taken from us that more was not put in its place."
"Master," she said, with something of his own abruptness, "may I talk to you a little, a very little, about myself?"
Already Josef realized the charm of her companionship as well as the adoring humility with which her eyes shone into his and the unquestioning way she placed herself under his direction. He nodded his permission with a smile.
"I want to be taught in everything . I know so little. It is not book studies I mean. I want to learn to be bigger, to think great thoughts. I want, most of all, to develop the power to be happy, to make the people around me happy. Most , I want"—she drew up her chest and made an outward gesture with her arms, a gesture significant of her whole nature in its indication of courage and generosity—"I want," she repeated, "to grow soul!"
Josef laughed aloud. "Ah," he cried, "you funny, little, unusual thing! I'm glad you've come to me. We will study, study, and grow soul together , you and I. We will not accumulate facts to be laid on shelves, like mental lumber, but grow bigger thoughts: see ourselves and people clearer that the work may be broadened. And we will find our ideals changing, changing, getting bigger, higher. And the little people will fall away from us, like Punch-and-Judy shows, painlessly, with kind thoughts, because we will have no further use for them. Wait! Trust the master! Nothing makes one forget like a great art! In three—four years, you will meet the man, and say: 'Ach, Heaven! is it for this I suffered? Stupid me! Praise God things are as they are, and that I still have Josef.'"
"I have thought sometimes," Katrine went on, "that men have many fine traits, which, without becoming masculine, women might study to acquire. I remember once I went to spend the day with a boy and a girl whose mother punished them both for some slight misdemeanor. Afterward the girl cried all the rest of the morning, but the boy went out and made a swing, and in a little while was quite happy. I was only five, but I saw then, and later, that women bear their sorrows differently from men. I don't want to cry; I want to make swings."
"Very well. It is very well," said the great man, and there was a mist in his eyes as he looked at the valiant little creature. "It's a great gospel—that! I wish I could teach it to every woman on earth. Don't cry! Make swings !"
She had resumed her hat and jacket, and, with the lesson-day slip in her hand, was at the farther door, when she turned with sweetest pleading in her eyes. "Illustrious One!" she said, "I've not told you all. I've not asked you what I really want to know."
Already there was between them that quick comprehension of each other which exists for those people who have special gift.
"Well?" he said, waiting with a smile.
"You remember a pupil of yours named Charlotte Hopkins?"
"Very well, indeed."
"You changed her greatly."
"It is to be hoped so," he answered, with a laugh.
"She told me much of you: of your power, of your ability to make people over. And she said you had studied in the East, and had learned how to make people do your will, even when they were far away from you. Is it true?"
"Some say so," he answered.
"It is not hypnotism?" she questioned.
"I'm no Svengali, if that's what you mean," he responded, grimly. "I'll watch you, Katrine Dulany, and, if I find you worthy, some day I may tell you more."
More moved by her personality than he had been by any other in the twenty-five years of his teaching, he stood by the window and watched her cross the court-yard below and disappear through the great iron gates.
"Poor little girl!" he thought. "Beauty and gift and a divine despair. Everything ready to make the great artist. And then the heart of a woman, which is like quicksilver, to reckon with. I spoke bravely about her forgetting, but I have doubts. Sometimes I wonder if it be possible for a person with a fine and generous nature to become a really great artist. Perhaps it is necessary to have great egotism and selfishness for the arts' development. I wonder," he said, aloud; repeating, after a minute's silence, "I wonder—"
After his mother's recovery Frank went back to New York immediately, keen to arrange the railroad matters and get the actual work started. In the first interview with De Peyster, however, he found that Dermott McDermott was far from being out of the reckoning.
"It is rumored," said De Peyster, "that he is trying to elect himself president of N.C. & T. road. If he succeeds he can control the traffic in Carolina to such an extent that our line would be a failure, even if built."
"Then," returned Frank, and any one who loved him would have gloried at the set of his mouth and chin as he spoke, "he mustn't be allowed to be president of the N.C. & T. We must buy up the proxies."
Before the end of the week, however, they were surprised again by the news that McDermott had refused to consider the presidency of the N.C. & T. road, even if tendered him, and had given out that he would sail for Europe within a fortnight for an indefinite stay.
"But," De Peyster ended, as he repeated the news to Frank, "if you think he's whipped you don't know him! I'm more anxious over this last move than if he stayed right here and fought us openly. There is more to it than we know."
In silence Frank held the same belief, though he reasoned that McDermott's European trip could be well explained by his affection for Katrine; and so the thought of Dermott away from New York disturbed him far more than it did Philip de Peyster, but for very different reasons.
It was at Bar Harbor that he received the first letter from Katrine, in accordance with the compact that she should write her benefactor once a month. The letter had been forwarded from his Paris bankers, enclosed with business letters in a great envelope.
With a throbbing heart he opened it. She had touched it; it had been near her; one of those small, soft hands, with the dimples at the base of the fingers, had penned the strange, small writing:
DEAR UNKNOWN ONE,—There is little to tell. I go every day to Josef. He thinks it possible I may become a great singer.
I wonder about you, and feel something like Pip in "Great Expectations," only I know how good and great you must be. Isn't it fine to be like a fairy princess, who can do anything for people she chooses? And to have the heart to help—ah, that is the best of all!
In my mind, for we Irish imagine always, I have made you a stately lady, perhaps not very strong, who is much alone and has had a great sorrow, who helps the world because it is good to help. So every month I will send you letters of what I do and dream to do. If you are alone much, it may amuse you to read of my queer life here in Paris. If my letters bore you, you will not have to read them. I want only to show that I appreciate your help and your interest in me. To know Josef is the greatest thing, save one, that has come to my life. He gives me little slips of writing to pin up in my room to learn by heart. The last one read:
"What is it that enables one to live through the dead calm which succeeds a passionate desolation? Good work and hard work. The way to live well is to work well."
Another letter came in the same mail, which Frank read with a distaste for the writer of it, for the affair that made such a letter possible. It was from another woman, but something in the fervent little soul beyond the seas called to him, to the best in him, and he tore the other note to pieces and wrote a line or two in answer which closed an affair before it was well begun.
For two months he had carried a letter which he had written to Katrine during the first week of his mother's illness. He took it from his pocket and read it over now, wondering if it were wise to send it:
"I heard of your great sorrow sixty miles from a railroad in the Canadian woods. I started that night to see if I could help you. To speak truth, Katrine, I don't know why I started to come to you, except that I could not stay away.
"In New York I met McDermott, who told me you had sailed to study with Josef. This did not change my plans in the least. But there came the question of that land on the other side of the river which detained me for several days, and then my mother's dangerous illness.
"I have been with her constantly since—the crisis is past, but she is still too ill for me to leave her. I am coming to you just as soon as I can. And I am going to ask you to forgive me, to take me and make whatever you can out of my worthless self. Whatever of good there is in me has come through you. You have given me belief in purity and selflessness and hope of achievement.
"Don't remember me as I was; don't do that, Little One; only as I hope to be; as I hope you will help me to be. I am coming for your answer the first minute I can get away.
There had been many reasons for not sending this letter: his mother's illness; his sudden plunge into business; but underneath all was the fear, which grew larger day by day, that he might receive from Katrine the rebuff which his conduct toward her so richly merited.
Uncertainly he held the letter, reviewing one of the curious turns that life had taken in giving Katrine an ally in his mother.
On one of his week-end visits to Bar Harbor, where Mrs. Ravenel was still staying, her old gayety had led her one evening to the teasing subject of his marrying. He was standing by the open casement, looking into the twilight over the sea, when he answered her, and he could not hide the break in his voice as he spoke. "I have the misfortune to love the wrong woman, mother!"
"Frank!" The cry of alarm and tenderness and protest touched him strangely.
"Yes," he went on, "and it's a hard fight."
She came near, putting her hand tenderly on his cheek. "Ah," she said, "my boy, my boy!"
He drew her to him, and for the minute he seemed, indeed, a boy again, coming to this sure haven of comfort, to the place where he had never been criticised or told that he was wrong. "Yes, lady mother, I'm hard hit. I fell in love with one whom I didn't think it square to the family to marry. We have never made mis-alliances, in this country or the other. I believed, and I believe still, that a man owes it to his descendants, to the furthest generation, to marry for them. I believed, and I believe still, that marriage is far less a matter of personal inclination than most people consider it to be. I believe that when a man marries a woman he does not marry her alone, but all of her ancestors, and that he may expect to see the maternal grandfathers appearing again in his own grandchildren."
"Certainly, dear," Mrs. Ravenel acquiesced, in a tone which indicated there could be but one opinion on such a subject.
"You know how firmly I have believed this always, mother!"
She pressed his hand for reply.
"I told her that I could never marry her. But the thing was too strong for me—I went away from the place where she was. Oh," he cried, in a heat of self-abasing, "I grow cold when I think what a cad I was! I hurt her so! But I did, too late, what I thought was right, what I had been trained to do."
Far into the night, lying sleepless, with his hands folded under his head, there came a light tap at his door, and he knew his mother had come to him. She wore a rose-colored dressing-gown, and at sight of it he remembered, with tenderness, how she had always longed "to be beautiful to him."
Kneeling by the bed, she put her gentle arms around his neck, laying her soft cheek against his own. And the way everything in life falls down before mother-love could surely never be shown better than in her talk with him, in which she renounced almost every inherited belief to try to make life happier for him.
"Onliest One!" she said. It was her baby name for him.
"Yes, Miss Cora," he answered. They were the first words, learned from the negroes, that his childhood lips had ever formed.
"I couldn't sleep. You remember how I never could bear to see you suffer. I seem to go mad, to lose all self-control if you are not happy. And I came to tell you that it isn't true, that talk about marriage. I know it. I knew it when I taught you all the foolishness about family and position, and helped you to have the pride of Lucifer. Ah," she cried, "I suffered enough to know it isn't true! There is just one thing on earth that makes marriage endurable: a great and overmastering love. Marriage is the one thing about which for the good of the race, for the good of the race," she repeated, "we have a right to be divinely selfish."
"Perhaps it's true, mother mine, but the knowledge comes too late."
"No, it hasn't, boy!" she answered. "It hasn't. If I were a man and wanted a woman, I wouldn't let her wishes interfere in the matter. I would carry her off, if necessary. It was a good, old-time way—that!" she cried, earnestly.
"Mother! Mother! Mother!" Frank remonstrated, with a laugh, though with tears in his eyes.
"And you will have her if you want her; for you are so beautiful and dear and sweet, no woman could help loving you."
And with this biased assurance he fell asleep, as she sat by his bedside with her hand on his cheek.