I have said that Simon Perkins was a painter to the tips of his fingers. Just as a carpenter cannot help looking at a piece of wood with a professional glance it is impossible to mistake--a glance that seems to embrace at once its length, depth, thickness, toughness, and general capabilities--so a painter views every object in nature, animate or inanimate, as a subject for imitation and study of his art. The heavens are not too high, the sea too deep, nor the desert too wide to afford him a lesson; and the human countenance, with its endless variety of feature and expression, is a book he never wearies of learning by heart. When his professional interest in beauty is enhanced by warmer feelings, it may be imagined that vanity could require no fuller tribute of admiration than the worship of one whose special gift it is to decide on the symmetry of outward form.
As a painter, Simon Perkins approved of Nina Algernon--as a man he loved her. Lest his position should not prove sufficiently fatal, she had become of late practically identified with his art, almost as completely as she was mixed up with his every-day life. For many months, perhaps even for years, the germ of a great work had taken root in his imagination. Slowly, almost painfully, that germ developed itself, passing through several stages, sketch upon sketch, till it came to maturity at last in the composition of a large picture on which he was now employed.
The subject afforded ample scope for liberty of fancy in form and grouping--for the indulgence of a gorgeous taste in colouring and costume. It represented Thomas the Rhymer in Fairyland, at the moment when its glamour is falling from his eyes, when its magic lustre is dying out on all that glittering pageantry and the elfin is fading to a gnome. The handsome wizard turns from a crowd of phantom shapes, half lovely, half grotesque--for their change is even now in progress--to look wistfully and appealingly on the queen.
There is a pained expression in his comely features, of hurt affection, and trust betrayed, yet not without a ray of pride and triumph, that, come what might to the others, she is still unchanged. Around him the fairies are shedding their glory as trees in autumn shed their leaves. Here a sweet laughing face surmounts the hideous body of an imp, there the bright scales of an unearthly armour shrivel to rottenness and dust. The dazzling robes are turning blank and colourless, the emerald rays waning to a pale, sad light, the flashing diadem is dulled and dim. Yet on the fairy queen there lowers no shadow of change, there threaten no symptoms of decay.
Bathed in the halo of a true though hapless love, she is still the same as when he first saw her all those seven long years ago, glistening in immortal charms, and knelt to her for the queen of heaven, where she rode--"under the linden tree."
It is obvious that on her countenance, besides the stamp of exceeding beauty, there must appear sorrow, self-reproach, fortitude, majesty, and undying tenderness. All these the painter thought he read in Nina Algernon's girlish face.
So she sat to him dutifully enough for a model of his fairy queen, and if she wearied at times, as I think she must, comforted herself with the remembrance that in this way she helped the family who gave her bread.
For the convenience of sitters, Simon Perkins had his painting-room in Berners Street: thither it was his custom to resort in the morning, by penny steamer or threepenny omnibus, and there he spent many happy hours working hard with palette and brush. Not the least golden seemed those in which Nina accompanied him to sit patiently while he studied, and drew her, line by line, feature by feature. The expeditions to and fro were delightful, the labour was pleasure, the day was gone far too soon.
A morning could not but be fine, when, emerging from an omnibus at Albert Gate, Simon walked by the side of his model through Hyde Park on their way to Berners Street; but about this period one morning seemed even finer than common, because that Nina, taking his arm as they crossed Rotten Row, thought fit to confide to him an interview of the day before with Aunt Jemima, in which she extorted from that dear old lady with some difficulty the fact of her own friendless position in the world.
"And I don't mind it a bit," continued the girl, catching her voice like a child, as was her habit when excited, "for I'm sure you're all so kind to me that I'd much rather not have any other friends. And I don't want to be independent, and I'll never leave you, so long as you'll keep me. And O, Simon, isn't it good of your aunts, and you too, to have taken care of me ever since I was quite a little thing? For I'm no relation, you know--and how can I ever do enough for you? I can't. It's impossible. And you don't want me to, if I could!"
Notwithstanding the playful manner which was part of Nina's self, there were tears of real feeling in her eyes, and I doubt if Simon's were quite dry while he answered--
"You belong to us just as much as if you were a relation, Nina. My aunts have said so ever since I can remember, and as for me, why you used to ride on my foot when you were in short frocks! What a little romp it was! Always troublesome, and always will be--and that's why we're so fond of you." He spoke lightly, but his voice shook nevertheless.
"So you ought to be," she answered. "For you know how much I love you all."
"What, even stern Aunt Jemima?" said this blundering young man, clumsily beating about the bush, and thus scaring the bird quite as much as if he had thrust his hand boldly into the nest.
"Aunt Jemima best of all," replied Nina saucily, "because she's the eldest, and tries to keep me in order, but she can't."
"And which of us next best, Nina?" continued he, turning away with extraordinary interest in a mowing-machine.
"Aunt Susannah, of course." This very demurely, while tightening her pretty lips to keep back a laugh.
"Then I come last," he observed gently; but there was something in the tone that made her glance sharply in his face.
She pressed his arm. "You dear old simple Simon," said she kindly. "Surely you must know me by this time. I love you very dearly, just as if you were my brother. Brother, indeed! I don't think if I'd a father I could be much fonder of him than I am of you."
What a bright morning it had been five minutes ago, and now the sky seemed clouded all at once. Simon even thought the statue of Achilles looked more grim and ghostly than usual, lowering there in his naked bronze.
She had wounded him very deeply, that pretty unconscious archer. These random shafts for which no interposing shield makes ready are sure to find the joints in our harness. A tough hard nature such as constitutes the true fighter only presses more doggedly to the front, but gentler spirits are fain to turn aside out of the battle, and go home to die. There came a dimness before Simon's eyes, and a ringing in his ears. He scarcely heard his companion, while she asked--
"Who are those men bowing? Do you know them? They must take me for somebody else."
"Those men bowing" were two no less important characters than Lord Bearwarden and Tom Ryfe, the latter in the act of selling the former a horse. Such transactions, for some mysterious reason, always take place in the morning, and whatever arguments may be adduced against a too enthusiastic worship of the noble animal, at least it promotes early rising.
Tom Ryfe was one of those men rarely seen in the saddle or on the box, but who, nevertheless, always seem to have a horse to dispose of, whatever be the kind required. Hack, hunter, pony, phaeton-horse, he was either possessor of the very animal you wanted, or could suit you with it at twenty-four hours' notice; yet if you met him by accident riding in the Park, he was sure to tell you he had been mounted by a friend; if you saw him driving a team--and few could handle four horses in a crowded thoroughfare with more neatness and precision--you might safely wager it was from the box of another man's coach.
He was supposed to be a very fine rider over a country, and there were vague traditions of his having gone exceedingly well through great runs on special occasions; but these exploits had obviously lost nothing of their interest in the process of narration, and were indeed enhanced by that obscurity which increases the magnitude of most things, in the moral as in the material world.
Mr. Ryfe knew all the sporting men about London, but not their wives. He was at home on the Downs and the Heath, in the pavilion at Lord's, and behind the traps of the Red House. He dined pretty frequently at the barracks of the household troops, welcome to the genial spirits of his entertainers, chiefly for those qualities with which they themselves credited him; and he called Bearwarden "My lord," wherefore that nobleman thought him a snob, and would perhaps have considered him a still greater if he had not . The horse in question showed good points and fine action. Mr. Ryfe walked, trotted, cantered, and finally reined him up at the rails on which Lord Bearwarden was leaning.
"Rather a flat-catcher, Tom," said that nobleman, between the whiffs of a cigar. "Too much action for a hunter, and too little body. He wouldn't carry my weight if the ground was deep, though he's not a bad goer, I'll admit."
"Exactly what I said at first, my lord," answered Tom, slipping the reins through his fingers, and letting the horse reach over the iron bar against his chest to crop the tufts of grass beneath, an attitude in which his fine shoulders and liberty of frame showed to great advantage. "I never thought he was a fourteen-stone horse, and I never told you so."
"And I never told you I rode fourteen stone, did I?" replied Lord Bearwarden, who was a little touchy on that score. "Thirteen five at the outside, and not so much as that after deer-stalking in Scotland. He's clean thoroughbred, isn't he?"
The purchaser was biting, and Tom understood his business as if he had been brought up to it.
"Clean," he answered, passing his leg over the horse's neck, and sliding to the ground, thus leaving his saddle empty for the other. "But he's thrown away on a heavy man. His place is carrying thirteen stone over high Leicestershire. Nothing could touch him there amongst the hills. Jumping's a vulgar accomplishment. Plenty of them can jump if one dare ride them, but he's really an extraordinary fencer. Such a mouth, too, and such a gentleman ! Why he's the pleasantest hack in London. You like a nice hack, my lord. Get up and feel him. It's like riding a bird."
So Lord Bearwarden jumped on, and altered the stirrups, and crammed his hat down, ere he rode the horse to and fro, trying him in all his paces, and probably falling in love with him forthwith, for he returned with a brightened eye and higher colour to Tom Ryfe on the footway.
It was at this juncture both gentlemen started and took their hats off to the lady who walked some fifty paces off, arm-in-arm with Simon Perkins, the painter.
Their salute was not returned. The lady, indeed, to whom it was addressed seemed to hurry on all the faster with her companion. It was remarkable, and both remarked it, that neither made any observation on this lack of courtesy, but finished their bargain without apparently half so much interest in sale or purchase as they felt five minutes ago.
"You'll dine with us, Tom, on the 11th?" said Bearwarden, when they parted opposite Knightsbridge Barracks, but he was obviously thinking of something else.
"On the 11th," repeated Tom--"delighted, my lord--at eight o'clock, I suppose," and turned his horse's head soberly towards Piccadilly, proceeding at a walk, as one who revolved certain reflections, not of the most agreeable, in his mind. A dinner at the barracks was usually rather an event with Mr. Ryfe, but on the present occasion he forgot all about it before he had gone a hundred yards.
Lord Bearwarden, rejecting the temptation of luncheon in the mess-room, ran up-stairs to his own quarters to think--of course he smoked at the same time.
This nobleman was one of the many of his kind who, to their credit be it said, are not spoiled by sailing down the stream with the wind in their favour. He had been "a good fellow" at Eton, he remained "a good fellow" in the regiment. With general society he was not perhaps quite so popular. People said he "required knowing"; and for those who didn't choose to take the trouble of knowing him he was a little reserved; with men, even a little rough. His manner was of the world, worldly, and gave the idea of complete heartlessness and savoir faire ; yet under this seemingly impervious covering lurked a womanly romance of temperament, a womanly tenderness of heart, than which nothing would have made him so angry as to be accused of possessing. His habits were manly and simple, his chief ambition was to distinguish himself as a soldier, and so far as he could find opportunity he had seen service with credit on the staff. A keen sportsman, he could ride and shoot as well as his neighbours, and this is saying no little amongst the young officers of the Household Brigade.
Anything but a "ladies' man," there was yet something about Bearwarden, irrespective of his income and his coronet, that seemed to interest women of all temperaments and characters. They would turn away from far handsomer, better dressed, and more amusing people to attract his notice when he entered a room, and the more enterprising would even make fierce love to him on further acquaintance, particularly after they discovered what up-hill work it was. Do they appreciate a difficulty the greater trouble it requires to surmount, or do they enjoy a scrape the more, that they have to squeeze themselves into it by main force? I wonder if the sea-nymphs love their Tritons because those zoophytes must necessarily be so cold! It is doubtless against the hard impenetrable rock that the sea-waves dash themselves again and again. Bearwarden responded but faintly to the boldest advances. There must be a reason for it, said the fair assailants. Curiosity grew into interest, and, flavoured with a dash of pique, formed one of those messes with which, in stimulating their vanity, women fancy they satisfy their hunger of the heart.
Bearwarden was a man with a history; of this they were quite sure, and herein they were less mistaken than people generally find themselves who jump to conclusions. Yes, Bearwarden had a history, and a sad one, so far as the principal actor was concerned. Indeed he dared not think much about it even yet, and drove it--for he was no weak, silly sentimentalist--by sheer force of will out of his mind. Indeed, if it had not wholly changed his real self, it had encrusted him with that hardness and roughness of exterior which he turned instinctively to the world. The same thing had happened to him that happens to most of us at one time or another. Just as the hunting man, sooner or later, is pretty sure to be laid up with a broken collar-bone, so in the career of life must be encountered that inevitable disaster which results in a wounded spirit and a sore heart. The collar-bone, we all know, is a six weeks' job; but injuries of a tenderer nature take far longer to heal. Nevertheless, the cure of these, too, is but a question of time, though, to carry on the metaphor, I think in either case the hapless rider loses some of the zest and dash which distinguished his earlier performances, previous to discomfiture. "Only a woman's hair," wrote Dean Swift on a certain packet hidden away in his desk. And thus a very dark page in Lord Bearwarden's history might have been headed "Only a woman's falsehood." Not much to make a fuss about, surely; but he was kind, generous, of a peculiarly trustful disposition, and it punished him very sharply, though he tried hard to bear his sorrow like a man. It was the usual business. He had attached himself to a lady of somewhat lower social standing than his own, of rather questionable antecedents, and whom the world accepted to a certain extent on sufferance, as it were, and under protest, yet welcomed her cordially enough, nevertheless. His relations abused her, his friends warned him against her; of course he loved her very dearly, all the more that he had to sacrifice many interests for her sake, and so resolved to make her his wife.
For reasons of her own she stipulated that he should leave his regiment, and even in this, though he would rather have lost an arm, he yielded to her wish.
The letter to his colonel, in which he requested permission to send in his papers, actually lay sealed on the table, when he received a note in a well-known hand that taught him the new lesson he had never expected to learn. The writer besought his forgiveness, deploring her own heartlessness the while, and proceeded to inform him that there was a Somebody else in the field to whom she was solemnly promised (just as she had been to him), and with whom she was about to unite her Lot--capital L. She never could be happy, of course, but it was her destiny: to fight against it was useless, and she trusted Lord B. would forget her, etc., etc. All this in well-chosen language, and written with an exceedingly good pen.
It was lucky his letter to the colonel had not been sent. In such sorrows as these a soldier learns how his regiment is his real home, how his comrades are the staunchest, the least obtrusive, and the sincerest of friends.
Patting his charger's neck at the very next field-day, Bearwarden told himself there was much to live for still; that it would be unsoldierlike, unmanly, childish, to neglect duty, to wince from pleasure, to turn his back on all the world had to offer, only because a woman followed her nature and changed her mind.
So he bore it very well, and those who knew him best wondered he cared so little: and all the while he never heard a strain of music, nor felt a ray of sunshine, nor looked on beauty of any kind whatever, without that gnawing cruel pain at his heart. Thus the years passed on, and the women of his family declared that Bearwarden was a confirmed old bachelor.
When he met Miss Bruce at Lady Goldthred's, no doubt he admired her beauty and approved of her manner, but it was neither beauty nor manner, nor could he have explained what it was, that caused the pulses within him to stir, as they stirred long ago--that brought back a certain flavour of the old draught he had quaffed so eagerly, to find it so bitter at the dregs. Another meeting with Maud, a dance or two, a whisper on a crowded staircase, and Lord Bearwarden told himself that the deep wound had healed at last; that the grass was growing fresh and fair over the grave of a dead love; that for him too, as for others, there might still be an interest in the chances of the great game.
Surely the blind restored to sight is more grateful, more joyous, more triumphant, than he who, born in darkness, finds himself overwhelmed and dazzled with the glare of his new gift!
Some men are so strangely constituted that they like a woman all the better for "snubbing" them. Lord Bearwarden had never felt so grave an interest in Miss Bruce as when he entered the barracks under the impression she had cut him dead, without the slightest pretext or excuse.
Not so Tom Ryfe. In that gentleman's mind mingled the several disagreeable sensations of surprise, anger, jealousy, and disgust. Of these he chewed the bitter cud while he rode home, wondering with whom Miss Bruce could thus dare to parade herself in public, maddened at the open rebellion inferred by so ignoring his presence and his love, vowing to revenge himself without delay by tightening the curb and making her feel, to her cost, the hold he possessed over her person and her actions. By the time he reached his uncle's house, he had made up his mind to demand an explanation, to come to a final understanding, to assert his authority, and to avenge his pride. He turned pale to see Maud's monogram on the envelope of a letter that had arrived during his absence; paler still, when from this letter a thin slip of stamped paper fluttered to the floor--white to the very lips while he read the sharp, decisive, cruel lines that accounted for its presence in the missive, and that bade him relinquish at a word all the hope and happiness of his life. Without unbuttoning his coat, without removing the hat from his head, or the gloves from his hands, he sat fiercely down, and wrote his answer.
"You think to get rid of me, Miss Bruce, as you would get rid of an unsuitable servant, by giving him his wages and bidding him to go about his business. You imagine that the debt between us is such as a sum of money can at once wipe out: that because you have been able to raise this money (and how you did so I think I have a right to ask) our business connection ceases, and the lover , inconvenient, no doubt, from his priority of claim, must go to the wall directly the lawyer has been paid his bill. You never were more mistaken in your life. Have you forgotten a certain promise I hold of yours, written in your own hand, signed with your own signature, furnished, as itself attests, of your own free will? and do you think I am a likely man to forego such an advantage? You might have had me for a friend--how dear a friend I cannot bear to tell you now. If you persist in making me an enemy, you have but yourself to blame. I am not given to threaten; and you know that I can generally fulfil what I promise. I give you fair warning then: so surely as you try, in the faintest item, to elude your bargain, so surely will I cross your path, and spoil your game, and show you up before the world. Mine you are, and mine you shall be. If of free will, happily; if not, then to your misery and my own. But, mark me, always mine !"
"The wisest clerks are not the wisest men." It is a bad plan ever to drive a woman into a corner; and with all his knowledge of law, I think Mr. Ryfe could hardly have written a more ill-advised and injudicious letter than the above to Miss Bruce.