RUSSELL VISITS ELECTRA

The patient work of twelve months drew to a close; the study of years bore its first fruit; the last delicate yet quivering touch was given; Electra threw down palette and brush, and, stepping back, surveyed the canvas. The Exhibition would open within two days, and this was to be her contribution. A sad-eyed Cassandra, with pallid, prescient, woe-struck features—an over-mastering face, wherein the flickering light of divination struggled feebly with the human horror of the To-Come, whose hideous mysteries were known only to the royal prophetess. In mute and stern despair it looked out from the canvas, a curious anomalous thing—cut adrift from human help, bereft of aid from heaven—yet, in its doomed isolation, scorning to ask the sympathy which its extraordinary loveliness extorted from all who saw it. The artist's pride in this, her first finished creation, might well be pardoned, for she was fully conscious that the cloud-region of a painful novitiate lay far beneath her; that henceforth she would never miss the pressure of long-coveted chaplets from her brow; that she should bask in the warm, fructifying rays of public favour; and measureless exultation flashed in her beautiful eyes.

The door opened, and Russell came into the studio. She was not expecting him; his sudden appearance gave her no time to adjust the chilling mask of pride, and all her uncontrolled affection found eloquent language in the joyful face.

"Russell! my own dear Russell!"

He drew his arm around her and kissed her flushed cheek, and each looked at the other, wondering at the changes which years had wrought.

"Electra, you have certainly improved more than anyone I ever knew. You look the impersonation of perfect health; it is needless to ask how you are." And again his lips touched the beaming face pressed against his shoulder. Her arms stole tremblingly around his neck, past indifference was forgotten in the joy of his presence.

"Sit down, and let me look at you. You have grown so tall and commanding that I am half afraid of my own cousin. You are less like Aunt Amy than formerly."

"Allow me to look at your painting first, for it will soon be too dark to examine it. This is the Cassandra of which you wrote me."

He stood before it for some moments in silence, and she watched him with breathless eagerness—for his opinion was of more value to her than that of all the dilettanti and connoisseurs who would soon inspect it. Gradually his dark cold face kindled, and she had her reward.

"It is a masterly creation; a thing of wonderful and imperishable beauty; it is a great success—as such the world will receive it—and hundreds will proclaim your triumph. I am proud of it, and doubly proud of you."

He held out his hand, and, as she put her fingers in his, her head drooped, and hot tears blinded her. Praise from the lips she loved best stirred her womanly heart as the applause of the public could never do.

"Come, sit down, Electra, and tell me something of your life, since the death of your friend, Mr. Clifton."

"Did you receive my last letter, giving an account of Mrs. Clifton's death?"

"Yes; just as I stepped upon the platform of the cars it was handed to me. I had heard nothing from you for so long, that I thought it was time to look after you."

"You had started, then, before you knew that I was going to Europe?"

"Yes."

He could not understand the instantaneous change which came over her countenance—the illumination, followed as suddenly by a smile, half compassionate, half bitter. She pressed one hand to her heart, and said—

"Mrs. Clifton never seemed to realize her son's death, though, after paralysis took place, and she became speechless, I thought she recovered her memory in some degree. She survived him just four months, and, doubtless, was saved much grief by her unconsciousness of what had occurred. Poor old lady! she suffered little for a year past, and died, I hope, without pain. I have the consolation of knowing that I did all that could be done to promote her comfort. Russell, I would not live here for any consideration; nothing but a sense of duty has detained me this long. I promised him that I would not forsake his mother. But you can have no adequate conception of the feeling of desolation which comes over me when I sit here during the long evenings. He seems watching me from picture-frames and pedestals; his face, his pleading, patient, wan face, haunts me perpetually. And yet I tried to make him happy; God knows I did my duty."

She sprang up and paced the room for some moments, with her hands behind her, and tears glittering on her cheeks. Pausing at last on the rug, she pointed to a large square object, closely shrouded and added—

"Yonder stands his last picture, unfinished. The day he died he put a few feeble strokes upon it, and bequeathed the completion of the task to me. For several years he worked occasionally on it, but much remains to be done. It is the 'Death of Socrates.' I have not even looked at it since that night; I do not intend to touch it until after I visit Italy; I doubt whether my hand will ever be steady enough to give the last strokes. Oh, Russell! the olden time, the cottage days, seem far, far off to me now!"

Leaning against the mantelpiece, she dropped her head on her hand, but when he approached and stood at the opposite corner, he saw that the tears had dried.

"Neither of us has had a sunny life, Electra; both have had numerous obstacles to contend with; both have very bitter memories. Originally there was a certain parallelism in our characters, but with our growth grew the divergence. You have preserved the nobler part of your nature better than I; for my years I am far older than you; none of the brightness of my boyhood seems to linger about me. Contact with the world is an indurating process; I really did not know how hard I had grown, until I felt my heart soften at sight of you. I need you to keep the kindly charities and gentle amenities of life before me, and, therefore, I have come for you. But for my poverty I never would have given you up so long; I felt that it would be for your advantage, in more than one respect to remain with Mr. Clifton until I had acquired my profession. I knew that you would enjoy privileges here which I could not give you in my straitened circumstances. Things have changed; Mr. Campbell has admitted me to partnership; my success I consider an established fact. Give up, for a season, this projected tour of Europe; wait till I can go with you—till I can take you; go back to W—— with me. You can continue your art studies, if you wish it; you can prosecute them there as well as here. You are ambitious, Electra; so am I; let us work together."

She raised her head and looked up at the powerful, nobly-proportioned form, the grand, kingly face, calm and colourless, the large, searching black eyes, within whose baffling depths lay all the mysteries of mesmerism, and a spasm of pain seized her own features. She shaded her brow, and answered—

"No, Russell; I could not entertain that thought an instant."

"Are you too proud to accept a home from me?"

"Not too proud, exactly; but, as long as I have health, I mean to make a support. I will not burden you."

"Full value received for benefit rendered is not charity; come to W——, share my future, and what fortune I may find assigned me. I have bought the cottage, and intend to build a handsome house there some day, where you and Mr. Campbell and I can live peacefully. You shall twine your æsthetic fancies all about it, to make it picturesque enough to suit your fastidious artistic taste. Come and save me from what you consider my worse than vandalian proclivities. I came here simply and solely in the hope of prevailing on you to return with me. I make this request, not because I think it will be expected of me, but for more selfish reasons—because it is a matter resting very near my heart."

"Oh, Russell! you tempt me."

"I wish to do so. My blood beats in your veins; you are the only relative I value, and were you indeed my sister, I should scarcely love you more. With all a brother's interest, why should I not claim a brother's right to keep you with me, at least until you find your Pylades, and give him a higher claim before God and man? Electra, were I your brother, you would require no persuasion; why hesitate now?"

She clasped her hands behind her, as if for support in some fiery ordeal, and, gathering up her strength, spoke rapidly, like one who fears that resolution will fail before some necessary sentence is pronounced.

"You are very kind and generous, Russell, and for all that you have offered me I thank you from the depth of a full heart. The consciousness of your continued interest and affection is inexpressibly precious; but my disposition is too much like your own to suffer me to sit down in idleness, while there is so much to be done in the world. I, too, want to earn a noble reputation, which will survive long after I have been gathered to my fathers; I want to accomplish some work, looking upon which, my fellow-creatures will proclaim: 'That woman has not lived in vain; the world is better and happier because she came and laboured in it.' I want my name carved, not on monumental marble only, but upon the living, throbbing heart of my age!—stamped indelibly on the generation in which my lot is cast. Perhaps I am too sanguine of success; a grievous disappointment may await all my ambitious hopes, but failure will come from want of genius, not lack of persevering patient toil. Upon the threshold of my career, facing the loneliness of coming years, I resign that hope with which, like a golden thread, most women embroider their future. I dedicate myself, my life, unreservedly to Art."

"You believe that you will be happier among the marble and canvas of Italy than in W—— with me?"

"Yes; I shall be better satisfied there. All my life it has gleamed afar off, a glorious land of promise to my eager, longing spirit. From childhood I have cherished the hope of reaching it, and the fruition is near at hand. Italy! bright Alma Mater of the art to which I consecrate my years. Do you wonder that, like a lonely child, I stretch, out my arms toward it? Yet my stay there will be but for a season. I go to complete my studies, to make myself a more perfect instrument for my noble work, and then I shall come home—come, not to New York, but to my own dear native South, to W——, that I may labour under the shadow of its lofty pines, and within hearing of its murmuring river—dearer to me than classic Arno, or immortal Tiber. I wrote you that Mr. Clifton had left me a legacy, which, judiciously invested, will defray my expenses in Europe, where living is cheaper than in this country. Mr. Young has taken charge of the money for me, and has kindly offered to attend to my remittances. Aunt Ruth's friends, the Richardsons, consented to wait for me until after the opening of the Exhibition of the Academy of Design, and one week from to-morrow we expect to sail."

"What do you know of the family?"

"Nothing, except that the lady, who is an old friend of my aunt, is threatened with consumption, and has been advised to spend a year or two in Florence. Aunt Ruth took me to see her the other day; she seems intelligent and agreeable, and I daresay I shall find her kind and pleasant enough."

"Since such is the programme you have marked out, I trust that no disappointments await you, and that all your bright dreams may be realized. But if it should prove otherwise, and you grow weary of your art, sick of isolation, and satiated with Italy, remember that I shall welcome you home and gladly share with you all that I possess. You are embarking in an experiment which thousands have tried before you, and wrecked happiness upon; but I have no right to control your future, and certainly no desire to discourage you. At all events, I hope our separation will be brief."

A short silence followed, broken at last by Electra, who watched him keenly as she spoke—

"Tell me something about Irene. Of course, in a small town like W——, you must see her frequently."

"By no means. I think I have seen her but three times since her childhood—once riding with her father, then accidentally at church, and again a few evenings before I left, at the graveyard, where she was dressing a tombstone with flowers. There we exchanged a few words for the first time, and this reminds me that I am bearer of a message yet undelivered. She inquired after you, and desired me to tender you her love and best wishes."

"I have her here in crayons; tell me what you think of the likeness."

She took down a portfolio and selected the head of her quondam playmate, holding it under the gaslight, and still scrutinizing her cousin's countenance. He took it, and looked gravely, earnestly, at the lovely features.

"It scarcely does her justice; I doubt whether any portrait ever will. Beside, the expression of her face has changed materially since this was sketched. There is a harder outline now about her mouth, less of dreaminess in the eyes, more of cold hauteur in the whole face. If you desire it, I can in one line of Tennyson photograph her proud beauty, as I saw her mounted on her favourite horse, the week that I left home—

He laid the drawing back in the open portfolio, crossed the room, and took up his hat.

"Where are you going, Russell? Can't you spend the evening with me at Aunt Ruth's?"

"No, thank you; I must go. There is to be a great political meeting at Tammany Hall to-night, and I am particularly anxious to attend."

"What! are you, too, engaged in watching the fermentation of the political vat?"

"Yes, I am most deeply interested; no true lover of his country can fail to be so at this juncture."

"How long will you be in New York?"

"Since I cannot persuade you to return with me, my stay here will be shortened. One of our courts meets soon, and though Mr. Campbell will be there to attend to the cases, I want, if possible, to be present. I shall return day after to-morrow. And now good night; I will see you early in the morning."

The door closed behind him, and she remained standing for some time just as he left her. Slowly the folded hands shrank from each other, and dropped nerveless to her side; the bright glow in her cheeks, the dash of crimson on her lips, faded from both; the whole face relaxed into an expression of hopeless agony. PFcMum10AM4mcTtUkQgm+QwoSHb5q/hE4yf9NjoqhpvbhqGdKnPsNQUu7RAjQoGx