THE REWARD.

Where are the portraits of those who have perished in spite of their vows?

4.1.

One bright March day in the year 1783 the bells of Pianura began to ring at sunrise, and with their first peal the townsfolk were abroad.

The city was already dressed for a festival. A canopy of crimson velvet, surmounted by the ducal crown and by the "Humilitas" of the Valseccas, concealed the columns of the Cathedral porch and fell in royal folds about the featureless porphyry lions who had seen so many successive rulers ascend the steps between their outstretched paws. The frieze of ramping and running animals around the ancient baptistery was concealed by heavy green garlands alternating with religious banners; and every church and chapel had draped its doorway with crimson and placed above the image of its patron saint the ducal crown of Pianura.

No less sumptuous was the adornment of the private dwellings. The great families—the Trescorri, the Belverdi, the Pievepelaghi—had outdone each other in the display of golden-threaded tapestries and Genoese velvets emblazoned with armorial bearings; and even the sombre facade of the Boscofolto palace showed a rich drapery surmounted by the quarterings of the new Marchioness.

But it was not only the palace-fronts that had put on a holiday dress. The contagion had spread to the poorer quarters, and in many a narrow street and crooked lane, where surely no part of the coming pageant might be expected to pass, the crazy balconies and unglazed windows were decked out with scraps of finery: a yard or two of velvet filched from the state hangings of some noble house, a torn and discoloured church banner, even a cast-off sacque of brocade or a peasant's holiday kerchief, skilfully draped about the rusty iron and held in place by pots of clove-pink and sweet basil. The half-ruined palace which had once housed Gamba and Momola showed a few shreds of colour on its sullen front, and the abate Crescenti's modest house, wedged in a corner of the city walls, was dressed like the altar of a Lady Chapel; while even the tanners' quarter by the river displayed its festoons of coloured paper and tinsel, ingeniously twisted into the semblance of a crown.

For the new Duke, who was about to enter his capital in state, was extraordinarily popular with all classes. His popularity, as yet, was mainly due to a general detestation of the rule he had replaced; but such a sentiment gives to a new sovereign an impetus which, if he knows how to use it, will carry him a long way toward success; and among those in the Duke's confidence it was rumoured that he was qualified not only to profit by the expectations he had raised but to fulfil them. The last months of the late Duke's life had plunged the duchy into such political and financial disorder that all parties were agreed in welcoming a change. Even those that had most to lose by the accession of the new sovereign, or most to fear from the policy he was known to favour, preferred the possibility of new evils to a continuance of present conditions. The expertest angler in troubled waters may find waters too troubled for his sport; and under a government where power is passed from hand to hand like the handkerchief in a children's game, the most adroit time-server may find himself grasping the empty air.

It would indeed have been difficult to say who had ruled during the year preceding the Duke's death. Prime ministers had succeeded each other like the clowns in a harlequinade. Just as the Church seemed to have gained the upper hand some mysterious revulsion of feeling would fling the Duke toward Trescorre and the liberals; and when these had attempted, by some trifling concession to popular feeling, to restore the credit of the government, their sovereign, seized by religious scruples, would hastily recall the clerical party. So the administration staggered on, reeling from one policy to another, clutching now at this support and now at that, while Austria and the Holy See hung on its steps, awaiting the inevitable fall.

A cruel winter and a fresh outbreak of the silkworm disease had aggravated the misery of the people, while the mounting extravagance of the Duchess had put a last strain on the exhausted treasury. The consequent increase of the salt-tax roused such popular fury that Father Ignazio, who was responsible for the measure, was dismissed by the panic-stricken Duke, and Trescorre, as usual, called in to repair his rival's mistake. But it would have taken a greater statesman than Trescorre to reach the root of such evils; and the new minister succeeded neither in pacifying the people nor in reassuring his sovereign.

Meanwhile the Duke was sinking under the mysterious disease which had hung upon him since his birth. It was hinted that his last hours were darkened by hallucinations, and the pious pictured him as haunted by profligate visions, while the free-thinkers maintained that he was the dupe of priestly jugglery. Toward the end there was the inevitable rumour of acqua tofana, and the populace cried out that the Jesuits were at work again. It seems more probable, however, that his Highness, who had assisted at the annual festival of the Madonna del Monte, and had mingled on foot with the swarm of devotees thronging thither from all parts, had contracted a pestilent disorder from one of the pilgrims. Certain it is that death came in a dreadful form. The Duchess, alarmed for the health of Prince Ferrante, fled with him to the dower-house by the Piana; and the strange nature of his Highness's distemper caused many to follow her example. Even the Duke's servants, and the quacks that lived on his bounty, were said to have abandoned the death-chamber; and an English traveller passing through Pianura boasted that, by the payment of a small fee to the palace porter, he had obtained leave to enter his Highness's closet and peer through the doorway at the dying man. However this may be, it would appear that the Duke's confessor—a monk of the Barnabite order—was not to be found when his Highness called for him; and the servant sent forth in haste to fetch a priest returned, strangely enough, with the abate Crescenti, whose suspected orthodoxy had so long made him the object of the Duke's detestation. He it was who alone witnessed the end of that tormented life, and knew upon what hopes or fears it closed.

Meanwhile it appeared that the Duchess's precautions were not unfounded; for Prince Ferrante presently sickened of the same malady which had cut off his father, and when the Regent, travelling post-haste, arrived in Pianura, he had barely time to pass from the Duke's obsequies to the death-bed of the heir.

Etiquette required that a year of mourning should elapse between the accession of the new sovereign and his state entry into his capital; so that if Duke Odo's character and intentions were still matter of conjecture to his subjects, his appearance was already familiar to them. His youth, his good looks, his open mien, his known affability of manner, were so many arguments in his favour with an impressionable and impulsive people; and it was perhaps natural that he should interpret as a tribute to his principles the sympathy which his person aroused.

It is certain that he fancied himself, at that time, as well-acquainted with his subjects as they believed themselves to be with him; and the understanding supposed to exist was productive of equal satisfaction to both sides. The new Duke had thrown himself with extraordinary zeal into the task of loving and understanding his people. It had been his refuge from a hundred doubts and uncertainties, the one clearly-defined object in an obscure and troubled fate. And their response had, almost immediately, turned his task into a pleasure. It was so easy to rule if one's subjects loved one! And so easy to be loved if only one loved enough in return! If he did not, like the Pope, describe himself to his people as the servant of the servants of God, he at least longed to make them feel that this new gospel of service was the base on which all sovereignty must henceforth repose.

It was not that his first year of power had been without moments of disillusionment. He had had more than one embittering experience of intrigue and perfidy, more than one glimpse of the pitfalls besetting his course; but his confidence in his own powers and his faith in his people remained unshaken, and with two such beliefs to sustain him it seemed as though no difficulties would prove insurmountable.

Such at least was the mood in which, on the morning of his entry into Pianura, he prepared to face his subjects. Strangely enough, the state entry began at Ponte di Po, the very spot where, on a stormy midnight some seven years earlier, the new Duke had landed, a fugitive from his future realm. Here, according to an ancient custom, the sovereign awaited the arrival of his ministers and court; and then, taking seat in his state barge, proceeded by water to Pianura, followed by an escort of galleys.

A great tent hung with tapestries had been set up on the river-bank; and here Odo awaited the approach of the barge. As it touched at the landing-stage he stepped out, and his prime minister, Count Trescorre, advanced toward him, accompanied by the dignitaries of the court. Trescorre had aged in the intervening years. His delicate features had withered like a woman's, and the fine irony of his smile had taken an edge of cruelty. His face suggested a worn engraving, the lines of which have been deepened by a too-incisive instrument.

The functionaries attending him were, with few exceptions, the same who had figured in a like capacity at the late sovereign's court. With the passing of the years they had grown heavier or thinner, more ponderous or stiffer in their movements, and as they advanced, in their splendid but unwieldy court dress, they seemed to Odo like superannuated marionettes whose springs and wires have rusted from disuse.

The barge was a magnificent gilded Bucentaur, presented to the late Duke's father by the Doge of Venice, and carved by his Serenity's most famous sculptors in wood. Tritons and sea-goddesses encircled the prow and throned above the stern, and the interior of the deck-house was adorned with delicate rilievi and painted by Tiepolo with scenes from the myth of Amphitrite. Here the new Duke seated himself, surrounded by his household, and presently the heavy craft, rowed by sixty galley-slaves, was moving slowly up the river toward Pianura.

In the clear spring light the old walled city, with its domes and towers, rose pleasantly among budding orchards and fields. Close at hand were the crenellations of Bracciaforte's keep, and just beyond, the ornate cupola of the royal chapel, symbolising in their proximity the successive ambitions of the ducal race; while the round-arched campanile of the Cathedral and the square tower of the mediaeval town-hall sprang up side by side, marking the centre of the free city which the Valseccas had subjugated. It seemed to the new Duke, who was given to such reflections, that he could read his race's history in that broken skyline; but he was soon snatched from its perusal by the cheers of the crowd who thronged the river-bank to greet his approach.

As the Bucentaur touched at the landing-stage and Odo stepped out on the red carpet strewn with flowers, while cannon thundered from the walls and the bells burst into renewed jubilation, he felt himself for the first time face to face with his people. The very ceremonial which in other cases kept them apart was now a means of closer communication; for it was to show himself to them that he was making a public entry into his capital, and it was to see him that the city had poured forth her shouting throngs. The shouts rose and widened as he advanced, enveloping him in a mounting tide of welcome, in which cannon, bells and voices—the decreed and the spontaneous acclamations—were indistinguishably merged. In like manner, approbation of his person was mingled with a simple enjoyment of the show of which he formed a part; and it must have taken a more experienced head than Odo's to distinguish between the two currents of enthusiasm on which he felt himself swept forward.

The pageant was indeed brilliant enough to justify the popular transport; and the fact that the new Duke formed a worthy centre to so much magnificence was not lost on his splendour-loving subjects. The late sovereign had so long held himself aloof that the city was unaccustomed to such shows, and as the procession wound into the square before the Cathedral, where the thickest of the crowd was massed, the very pealing of the church-bells was lost in the roar of human voices.

Don Serafino, the Bishop's nephew, and now Master of the Horse, rode first, on a splendid charger, preceded by four trumpets and followed by his esquires; then came the court dignitaries, attended by their pages and staffieri in gala liveries, the marshals with their staves, the masters of ceremony, and the clergy mounted on mules trapped with velvet, each led by two running footmen. The Duke rode next, alone and somewhat pale. Two pages of arms, helmeted and carrying lances, walked at his horse's bridle; and behind him came his household and ministers, with their gentlemen and a long train of servants, followed by the regiment of light horse which closed the procession.

The houses surrounding the square afforded the best point of view to those unwilling to mix with the crowd in the streets; and among the spectators thronging the windows and balconies, and leaning over the edge of the leads, were many who, from one motive or another, felt a personal interest in the new Duke. The Marchioness of Boscofolto had accepted a seat in the windows of the Pievepelaghi palace, which formed an angle of the square, and she and her hostess—the same lady who had been relieved of her diamond necklace by footpads suspected of wearing the Duchess's livery—sat observing the scene behind the garlanded balconies of the piano nobile. In the mezzanin windows of a neighbouring wine-shop the bookseller Andreoni, with half a dozen members of the philosophical society to which Odo had belonged, peered above the heads of the crowd thronging the arcade, and through a dormer of the leads Carlo Gamba, the assistant in the ducal library, looked out on the triumph of his former patron. Among the Church dignities grouped about his Highness was Father Ignazio, the late Duke's confessor, now Prior of the Dominicans, and said to be withdrawn from political life. Seated on his richly-trapped mule he observed the scene with impassive face; while from his place in the long line of minor clergy, the abate Crescenti, with eyes of infinite tenderness and concern, watched the young Duke solemnly ascending the Cathedral steps.

In the porch the Bishop waited, impressive as ever in his white and gold dalmatic, against the red robes of the chapter. Preceded by two chamberlains Odo mounted the steps amid the sudden silence of the people. The great bronze portals of the Cathedral, which were never opened save on occasions of state, swung slowly inward, pouring a wave of music and incense out upon the hushed sunlit square; then they closed again, engulphing the brilliant procession—the Duke, the Bishop, the clergy and the court—and leaving the populace to scatter in search of the diversions prepared for them at every street-corner.

It was not till late that night that the new Duke found himself alone. He had withdrawn at last from the torch-lit balcony overlooking the square, whither the shouts of his subjects had persistently recalled him. Silence was falling on the illuminated streets, and the dimness of midnight upon the sky through which rocket after rocket had torn its brilliant furrows. In the palace a profounder stillness reigned. Since his accession Odo, out of respect for the late Duke, had lodged in one of the wings of the great building; but tradition demanded that he should henceforth inhabit the ducal apartments, and thither, at the close of the day's ceremonies, his gentlemen had conducted him.

Trescorre had asked permission to wait on him before he slept; and he knew that the prime minister would be kept late by his conference with the secret police, whose nightly report could not be handed in till the festivities were over. Meanwhile Odo was in no mood for sleep. He sat alone in the closet, still hung with saints' images and jewelled reliquaries, where his cousin had so often given him audience, and whence, through the open door, he could see the embroidered curtains and plumed baldachin of the state bed which was presently to receive him. All day his heart had beat with high ambitions; but now a weight sank upon his spirit. The reaction from the tumultuous welcome of the streets to the closely-guarded silence of the palace made him feel how unreal was the fancied union between himself and his people, how insuperable the distance that tradition and habit had placed between them. In the narrow closet where his predecessor had taken refuge from the detested task of reigning, the new Duke felt the same moral lassitude steal over him. How was such a puny will as his to contend against the great forces of greed and prejudice? All the influences arrayed against him—tradition, superstition, the lust of power, the arrogance of race—seemed concentrated in the atmosphere of that silent room, with its guarded threshold, its pious relics, and lying on the desk in the embrasure of the window, the manuscript litany which the late Duke had not lived to complete.

Oppressed by his surroundings, Odo rose and entered the bed-chamber. A lamp burned before the image of the Madonna at the head of the bed, and two lighted flambeaux flanked the picture of the Last Judgment on the opposite wall. Odo remembered the look of terror which the Duke had fixed on the picture during their first strange conversation. A praying-stool stood beneath it, and it was said that here, rather than before the Virgin's image, the melancholy prince performed his private devotions. The horrors of the scene were depicted with a childish minuteness of detail, as though the painter had sought to produce an impression of moral anguish by the accumulation of physical sufferings; and just such puerile images of the wrath to come may have haunted the mysterious recesses of the Duke's imagination. Crescenti had told Odo how the dying man's thoughts had seemed to centre upon this dreadful subject, and how again and again, amid his ravings, he had cried out that the picture must be burned, as though the sight of it was become intolerable to him.

Odo's own mind, across which the events and emotions of the day still threw the fantastic shadows of an expiring illumination, was wrought to the highest state of impressionability. He saw in a flash all that the picture must have symbolised to his cousin's fancy; and in his desire to reconstruct that dying vision of fleshly retribution, he stepped close to the diptych, resting a knee on the stool beneath it. As he did so, the picture suddenly opened, disclosing the inner panel. Odo caught up one of the flambeaux, and in its light, as on a sunlit wave, there stepped forth to him the lost Venus of Giorgione.

He knew the picture in an instant. There was no mistaking the glow of the limbs, the midsummer languor of the smile, the magical atmosphere in which the gold of sunlight, of autumn leaves, of amber grapes, seemed fused by some lost alchemy of the brush. As he gazed, the scene changed, and he saw himself in a darkened room with cabalistic hangings. He saw Heiligenstern's tall figure, towering in supernatural light, the Duke leaning eagerly forward, the Duchess with set lips and troubled eyes, the little prince bent wonderingly above the magic crystal...

A step in the antechamber announced Trescorre's approach. Odo returned to the cabinet and the minister advanced with a low bow. The two men had had time to grow accustomed to the new relation in which they stood to one another, yet there were moments when, to Odo, the past seemed to lie like fallen leaves beneath Trescorre's steps—Donna Laura, fond and foolish in her weeds, Gamba, Momola, and the pure featherhead Cerveno, dying at nineteen of a distemper because he had stood in the other's way. The impression was strong on him now—but it was only momentary. Habit reasserted itself, and the minister effaced the man. Odo signed to Trescorre to seat himself and the latter silently presented his report.

He was a diligent and capable administrator, and however mixed might be the motives which attached him to his sovereign, they did not interfere with the exact performance of his duties. Odo knew this and was grateful for it. He knew that Trescorre, ambitious of the regency, had intrigued against him to the last. He knew that an intemperate love of power was the mainspring of that seemingly dispassionate nature. But death had crossed Trescorre's schemes; and he was too adroit an opportunist not to see that his best chance now lay in making himself indispensable to his new sovereign. Of all this Odo was aware; but his own motives in appointing Trescorre did not justify his looking for great disinterestedness in his minister. The irony of circumstances had forced them upon each other, and each knew that the other understood the situation and was prepared to make the best of it.

The Duke presently rose, and handed back to Trescorre the reports of the secret police. They were the documents he most disliked to handle.

"You have acquitted yourself admirably of your disagreeable duties," he said with a smile. "I hope I have done as well. At any rate the day is over."

Trescorre returned the smile, with his usual tinge of irony. "Another has already begun," said he.

"Ah," said Odo, with a touch of impatience, "are we not to sleep on our laurels?"

Trescorre bowed. "Austria, your Highness, never sleeps."

Odo looked at him with surprise. "What do you mean?"

"That I have to remind your Highness—"

"Of what—?"

Trescorre had one of his characteristic pauses.

"That the Duke of Monte Alloro is in failing health—and that her Highness's year of widowhood ended yesterday."

There was a silence. Odo, who had reseated himself, rose and walked to the window. The shutters stood open and he looked out over the formless obscurity of the gardens. Above the intervening masses of foliage the Borromini wing raised its vague grey bulk. He saw lights in Maria Clementina's apartments and wondered if she still waked. An hour or two earlier she had given him her hand in the contra-dance at the state ball. It was her first public appearance since the late Duke's death, and with the laying off of her weeds she had regained something of her former brilliancy. At the moment he had hardly observed her: she had seemed a mere inanimate part of the pageant of which he formed the throbbing centre. But now the sense of her nearness pressed upon him. She seemed close to him, ingrown with his fate; and with the curious duality of vision that belongs to such moments he beheld her again as she had first shone on him—the imperious child whom he had angered by stroking her spaniel, the radiant girl who had welcomed him on his return to Pianura. Trescorre's voice aroused him.

"At any moment," the minister was saying, "her Highness may fall heir to Monte Alloro. It is the moment for which Austria waits. There is always an Archduke ready—and her Highness is still a young woman."

Odo turned slowly from the window. "I have told you that this is impossible," he murmured.

Trescorre looked down and thoughtfully fingered the documents in his hands.

"Your Highness," said he, "is as well-acquainted as your ministers with the difficulties that beset us. Monte Alloro is one of the richest states in Italy. It is a pity to alienate such revenues from Pianura."

The new Duke was silent. His minister's words were merely the audible expression of his own thoughts. He knew that the future welfare of Pianura depended on the annexation of Monte Alloro. He owed it to his people to unite the two sovereignties.

At length he said: "You are building on an unwarrantable assumption."

Trescorre raised an interrogative glance.

"You assume her Highness's consent."

The minister again paused; and his pause seemed to flash an ironical light on the poverty of the other's defences.

"I come straight from her Highness," said he quietly, "and I assume nothing that I am not in a position to affirm."

Odo turned on him with a start. "Do I understand that you have presumed—?"

His minister raised a deprecating hand. "Sir," said he, "the Archduke's envoy is in Pianura."

4.2.

Odo, on his return to Pianura, had taken it for granted that de Crucis would remain in his service.

There had been little talk between the two on the way. The one was deep in his own wretchedness, and the other had too fine a tact to intrude on it; but Odo felt the nearness of that penetrating sympathy which was almost a gift of divination. He was glad to have de Crucis at his side at a moment when any other companionship had been intolerable; and in the egotism of his misery he imagined that he could dispose as he pleased of his friend's future.

After the little Prince's death, however, de Crucis had at once asked permission to leave Pianura. He was perhaps not displeased by Odo's expressions of surprise and disappointment; but they did not alter his decision. He reminded the new Duke that he had been called to Pianura as governor to the late heir, and that, death having cut short his task, he had now no farther pretext for remaining.

Odo listened with a strange sense of loneliness. The responsibilities of his new state weighed heavily on the musing speculative side of his nature. Face to face with the sudden summons to action, with the necessity for prompt and not too-curious choice of means and method, he felt a stealing apathy of the will, an inclination toward the subtle duality of judgment that had so often weakened and diffused his energies. At such a crisis it seemed to him that, de Crucis gone, he remained without a friend. He urged the abate to reconsider his decision, begging him to choose a post about his person.

De Crucis shook his head.

"The offer," said he, "is more tempting to me than your Highness can guess; but my business here is at an end, and must be taken up elsewhere. My calling is that of a pedagogue. When I was summoned to take charge of Prince Ferrante's education I gave up my position in the household of Prince Bracciano not only because I believed that I could make myself more useful in training a future sovereign than the son of a private nobleman, but also," he added with a smile, "because I was curious to visit a state of which your Highness had so often spoken, and because I believed that my residence here might enable me to be of service to your Highness. In this I was not mistaken; and I will gladly remain in Pianura long enough to give your Highness such counsels as my experience suggests; but that business discharged, I must ask leave to go."

From this position no entreaties could move him; and so fixed was his resolve that it confirmed the idea that he was still a secret agent of the Jesuits. Strangely enough, this did not prejudice Odo, who was more than ever under the spell of de Crucis's personal influence. Though Odo had been acquainted with many professed philosophers he had never met among them a character so nearly resembling the old stoical ideal of temperance and serenity, and he could never be long with de Crucis without reflecting that the training which could form and nourish so noble a nature must be other than the world conceived it.

De Crucis, however, frankly pointed out that his former connection with the Jesuits was too well known in Pianura not to be an obstacle in the way of his usefulness.

"I own," said he, "that before the late Duke's death I exerted such influence as I possessed to bring about your Highness's appointment as regent; but the very connections that favoured me with your predecessor must stand in the way of my serving your Highness. Nothing could be more fatal to your prospects than to have it said that you had chosen a former Jesuit as your advisor. In the present juncture of affairs it is needful that you should appear to be in sympathy with the liberals, and that whatever reforms you attempt should seem the result of popular pressure rather than of your own free choice. Such an attitude may not flatter the sovereign's pride, and is in fact merely a higher form of expediency; but it is one which the proudest monarchs of Europe are finding themselves constrained to take if they would preserve their power and use it effectually."

Soon afterward de Crucis left Pianura; but before leaving he imparted to Odo the result of his observations while in the late Duke's service. De Crucis's view was that of the more thoughtful men of his day who had not broken with the Church, yet were conscious that the whole social system of Europe was in need of renovation. The movement of ideas in France, and their rapid transformation into legislative measures of unforeseen importance, had as yet made little impression in Italy; and the clergy in particular lived in serene unconsciousness of any impending change. De Crucis, however, had been much in France, and had frequented the French churchmen, who (save in the highest ranks of the hierarchy) were keenly alive to the need of reform, and ready, in many instances, to sacrifice their own privileges in the public cause. These men, living in their provincial cures or abbeys, were necessarily in closer contact with the people, better acquainted with their needs and more competent to relieve them, than the city demagogues theorising in Parisian coffee-houses on the Rights of Man and the Code of Nature. But the voice of the demagogues carried farther than that of the clergy; and such revolutionary notions as crossed the Alps had more to do with the founding of future Utopias than with the remedy of present evils.

Even in France the temperate counsels of the clergy were being overruled by the sentimental imprudences of the nobles and by the bluster of the politicians. It was to put Odo on his guard against these two influences that de Crucis was chiefly anxious; but the intelligent cooperation of the clergy was sadly lacking in his administrative scheme. He knew that Odo could not count on the support of the Church party, and that he must make what use he could of the liberals in his attempts at reform. The clergy of Pianura had been in power too long to believe in the necessity of conceding anything to the new spirit; and since the banishment of the Society of Jesus the presumption of the other orders had increased instead of diminishing. The priests, whatever their failings, had attached the needy by a lavish bounty; and they had a powerful auxiliary in the Madonna of the Mountain, who drew pilgrims from all parts of Italy and thus contributed to the material welfare of the state as well as to its spiritual privileges. To the common people their Virgin was not only a protection against disease and famine, but a kind of oracle, who by divers signs and tokens gave evidence of divine approval or displeasure; and it was naturally to the priests that the faithful looked for a reading of these phenomena. This gave the clergy a powerful hold on the religious sensibilities of the people; and more than once the manifest disapproval of the Mountain Madonna had turned the scales against some economic measure which threatened the rights of her augurs.

De Crucis understood the force of these traditional influences; but Odo, in common with the more cultivated men of his day, had lived too long in an atmosphere of polite scepticism to measure the profound hold of religion on the consciousness of the people. Christ had been so long banished from the drawing-room that it was has hard to believe that He still ruled in field and vineyard. To men of Odo's stamp the piety of the masses was a mere superficial growth, a kind of mental mould to be dried off by the first beams of knowledge. He did not conceive it as a habit of thought so old that it had become instinctive, so closely intertwined with every sense that to hope to eradicate it was like trying to drain all the blood from a man's body without killing him. He knew nothing of the unwearied workings of that power, patient as a natural force, which, to reach spirits darkened by ignorance and eyes dulled by toil, had stooped to a thousand disguises, humble, tender and grotesque—peopling the earth with a new race of avenging or protecting deities, guarding the babe in the cradle and the cattle in the stalls, blessing the good man's vineyard or blighting the crops of the blasphemer, guiding the lonely traveller over torrents and precipices, smoothing the sea and hushing the whirlwind, praying with the mother over her sick child, and watching beside the dead in plague-house and lazaret and galley—entering into every joy and grief of the obscurest consciousness, penetrating to depths of misery which no human compassion ever reached, and redressing by a prompt and summary justice wrongs of which no human legislation took account.

Odo's first act after his accession had been to recall the political offenders banished by his predecessor; and so general was the custom of marking the opening of a new reign by an amnesty to political exiles, that Trescorre offered no opposition to the measure. Andreoni and his friends at once returned to Pianura, and Gamba at the same time emerged from his mysterious hiding-place. He was the only one of the group who struck Odo as having any administrative capacity; yet he was more likely to be of use as a pamphleteer than as an office-holder. As to the other philosophers, they were what their name implied: thoughtful and high-minded men, with a generous conception of their civic duties, and a noble readiness to fulfil them at any cost, but untrained to action, and totally ignorant of the complex science of government.

Odo found the hunchback changed. He had withered like Trescorre, but under the harsher blight of physical privations; and his tongue had an added bitterness. He replied evasively to all enquiries as to what had become of him during his absence from Pianura; but on Odo's asking for news of Momola and the child he said coldly: "They are both dead."

"Dead?" Odo exclaimed. "Together?"

"There was scarce an hour between them," Gamba answered. "She said she must keep alive as long as the boy needed her—after that she turned on her side and died."

"But of what disorder? How came they to sicken at the same time?"

The hunchback stood silent, his eyes on the ground. Suddenly he raised them and looked full at the Duke.

"Those that saw them called it the plague."

"The plague? Good God!" Odo slowly returned his stare. "Is it possible—" he paused—"that she too was at the feast of the Madonna?"

"She was there, but it was not there that she contracted the distemper."

"Not there—?"

"No; for she dragged herself from her bed to go."

There was another silence. The hunchback had lowered his eyes. The Duke sat motionless, resting his head on his hand. Suddenly he made a gesture of dismissal...

Two months after his state entry into Pianura Odo married his cousin's widow.

It surprised him, in looking back, to see how completely the thought of Maria Clementina had passed out of his life, how wholly he had ceased to reckon with her as one of the factors in his destiny. At her child's death-bed he had seen in her only the stricken mother, centred in her loss, and recalling, in an agony of tears, the little prince's prophetic vision of the winged playmates who came to him carrying toys from Paradise. After Prince Ferrante's death she had gone on a long visit to her uncle of Monte Alloro; and since her return to Pianura she had lived in the dower-house, refusing Odo's offer of a palace in the town. She had first shown herself to the public on the day of the state entry; and now, her year of widowhood over, she was again the consort of a reigning Duke of Pianura.

No one was more ignorant than her husband of the motives determining her act. As Duchess of Monte Alloro she might have enjoyed the wealth and independence which her uncle's death had bestowed on her, but in marrying again she resigned the right to her new possessions, which became vested in the crown of Pianura. Was it love that had prompted the sacrifice? As she stood beside him on the altar steps of the Cathedral, as she rode home beside him between their shouting subjects, Odo asked himself the question again and again. The years had dealt lightly with her, and she had crossed the threshold of the thirties with the assured step of a woman who has no cause to fear what awaits her. But her blood no longer spoke her thoughts, and the transparence of youth had changed to a brilliant density. He could not penetrate beneath the surface of her smile: she seemed to him like a beautiful toy which might conceal a lacerating weapon.

Meanwhile between himself and any better understanding of her stood the remembrance of their talk in the hunting-lodge of Pontesordo. What she had offered then he had refused to take: was she the woman to forget such a refusal? Was it not rather to keep its memory alive that she had married him? Or was she but the flighty girl he had once imagined her, driven hither and thither by spasmodic impulses, and incapable of consistent action, whether for good or ill? The barrier of their past—of all that lay unsaid and undone between them—so completely cut her off from him that he had, in her presence, the strange sensation of a man who believes himself to be alone yet feels that he is watched...The first months of their marriage were oppressed by this sense of constraint; but gradually habit bridged the distance between them and he found himself at once nearer to her and less acutely aware of her. In the second year an heir was born and died; and the hopes and grief thus shared drew them insensibly into the relation of the ordinary husband and wife, knitted together at the roots in spite of superficial divergencies.

In his passionate need of sympathy and counsel Odo longed to make the most of this enforced community of interests. Already his first zeal was flagging, his belief in his mission wavering: he needed the encouragement of a kindred faith. He had no hope of finding in Maria Clementina that pure passion for justice which seemed to him the noblest ardour of the soul. He had read it in one woman's eyes, but these had long been turned from him. Unconsciously perhaps he counted rather on his wife's less generous qualities: the passion for dominion, the blind arrogance of temper that, for the mere pleasure of making her power felt, had so often drawn her into public affairs. Might not this waste force—which implied, after all, a certain prodigality of courage—be used for good as well as evil? Might not his influence make of the undisciplined creature at his side an unconscious instrument in the great work of order and reconstruction?

His first appeal to her brought the answer. At his request his ministers had drawn up a plan of financial reorganisation, which should include the two duchies; for Monte Alloro, though wealthier than Pianura, was in even greater need of fiscal reform. As a first step towards replenishing the treasury the Duke had declared himself ready to limit his private expenditure to a fixed sum; and he now asked the Duchess to pledge herself in the same manner. Maria Clementina, since her uncle's death, had been in receipt of a third of the annual revenues of Monte Alloro. This should have enabled her to pay her debts and put some dignity and order into her establishment; but the first year's income had gone in the building of a villa on the Piana, in imitation of the country-seats along the Brenta; the second was spent in establishing a menagerie of wild animals like that of the French Queen at Versailles; and rumour had it that the Duchess carried her imitation of her royal cousin so far as to be involved in an ugly quarrel with her jewellers about a necklace for which she owed a thousand ducats.

All these reports had of course reached Odo; but he still hoped that an appeal to her love of dominion might prove stronger than the habit of self-indulgence. He said to himself that nothing had ever been done to rouse her ambition, that hitherto, if she had meddled in politics, it had been merely from thwarted vanity or the desire to gratify some personal spite. Now he hoped to take her by higher passions, and by associating her with his own schemes to utilise her dormant energies.

For the first moments she listened with the strained fixity of a child; then her attention flickered and died out. The life-long habit of referring every question to a personal standpoint made it difficult for her to follow a general argument, and she leaned back with the resigned eyelids of piety under the pulpit. Odo, resolved to be patient, and seeing that the subject was too large for her, tried to take it apart, putting it before her bit by bit, and at such an angle that she should catch her own reflection in it. He thought to take her by the Austrian side, touching on the well-known antagonism between Vienna and Rome, on the reforms of the Tuscan Grand-Duke, on the Emperor Joseph's open defiance of the Church's feudal claims. But she scented a personal application.

"My cousin the Emperor should be a priest himself," she shrugged, "for he belongs to the preaching order. He never goes to France but he gives the poor Queen such a scolding that her eyes are red for a week. Has Joseph been trying to set our house in order?"

Discouraged, but more than ever bent on patience, he tried the chord of vanity, of her love of popularity. The people called her the beautiful Duchess—why not let history name her the great? But the mention of history was unfortunate. It reminded her of her lesson-books, and of the stupid Greeks and Romans, whose dates she could never recall. She hoped she should never be anything so dull as an historical personage! And besides, greatness was for the men—it was enough for a princess to be virtuous. And she looked as edifying as her own epitaph.

He caught this up and tried to make her distinguish between the public and the private virtues. But the word "responsibility" slipped from him and he felt her stiffen. This was preaching, and she hated preaching even more than history. Her attention strayed again and he rallied his forces in a last appeal. But he knew it was a lost battle: every argument broke against the close front of her indifference. He was talking a language she had never learned—it was all as remote from her as Church Latin. A princess did not need to know Latin. She let her eye linger suggestively on the clock. It was a fine hunting morning, and she had meant to kill a stag in the Caccia del Vescovo.

When he began to sum up, and the question narrowed to a direct appeal, her eyes left the clock and returned to him. Now she was listening. He pressed on to the matter of retrenchment. Would she join him, would she help to make the great work possible? At first she seemed hardly to understand; but as his meaning grew clear to her—"Is the money no longer ours?" she exclaimed.

He hesitated. "I suppose it is as much ours as ever," he said.

"And how much is that?" she asked impatiently.

"It is ours as a trust for our people."

She stared in honest wonder. These were new signs in her heaven.

"A trust? A trust? I am not sure that I know what that means. Is the money ours or theirs?"

He hesitated. "In strict honour, it is ours only as long as we spend it for their benefit."

She turned aside to examine an enamelled patch-box by Van Blarenberghe which the court jeweller had newly received from Paris. When she raised her eyes she said: "And if we do not spend it for their benefit—?"

Odo glanced about the room. He looked at the delicate adornment of the walls, the curtains of Lyons damask, the crystal girandoles, the toys in porcelain of Saxony and Sevres, in bronze and ivory and Chinese lacquer, crowding the tables and cabinets of inlaid wood. Overhead floated a rosy allegory by Luca Giordano; underfoot lay a carpet of the royal manufactory of France; and through the open windows he heard the plash of the garden fountains and saw the alignment of the long green alleys set with the statues of Roman patriots.

"Then," said he—and the words sounded strangely in his own ears—"then they may take it from us some day—and all this with it, to the very toy you are playing with."

She rose, and from her fullest height dropped a brilliant smile on him; then her eyes turned to the portrait of the great fighting Duke set in the monumental stucchi of the chimney-piece.

"If you take after your ancestors you will know how to defend it," she said.

4.3.

The new Duke sat in his closet. The walls had been stripped of their pious relics and lined with books, and above the fireplace hung the Venus of Giorgione, liberated at last from her long imprisonment. The windows stood open, admitting the soft September air. Twilight had fallen on the gardens, and through it a young moon floated above the cypresses.

On just such an evening three years earlier he had ridden down the slope of the Monte Baldo with Fulvia Vivaldi at his side. How often, since, he had relived the incidents of that night! With singular precision they succeeded each other in his thoughts. He felt the wild sweep of the storm across the lake, the warmth of her nearness, the sense of her complete trust in him; then their arrival at the inn, the dazzle of light as they crossed the threshold, and de Crucis confronting them within. He heard her voice pleading with him in every accent that pride and tenderness and a noble loyalty could command; he felt her will slowly dominating his, like a supernatural power forcing him into his destined path; he felt—and with how profound an irony of spirit!—the passion of self-dedication in which he had taken up his task.

He had known moments of happiness since; moments when he believed in himself and in his calling, and felt himself indeed the man she thought him. That was in the exaltation of the first months, when his opportunities had seemed as boundless as his dreams, and he had not yet learned that the sovereign's power may be a kind of spiritual prison to the man. Since then, indeed, he had known another kind of happiness, had been aware of a secret voice whispering within him that she was right and had chosen wisely for him; but this was when he had realised that he lived in a prison, and had begun to admire the sumptuous adornment of its walls. For a while the mere external show of power amused him, and his imagination was charmed by the historic dignity of his surroundings. In such a setting, against the background of such a past, it seemed easy to play the benefactor and friend of the people. His sensibility was touched by the contrast, and he saw himself as a picturesque figure linking the new dreams of liberty and equality to the feudal traditions of a thousand years. But this masquerading soon ceased to divert him. The round of court ceremonial wearied him, and books and art lost their fascination. The more he varied his amusements the more monotonous they became, the more he crowded his life with petty duties the more empty of achievement it seemed.

At first he had hoped to bury his personal disappointments in the task of reconstructing his little state; but on every side he felt a mute resistance to his efforts. The philosophical faction had indeed poured forth pamphlets celebrating his reforms, and comparing his reign to the return of the Golden Age. But it was not for the philosophers that he laboured; and the benefits of free speech, a free press, a secular education did not, after all, reach those over whom his heart yearned. It was the people he longed to serve; and the people were hungry, were fever-stricken, were crushed with tithes and taxes. It was hopeless to try to reach them by the diffusion of popular knowledge. They must first be fed and clothed; and before they could be fed and clothed the chains of feudalism must be broken.

Men like Gamba and Andreoni saw this clearly enough; but it was not from them that help could come. The nobility and clergy must be coaxed or coerced into sympathy with the new movement; and to accomplish this exceeded Odo's powers. In France, the revolt from feudalism had found some of its boldest leaders in the very class that had most to lose by the change; but in Italy fewer causes were at work to set such disinterested passions in motion. South of the Alps liberalism was merely one of the new fashions from France: the men ran after the pamphlets from Paris as the women ran after the cosmetics; and the politics went no deeper than the powder. Even among the freest intellects liberalism resulted in a new way of thinking rather in a new way of living. Nowhere among the better classes was there any desire to attack existing institutions. The Church had never troubled the Latin consciousness. The Renaissance had taught cultivated Italians how to live at peace with a creed in which they no longer believed; and their easy-going scepticism was combined with a traditional conviction that the priest knew better than any one how to deal with the poor, and that the clergy were of distinct use in relieving the individual conscience of its obligation to its fellows.

It was against such deep-seated habits of thought that Odo had to struggle. Centuries of fierce individualism, or of sullen apathy under a foreign rule, had left the Italians incapable of any concerted political action; but suspicion, avarice and vanity, combined with a lurking fear of the Church, united all parties in a kind of passive opposition to reform. Thus the Duke's resolve to put the University under lay direction had excited the enmity of the Barnabites, who had been at its head since the suppression of the Society of Jesus; his efforts to partition among the peasantry the Caccia del Vescovo, that great waste domain of the see of Pianura, had roused a storm of fear among all who laid claim to feudal rights; and his own personal attempts at retrenchment, which necessitated the suppression of numerous court offices, had done more than anything else to increase his unpopularity. Even the people, in whose behalf these sacrifices were made, looked askance at his diminished state, and showed a perverse sympathy with the dispossessed officials who had taken so picturesque a part in the public ceremonials of the court. All Odo's philosophy could not fortify him against such disillusionments. He felt the lack of Fulvia's unquestioning faith not only in the abstract beauty of the new ideals but in their immediate adaptability to the complex conditions of life. Only a woman's convictions, nourished on sentiment and self-sacrifice, could burn with that clear unwavering flame: his own beliefs were at the mercy of every wind of doubt or ingratitude that blew across his unsheltered sensibilities.

It was more than a year since he had had news of Fulvia. For a while they had exchanged letters, and it had been a consolation to tell her of his struggles and experiments, of his many failures and few results. She had encouraged him to continue the struggle, had analysed his various plans of reform, and had given her enthusiastic support to the partitioning of the Bishop's fief and the secularisation of the University. Her own life, she said, was too uneventful to write of; but she spoke of the kindness of her hosts, the Professor and his wife, of the simple unceremonious way of living in the old Calvinist city, and of the number of distinguished persons drawn thither by its atmosphere of intellectual and social freedom.

Odo suspected a certain colourlessness in the life she depicted. The tone of her letters was too uniformly cheerful not to suggest a lack of emotional variety; and he knew that Fulvia's nature, however much she fancied it under the rule of reason, was in reality fed by profound currents of feeling. Something of her old ardour reappeared when she wrote of the possibility of publishing her father's book. Her friends in Geneva, having heard of her difficulty with the Dutch publisher, had undertaken to vindicate her claims; and they had every hope that the matter would be successfully concluded. The joy of renewed activity with which this letter glowed would have communicated itself to Odo had he received it at a different time; but it came on the day of his marriage, and since then he had never written to her.

Now he felt a sudden longing to break the silence between them, and seating himself at his desk he began to write. A moment later there was a knock on the door and one of his gentlemen entered. The Count Vittorio Alfieri, with a dozen horses and as many servants, was newly arrived at the Golden Cross, and desired to know when he might have the honour of waiting on his Highness.

Odo felt the sudden glow of pleasure that the news of Alfieri's coming always brought. Here was a friend at last! He forgot the constraint of their last meeting in Florence, and remembered only the happy interchange of ideas and emotions that had been one of the quickening influences of his youth.

Alfieri, in the intervening years, was grown to be one of the foremost figures in Italy. His love for the Countess of Albany, persisting through the vicissitudes of her tragic marriage, had rallied the scattered forces of his nature. Ambitious to excel for her sake, to show himself worthy of such a love, he had at last shaken off the strange torpor of his youth, and revealed himself as the poet for whom Italy waited. In ten months of feverish effort he had poured forth fourteen tragedies—among them the Antigone, the Virginia, and the Conjuration of the Pazzi. Italy started up at the sound of a new voice vibrating with passions she had long since unlearned. Since Filicaja's thrilling appeal to his enslaved country no poet had challenged the old Roman spirit which Petrarch had striven to rouse. While the literati were busy discussing Alfieri's blank verse, while the grammarians wrangled over his syntax and ridiculed his solecisms, the public, heedless of such niceties, was glowing with the new wine which he had poured into the old vessels of classic story. "Liberty" was the cry that rang on the lips of all his heroes, in accents so new and stirring that his audience never wearied of its repetition. It was no secret that his stories of ancient Greece and Rome were but allegories meant to teach the love of freedom; yet the Antigone had been performed in the private theatre of the Spanish Ambassador at Rome, the Virginia had been received with applause on the public boards at Turin, and after the usual difficulties with the censorship the happy author had actually succeeded in publishing his plays at Siena. These volumes were already in Odo's hands, and a manuscript copy of the Odes to Free America was being circulated among the liberals in Pianura, and had been brought to his notice by Andreoni.

To those hopeful spirits who looked for the near approach of a happier era, Alfieri was the inspired spokesman of reform, the heaven-sent prophet who was to lead his country out of bondage. The eyes of the Italian reformers were fixed with passionate eagerness on the course of events in England and France. The conclusion of peace between England and America, recently celebrated in Alfieri's fifth Ode, seemed to the most sceptical convincing proof that the rights of man were destined to a speedy triumph throughout the civilised world. It was not of a united Italy that these enthusiasts dreamed. They were not so much patriots as philanthropists; for the teachings of Rousseau and his school, while intensifying the love of man for man, had proportionately weakened the sense of patriotism, of the interets du clocher. The new man prided himself on being a citizen of the world, on sympathising as warmly with the poetic savage of Peru as with his own prosaic and narrow-minded neighbours. Indeed, the prevalent belief that the savage's mode of life was much nearer the truth than that of civilised Europeans, made it appear superfluous to enter into the grievances and difficulties of what was but a passing phase of human development. To cast off clothes and codes, and live in a peaceful socialism "under the amiable reign of Truth and Nature," seemed on the whole much easier than to undertake the systematic reform of existing abuses.

To such dreamers—whose ideas were those of the majority of intelligent men in France and Italy—Alfieri's high-sounding tirades embodied the noblest of political creeds; and even the soberer judgment of statesmen and men of affairs was captivated by the grandeur of his verse and the heroic audacity of his theme. For the first time in centuries the Italian Muse spoke with the voice of a man; and every man's heart in Italy sprang up at the call.

In the midst of these triumphs, fate in the shape of Cardinal York had momentarily separated Alfieri from his mistress, despatching the too-tender Countess to a discreet retreat in Alsace, and signifying to her turbulent adorer that he was not to follow her. Distracted by this prohibition, Alfieri had resumed the nomadic habits of his youth, now wandering from one Italian city to another, now pushing as far as Paris, which he hated but was always revisiting, now dashing across the Channel to buy thoroughbreds in England—for his passion for horses was unabated. He was lately returned from such an expedition, having led his cavalcade across the Alps in person, with a boyish delight in the astonishment which this fantastic exploit excited.

The meeting between the two friends was all that Odo could have wished. Though affecting to scorn the courts of princes, Alfieri was not averse to showing himself there as the poet of the democracy, and to hearing his heroes mouth their tyrannicidal speeches on the boards of royal and ducal stages. He had lately made some stay in Milan, where he had arrived in time to see his Antigone performed before the vice-regal court, and to be enthusiastically acclaimed as the high-priest of liberty by a community living placidly under the Austrian yoke. Alfieri was not the man to be struck by such incongruities. It was his fate to formulate creeds in which he had no faith: to recreate the political ideals of Italy while bitterly opposed to any actual effort at reform, and to be regarded as the mouthpiece of the Revolution while he execrated the Revolution with the whole force of his traditional instincts. As usual he was too deeply engrossed in his own affairs to feel much interest in any others; but it was enough for Odo to clasp the hand of the man who had given a voice to the highest aspirations of his countrymen. The poet gave more than he could expect from the friend; and he was satisfied to listen to Alfieri's account of his triumphs, interspersed with bitter diatribes against the public whose applause he courted, and the Pope to whom, on bended knee, he had offered a copy of his plays.

Odo eagerly pressed Alfieri to remain in Pianura, offering to put one of the ducal villas at his disposal, and suggesting that the Virginia should be performed before the court on the Duchess's birthday.

"It is true," he said, "that we can offer you but an indifferent company of actors; but it might be possible to obtain one or two of the leading tragedians from Turin or Milan, so that the principal parts should at least be worthily filled."

Alfieri replied with a contemptuous gesture. "Your Highness, our leading tragedians are monkeys trained to dance to the tune of Goldoni and Metastasio. The best are no better than the worst. We have no tragedians in Italy because—hitherto—we have had no tragic dramatist." He drew himself up and thrust a hand in his bosom. "Ah!" he exclaimed, "if I could see the part of Virginia acted by the lady who recently recited, before a small company in Milan, my Odes to Free America! There indeed were fire, sublimity and passion! And the countenance had not lost its freshness, the eye its lustre. But," he suddenly added, "your Highness knows of whom I speak. The lady is Fulvia Vivaldi, the daughter of the philosopher at whose feet we sat in our youth."

Fulvia Vivaldi! Odo raised his head with a start. She had left Geneva then, had returned to Italy. The Alps no longer divided them—a scant day's journey would bring him to her side! It was strange how the mere thought seemed to fill the room with her presence. He felt her in the quickened beat of his pulses, in the sudden lightness of the air, in a lifting and widening of the very bounds of thought.

From Alfieri he learned that she had lived for some months in the household of the distinguished naturalist, Count Castiglione, with whose daughter's education she was charged. In such surroundings her wit and learning could not fail to attract the best company of Milan, and she was become one of the most noted figures of the capital. There had been some talk of offering her the chair of poetry at the Brera; but the report of her liberal views had deterred the faculty. Meanwhile the very fact that she represented the new school of thought gave an added zest to her conversation in a society which made up for its mild servitude under the Austrian by much talk of liberalism and independence. The Signorina Vivaldi became the fashion. The literati celebrated her scholarship, the sonneteers her eloquence and beauty; and no foreigner on the grand tour was content to leave Milan without having beheld the fair prodigy and heard her recite Petrarch's Ode to Italy, or the latest elegy of Pindamonte.

Odo scarce knew with what feelings he listened. He could not but acknowledge that such a life was better suited to one of Fulvia's gifts and ambitions than the humdrum existence of a Swiss town; yet his first sensation was one of obscure jealousy, of reluctance to think of her as having definitely broken with the past. He had pictured her as adrift, like himself, on a dark sea of uncertainties; and to learn that she had found a safe anchorage was almost to feel himself deserted.

The court was soon busy with preparations for the coming performance. A celebrated actress from Venice was engaged to play the part of Virginia, and the rehearsals went rapidly forward under the noble author's supervision. At last the great day arrived, and for the first time in the history of the little theatre, operetta and pastoral were replaced by the buskined Muse of tragedy. The court and all the nobility were present, and though it was no longer thought becoming for ecclesiastics to visit the theatre, the easy-going Bishop appeared in a side-box in company with his chaplains and the Vicar-general.

The performance was brilliantly successful. Frantic applause greeted the tirades of the young Icilius. Every outburst against the abuse of privileges and the insolence of the patricians was acclaimed by ministers and courtiers, and the loudest in approval were the Marquess Pievepelago, the recognised representative of the clericals, the Marchioness of Boscofolto, whose harsh enforcement of her feudal rights was among the bitterest grievances of the peasantry, and the good Bishop, who had lately roused himself from his habitual indolence to oppose the threatened annexation of the Caccia del Vescovo. One and all proclaimed their ardent sympathy with the proletariat, their scorn of tyranny and extortion in high places; and if the Marchioness, on her return home, ordered one of her linkmen to be flogged for having trod on her gown; if Pievepelago the next morning refused to give audience to a poor devil of a pamphleteer that was come to ask his intercession with the Holy Office; if the Bishop at the same moment concluded the purchase of six able-bodied Turks from the galleys of his Serenity the Doge of Genoa—it is probable that, like the illustrious author of the drama, all were unconscious of any incongruity between their sentiments and actions.

As to Odo, seated in the state box, with Maria Clementina at his side, and the court dignitaries grouped in the background, he had not listened to a dozen lines before all sense of his surroundings vanished and he became the passive instrument on which the poet played his mighty harmonies. All the incidental difficulties of life, all the vacillations of an unsatisfied spirit, were consumed in that energising emotion which seemed to leave every faculty stripped for action. Profounder meaning and more subtle music he had found in the great poets of the past; but here was an appeal to the immediate needs of the hour, uttered in notes as thrilling as a trumpet-call, and brought home to every sense by the vivid imagery of the stage. Once more he felt the old ardour of belief that Fulvia's nearness had fanned in him. His convictions had flagged rather than his courage: now they started up as at her summons, and he heard the ring of her voice in every line.

He left the theatre still vibrating with this new inrush of life, and jealous of any interruption that should check it. The Duchess's birthday was being celebrated by illuminations and fireworks, and throngs of merry-makers filled the moonlit streets; but Odo, after appearing for a moment at his wife's side on the balcony above the public square, withdrew quietly to his own apartments. The casement of his closet stood wide, and he leaned against the window-frame, looking out on the silent radiance of the gardens. As he stood there he saw two figures flit across the farther end of one of the long alleys. The moonlight surrendered them for a moment, the shade almost instantly reclaiming them—strayed revellers, doubtless, escaping from the lights and music of the Duchess's circle.

A knock roused the Duke and he remembered that he had bidden Gamba wait on him after the performance. He had been curious to hear what impression Alfieri's drama had produced upon the hunchback; but now any interruption seemed unwelcome, and he turned to Gamba with a gesture of dismissal.

The latter however remained on the threshold.

"Your Highness," he said, "the bookseller Andreoni craves the privilege of an audience."

"Andreoni? At this hour?"

"For reasons so urgent that he makes no doubt of your Highness's consent; and to prove his good faith, and the need of presenting himself at so undue an hour, and in this private manner, he charged me to give this to your Highness."

He laid in the Duke's hand a small object in blackened silver, which on nearer inspection proved to be the ducal coat-of-arms.

Odo stood gazing fixedly at this mysterious token, which seemed to come as an answer to his inmost thoughts. His heart beat high with confused hopes and fears, and he could hardly control the voice in which he answered: "Bid Andreoni come to me."

4.4.

The bookseller began by excusing himself for the liberty he had taken. He explained that the Signorina Fulvia Vivaldi, in whose behalf he came, was in urgent need of aid, and had begged him to wait on the Duke as soon as the court had risen from the play.

"She is in Pianura, then?" Odo exclaimed.

"Since yesterday, your Highness. Three days since she was ordered by the police to leave Milan within twenty-four hours, and she came at once to Pianura, knowing that my wife and I would gladly receive her. But today we learned that the Holy Office was advised of her presence here, and of the reason of her banishment from Lombardy; and this fresh danger has forced her to implore your Highness's protection."

Andreoni went on to explain that the publication of her father's book was the immediate cause of Fulvia's persecution. The Origin of Civilisation, which had been printed some months previously in Amsterdam, had stirred Italy more profoundly than any book since Beccaria's great work on Crime and Punishment. The author's historical investigations were but a pretext for the development of his political theories, which were set forth with singular daring and audacity, and supported by all the arguments that his long study of the past commanded. The temperate and judicial tone which he had succeeded in preserving enhanced the effect of his arraignment of Church and state, and while his immense erudition commended his work to the learned, its directness of style gave it an immediate popularity with the general reader. It was an age when every book or pamphlet bearing on the great question of personal liberty was eagerly devoured by an insatiable public; and a few weeks after Vivaldi's volume had been smuggled into Italy it was the talk of every club and coffee-house from Calabria to Piedmont. The inevitable result soon followed. The Holy Office got wind of the business, and the book was at once put on the Index. In Naples and Bologna it was publicly burned, and in Modena a professor of the University who was found to have a copy in his possession was fined and removed from his chair.

In Milan, where the strong liberal faction among the nobility, and the comparative leniency of the Austrian rule, permitted a more unrestrained discussion of political questions, the Origin of Civilisation was received with open enthusiasm, and the story of the difficulties that Fulvia had encountered in its publication made her the heroine of the moment. She had never concealed her devotion to her father's doctrines, and in the first glow of filial pride she may have yielded too openly to the desire to propagate them. Certain it is that she began to be looked on as having shared in the writing of the book, or as being at least an active exponent of its principles. Even in Lombardy it was not well to be too openly associated with the authorship of a condemned book; and Fulvia was suddenly advised by the police that her presence in Milan was no longer acceptable to the government.

The news excited great indignation among her friends, and Count Castiglione and several other gentlemen of rank hastened to intervene in her behalf; but the governor declared himself unwilling to take issue with the Holy Office on a doctrinal point, and privately added that it would be well for the Signorina Vivaldi to withdraw from Lombardy before the clergy brought any direct charge against her. To ignore this hint would have been to risk not only her own safety but that of the gentlemen who had befriended her; and Fulvia at once set out for Pianura, the only place in Italy where she could count on friendship and protection.

Andreoni and his wife would gladly have given her a home; but on learning that the Holy Office was on her track, she had refused to compromise them by remaining under their roof, and had insisted that Andreoni should wait on the Duke and obtain a safe-conduct for her that very night.

Odo listened to this story with an agitation compounded of strangely contradictory sensations. To learn that Fulvia, at the very moment when he had pictured her as separated from him by the happiness and security of her life, was in reality a proscribed wanderer with none but himself to turn to, filled him with a confused sense of happiness; but the discovery that, in his own dominions, the political refugee was not safe from the threats of the Holy Office, excited a different emotion. All these considerations, however, were subordinate to the thought that he must see Fulvia at once. It was impossible to summon her to the palace at that hour, or even to secure her safety till morning, without compromising Andreoni by calling attention to the fact that a suspected person was under his roof; and for a moment Odo was at a loss how to detain her in Pianura without seeming to go counter to her wishes.

Suddenly he remembered that Gamba was fertile in expedients, and calling in the hunchback, asked what plan he could devise. Gamba, after a moment's reflection, drew a key from his pocket.

"May it please your Highness," he said, "this unlocks the door of the hunting-lodge at Pontesordo. The place has been deserted these many years, because of its bad name, and I have more than once found it a convenient shelter when I had reasons for wishing to be private. At this season there is no fear of poison from the marshes, and if your Highness desires I will see that the lady finds her way there before sunrise."

The sun had hardly risen the next morning when the Duke himself set forth. He rode alone, dressed like one of his own esquires, and gave the word unremarked to the sleepy sentinel at the gate. As it closed behind him and he set out down the long road that led to the chase, it seemed to him that the morning solitude was thronged with spectral memories. Melancholy and fanciful they flitted before him, now in the guise of Cerveno and Momola, now of Maria Clementina and himself. Every detail of the scene was interwoven with the fibres of early association, from the far off years when, as a lonely child on the farm at Pontesordo, he had gazed across the marsh at the mysterious woodlands of the chase, to the later day when, in the deserted hunting-lodge, the Duchess had flung her whip at the face in the Venice mirror.

He pressed forward impatiently, and presently the lodge rose before him in its grassy solitude. The level sunbeams had not yet penetrated the surrounding palisade of boughs, and the house lay in a chill twilight that seemed an emanation from its mouldering walls. As Odo approached, Gamba appeared from the shadow and took his horse; and the next moment he had pushed open the door, and stood in Fulvia's presence.

She was seated at the farther end of the room, and as she rose to meet him it chanced that her head, enveloped in its black travelling-hood, was relieved for a moment against the tarnished background of the broken mirror. The impression struck a chill to his heart; but it was replaced by a glow of boyish happiness as their eyes met and he felt her hands in his.

For a moment all his thoughts were lost in the mere sense of her nearness. She seemed simply an enveloping atmosphere in which he drew fresh breath; but gradually her outline emerged from this haze of feeling, and he found himself looking at her with the wondering gaze of a stranger. She had been a girl of sixteen when they first met. Twelve years had passed since then, and she was now a woman of twenty-eight, belonging to a race in which beauty ripens early and as soon declines. But some happy property of nature—whether the rare mould of her features or the gift of the spirit that informed them—had held her loveliness intact, preserving the clear lines of youth after its bloom was gone, and making her seem like a lover's memory of herself. So she appeared at first, a bright imponderable presence gliding toward him out of the past; but as her hands lay in his the warm current of life was renewed between them, and the woman dispossessed the shade.

4.5.

Unpublished fragment from Mr. Arthur Young's diary of his travels in Italy in the year 1789.

October 1st.

Having agreed with a vetturino to carry me to Pianura, set out this morning from Mantua. The country mostly arable, with rows of elm and maple pollard. Dined at Casal Maggiore, in an infamous filthy inn. At dinner was joined by a gentleman who had taken the other seat in the vettura as far as Pianura. We engaged in conversation and I found him a man of lively intelligence and the most polished address. Though dressed in the foreign style, en abbe, he spoke English with as much fluency as myself, and but for the philosophical tone of his remarks I had taken him for an ecclesiastic. Altogether a striking and somewhat perplexing character: able, keen, intelligent, evidently used to the best company, yet acquainted with the condition of the people, the methods of farming, and other economical subjects such as are seldom thought worthy of attention among Italians of quality.

It appeared he was newly from France, where he had been as much struck as myself by the general state of ferment. Though owning that there was much reason for discontent, and that the conduct of the court and ministers was blind and infatuated beyond belief, he yet declared himself gravely apprehensive of the future, saying that the people knew not what they wanted, and were unwilling to listen to those that might have proved their best advisors. Whether by this he meant the clergy I know not; though I observed he spoke favourably of that body in France, pointing out that, long before the recent agitations, they had defended the civil rights of the Third Estate, and citing many cases in which the country curates had shown themselves the truest friends of the people: a fact my own observation hath confirmed.

I remarked to him that I was surprised to find how little talk there was in Italy of the distracted conditions in France; and this though the country is overrun with French refugees, or emigres, as they call themselves, who bring with them reports that might well excite the alarm of neighbouring governments. He said he had remarked the same indifference, but that this was consonant with the Italian character, which never looked to the morrow; and he added that the mild disposition of the people, and their profound respect for religion, were sufficient assurance against any political excess.

To this I could not forbear replying that I could not regard as excesses the just protests of the poor against the unlawful tyranny of the privileged classes, nor forbear to hail with joy the dawn of that light of freedom which hath already shed so sublime an effulgence on the wilds of the New World. The abate took this in good part, though I could see he was not wholly of my way of thinking; but he declared that in his opinion different races needed different laws, and that the sturdy and temperate American colonists were fitted to enjoy a greater measure of political freedom than the more volatile French and Italians—as though liberty were not destined by the Creator to be equally shared by all mankind! (Footnote: I let this passage stand, though the late unhappy events in France have, alas! proved that my friend the abate was nearer right than myself. June, 1794.)

In the afternoon through a poor country to Ponte di Po, a miserable village on the borders of the duchy, where we lay, not slept, in our clothes, at the worst inn I have yet encountered. Here our luggage was plumbed for Pianura. The impertinence of the petty sovereigns to travellers in Italy is often intolerable, and the customs officers show the utmost insolence in the search for seditious pamphlets and other contraband articles; but here I was agreeably surprised by the courtesy of the officials and the despatch with which our luggage was examined. On my remarking this, my companion replied that the Duke of Pianura was a man of liberal views, anxious to encourage foreigners to visit his state, and the last to put petty obstacles in the way of travel. I answered, this was the report I had heard of him; and it was in the hope of learning something more of the reforms he was said to have effected, that I had turned aside to visit the duchy. My companion replied that his Highness had in fact introduced some innovations in the government; but that changes which seemed the most beneficial in one direction often worked mischief in another, so that the wisest ruler was perhaps not he that did the greatest amount of good, but he that was cause of the fewest evils.

The 2nd.

From Ponte di Po to Pianura the most convenient way is by water; but the river Piana being greatly swollen by the late rains, my friend, who seems well-acquainted with the country, proposed driving thither: a suggestion I readily accepted, as it gave me a good opportunity to study the roads and farms of the duchy.

Crossing the Piana, drove near four hours over horrible roads across waste land, thinly wooded, without houses or cultivation. On my expressing surprise that the territory of so enlightened a prince would lie thus neglected, the abate said this land was a fief of the see of Pianura, and that the Duke was desirous of annexing it to the duchy. I asked if it were true that his Highness had given his people a constitution modelled on that of the Duke of Tuscany. He said he had heard the report; but that for his part he must deplore any measure tending to debar the clergy from the possession of land. Seeing my surprise, he explained that, in Italy at least, the religious orders were far better landlords than the great nobles or the petty sovereigns, who, being for the most part absent from their estates, left their peasantry to be pillaged by rapacious middlemen and stewards: an argument I have heard advanced by other travellers, and have myself had frequent occasion to corroborate.

On leaving the Bishop's domain, remarked an improvement in the roads. Flat land, well irrigated, and divided as usual into small holdings. The pernicious metayer system exists everywhere, but I am told the Duke is opposed to it, though it is upheld not only by the landed class, but by the numerous economists that write on agriculture from their closets, but would doubtless be sorely puzzled to distinguish a beet-root from a turnip.

The 3rd.

Set out early to visit Pianura. The city clean and well-kept. The Duke has introduced street-lamps, such as are used in Turin, and the pavement is remarkably fair and even. Few beggars are to be seen and the people have a thriving look. Visited the Cathedral and Baptistery, in the Gothic style, more curious than beautiful; also the Duke's picture gallery.

Learning that the Duchess was to ride out in the afternoon, had the curiosity to walk abroad to see her. A good view of her as she left the palace. Though no longer in her first youth she is one of the handsomest women I have seen. Remarked a decided likeness to the Queen of France, though the eye and smile are less engaging. The people in the streets received her sullenly, and I am told her debts and disorders are the scandal of the town. She has, of course, her cicisbeo, and the Duke is the devoted slave of a learned lady, who is said to exert an unlimited influence over him, and to have done much to better the condition of the people. A new part for a prince's mistress to play!

In the evening to the theatre, a handsome building, well-lit with wax, where Cimarosa's Due Baroni was agreeably sung.

The 4th.

My lord Hervey, in Florence, having favoured me with a letter to Count Trescorre, the Duke's prime minister, I waited on that gentleman yesterday. His excellency received me politely and assured me that he knew me by reputation and would do all he could to put me in the way of investigating the agricultural conditions of the duchy. Contrary to the Italian custom, he invited me to dine with him the next day. As a rule these great nobles do not open their doors to foreigners, however well recommended.

Visited, by appointment, the press of the celebrated Andreoni, who was banished during the late Duke's reign for suspected liberal tendencies, but is now restored to favour and placed at the head of the Royal Typography. Signor Andreoni received me with every mark of esteem, and after having shown me some of the finest examples of his work—such as the Pindar, the Lucretius and the Dante—accompanied me to a neighbouring coffee-house, where I was introduced to several lovers of agriculture. Here I learned some particulars of the Duke's attempted reforms. He has undertaken the work of draining the vast marsh of Pontesordo, to the west of the city, notorious for its mal'aria; has renounced the monopoly of corn and tobacco; has taken the University out of the hands of the Barnabites, and introduced the teaching of the physical sciences, formerly prohibited by the Church; has spent since his accession near 200,000 liv. on improving the roads throughout the duchy, and is now engaged in framing a constitution which shall deprive the clergy of the greatest part of their privileges and confirm the sovereign's right to annex ecclesiastical territory for the benefit of the people.

In spite of these radical measures, his Highness is not popular with the masses. He is accused of irreligion by the monks that he has removed from the University, and his mistress, the daughter of a noted free-thinker who was driven from Piedmont by the Inquisition, is said to have an unholy influence over him. I am told these rumours are diligently fomented by the late Duke's minister, now Prior of the Dominican monastery, a man of bigoted views but great astuteness. The truth is, the people are so completely under the influence of the friars that a word is enough to turn them against their truest benefactors.

In the afternoon I was setting out to visit the Bishop's gallery when Count Trescorre's secretary waited on me with an invitation to inspect the estates of the Marchioness of Boscofolto: an offer I readily accepted—for what are the masterpieces of Raphael or Cleomenes to the sight of a good turnip field or of a well-kept dairy?

I had heard of Boscofolto, which was given by the late Duke to his mistress, as one of the most productive estates of the duchy; but great was my disappointment on beholding it. Fine gardens there are, to be sure, clipt walks, leaden statues, and water-works; but as for the farms, all is dirt, neglect, disorder. Spite of the lady's wealth, all are let out alla meta, and farmed on principles that would disgrace a savage. The spade used instead of the plough, the hedges neglected, mole-casts in the pastures, good land run to waste, the peasants starving and indebted—where, with a little thrift and humanity, all had been smiling plenty! Learned that on the owner's death this great property reverts to the Barnabites.

From Boscofolto to the church of the Madonna del Monte, where is one of their wonder-working images, said to be annually visited by close on thirty thousand pilgrims; but there is always some exaggeration in such figures. A fine building, richly adorned, and hung with an extraordinary number of votive offerings: silver arms, legs, hearts, wax images, and paintings. Some of these latter are clearly the work of village artists, and depict the miraculous escape of the peasantry from various calamities, and the preservation of their crops from floods, drought, lightning and so forth. These poor wretches had done more to better their crops by spending their savings in good ploughshares and harrows than by hanging gew-gaws on a wooden idol.

The Rector received us civilly and showed us the treasury, full of jewels and costly plate, and the buildings where the pilgrims are lodged. Learned that the Giubileo or centenary festival of the Madonna is shortly to be celebrated with great pomp. The poorer classes delight in these ceremonies, and I am told this is to surpass all previous ones, the clergy intending to work on the superstitions of the people and thus turn them against the new charter. It is said the Duke hopes to counteract these designs by offering a jewelled diadem to the Virgin; but this will no doubt do him a bad turn with the esprits libres. These little states are as full of intrigues as a foul fruit of maggots.

The 5th.

To dinner at Count Trescorre's where, as usual, I was the plainest-dressed man in the company. Have long since ceased to be concerned by this: why should a mere English farmer compete in elegance with these Monsignori and Illustrissimi? Surprised to find among the company my travelling-companion of the other day. Learned that he is the abate de Crucis, a personal friend of the Duke's. He greeted me cordially, and on hearing my name, said that he was acquainted with my works in the translation of Mons. Freville, and now understood how it was that I had got the better of him in our farming disputations on the way hither.

Was surprised to be told by Count Trescorre that the Duke desired me to wait on him that evening. Though in general not ambitious of such honours, yet in this case nothing could be more gratifying.

The 6th.

Yesterday evening to the palace, where his Highness received me with great affability. He was in his private apartments, with the abate de Crucis and several other learned men; among them the famous abate Crescenti, librarian to his Highness and author of the celebrated Chronicles of the Italian States. Happy indeed is the prince who surrounds himself with scholars instead of courtiers! Yet I cannot say that the impression his Highness produced on me was one of HAPPINESS. His countenance is sad, almost careworn, though with a smile of engaging sweetness; his manner affable without condescension, and open without familiarity. I am told he is oppressed by the cares of his station; and from a certain irresolution of voice and eye, that bespeaks not so much weakness as a speculative cast of mind, I can believe him less fitted for active government than for the meditations of the closet. He appears, however, zealous to perform his duties; questioned me eagerly about my impressions of Italy, and showed a flattering familiarity with my works, and a desire to profit by what he was pleased to call my exceptional knowledge of agriculture. I thought I perceived in him a sincere wish to study the welfare of his people; but was disappointed to find among his chosen associates not one practical farmer or economist, but only the usual closet-theorists that are too busy planning Utopias to think of planting turnips.

The 7th.

Visited his Highness's estate at Valsecca. Here he has converted a handsome seat into a school of agriculture, tearing down an immense orangery to plant mulberries, and replacing costly gardens and statuary by well-tilled fields: a good example to his wealthy subjects. Unfortunately his bailiff is not what we should call a practical farmer; and many acres of valuable ground are given up to a botanic garden, where exotic plants are grown at great expense, and rather for curiosity than use: a common error of noble agriculturists.

In the afternoon with the abate de Crucis to the Benedictine monastery, a league beyond the city. Here I saw the best farming in the duchy. The Prior received us politely and conversed with intelligence on drainage, crops and irrigation. I urged on him the cultivation of turnips and he appeared struck by my arguments. The tenants on this great estate appeared better housed and fed than any I have seen in Pianura. The monks have a school of agriculture, less pretentious but better-managed than the Duke's. Some of them study physics and chemistry, and there are good chirurgeons among them, who care for the poor without pay. The aged and infirm peasants are housed in a neat almshouse, and the sick nursed in a clean well-built lazaret. Altogether an agreeable picture of rural prosperity, though I had rather it had been the result of FREE LABOUR than of MONASTIC BOUNTY.

The 8th.

By appointment, to the Duke's Egeria. This lady, the Signorina F.V., having heard that I was in Pianura, had desired the Signor Andreoni to bring me to her.

I had expected a female of the loud declamatory type: something of the Corilla Olimpica order; but in this was agreeably disappointed. The Signorina V. is modestly lodged, lives in the frugal style of the middle class, and refuses to accept a title, though she is thus debarred from going to court. Were it not indiscreet to speculate on a lady's age, I should put hers at somewhat above thirty. Though without the Duchess's commanding elegance she has, I believe, more beauty of a quiet sort: a countenance at once soft and animated, agreeably tinged with melancholy, yet lit up by the incessant play of thought and emotion that succeed each other in her talk. Better conversation I never heard; and can heartily confirm the assurances of those who had told me that the lady was as agreeable in discourse as learned in the closet. (Footnote: It has before now been observed that the FREE and VOLATILE manners of foreign ladies tend to blind the English traveller to the inferiority of their PHYSICAL charms. Note by a Female Friend of the Author.)

On entering, found a numerous company assembled to compliment my hostess on her recent appointment as doctor of the University. This is an honour not uncommonly conferred in Italy, where female learning, perhaps from its rarity, is highly esteemed; but I am told the ladies thus distinguished seldom speak in public, though their degree entitles them to a chair in the University. In the Signorina V.'s society I found the most advanced reformers of the duchy: among others Signor Gamba, the famous pamphleteer, author of a remarkable treatise on taxation, which had nearly cost him his liberty under the late Duke's reign. He is a man of extreme views and sarcastic tongue, with an irritability of manner that is perhaps the result of bodily infirmities. His ideas, I am told, have much weight with the fair doctoress; and in the lampoons of the day the new constitution is said to be the offspring of their amours, and to have inherited its father's deformity.

The company presently withdrawing, my hostess pressed me to remain. She was eager for news from France, spoke admiringly of the new constitution, and recited in a moving manner an Ode of her own composition on the Fall of the Bastille. Though living so retired she makes no secret of her connection with the Duke; said he had told her of his conversation with me, and asked what I thought of his plan for draining the marsh of Pontesordo. On my attempting to reply to this in detail, I saw that, like some of the most accomplished of her sex, she was impatient of minutiae, and preferred general ideas to particular instances; but when the talk turned on the rights of the people I was struck by the energy and justice of her remarks, and by a tone of resolution and courage that made me to say to myself: "Here is the hand that rules the state."

She questioned me earnestly about the state of affairs in France, begged me to lend her what pamphlets I could procure, and while making no secret of her republican sympathies, expressed herself with a moderation not always found in her sex. Of the clergy alone she appeared intolerant: a fact hardly to be wondered at, considering the persecution to which she and her father have been subjected. She detained me near two hours in such discourse, and on my taking leave asked with some show of feeling what I, as a practical economist, would advise the Duke to do for the benefit of his people; to which I replied, "Plant turnips, madam!" and she laughed heartily, and said no doubt I was right. But I fear all the heads here are too full of fine theories to condescend to such simple improvements...

4.6.

Fulvia, in the twilight, sat awaiting the Duke.

The room in which she sat looked out on a stone-flagged cloister enclosing a plot of ground planted with yews; and at the farther end of this cloister a door communicated by a covered way with the ducal gardens. The house had formed a part of the convent of the Perpetual Adoration, which had been sold by the nuns when they moved to the new buildings the late Duke had given them. A portion had been torn down to make way for the Marquess of Cerveno's palace, and in the remaining fragment, a low building wedged between high walls, Fulvia had found a lodging. Her whole dwelling consisted of the Abbess's parlour, in which she now sat, and the two or three adjoining cells. The tall presses in the parlour had been filled with her father's books, and surmounted by his globes and other scientific instruments. But for this the apartment remained as unadorned as in her predecessor's day; and Fulvia, in her austere black gown, with a lawn kerchief folded over her breast, and the unpowdered hair drawn back from her pale face, might herself have passed for the head of a religious community.

She cultivated with almost morbid care this severity of dress and surroundings. There were moments when she could hardly tolerate the pale autumnal beauty which her glass reflected, when even this phantom of youth and radiance became a stumbling-block to her spiritual pride. She was not ashamed of being the Duke of Pianura's mistress; but she had a horror of being thought like the mistresses of other princes. She loathed all that the position represented in men's minds; she had refused all that, according to the conventions of the day, it entitled her to claim: wealth, patronage, and the rank and estates which it was customary for the sovereign to confer. She had taken nothing from Odo but his love, and the little house in which he had lodged her.

Three years had passed since Fulvia's flight to Pianura. From the moment when she and Odo had stood face to face again, it had been clear to him that he could never give her up, to her that she could never leave him. Fate seemed to have thrown them together in derision of their long struggle, and both felt that lassitude of the will which is the reaction from vain endeavour. The discovery that he needed her, that the task for which he had given her up could after all not be accomplished without her, served to overcome her last resistance. If the end for which both strove could best be attained together—if he needed the aid of her unfaltering faith as much as she needed that of his wealth and power—why should any personal scruple stand between them? Why should she who had given all else to the cause—ease, fortune, safety, and even the happiness that lay in her hand—hesitate to make the final sacrifice of a private ideal? According to the standards of her day there was no dishonour to a woman in being the mistress of a man whose rank forbade his marrying her: the dishonour lay in the conduct which had come to be associated with such relations. Under the old dispensation the influence of the prince's mistress had stood for the last excesses of moral and political corruption; why might it not, under the new law, come to represent as unlimited a power for good?

So love, the casuist, argued; and during those first months, when happiness seemed at last its own justification, Fulvia lived in every fibre. But always, even then, she was on the defensive against that higher tribunal which her own conception of life had created. In spite of herself she was a child of the new era, of the universal reaction against the falseness and egotism of the old social code. A standard of conduct regulated by the needs of the race rather than by individual passion, a conception of each existence as a link in the great chain of human endeavour, had slowly shaped itself out of the wild theories and vague "codes" of the eighteenth-century moralists; and with this sense of the sacramental nature of human ties, came a renewed reverence for moral and physical purity.

Fulvia was of those who require that their lives shall be an affirmation of themselves; and the lack of inner harmony drove her to seek some outward expression of her ideals. She threw herself with renewed passion into the political struggle. The best, the only justification of her power, was to use it boldly, openly, for the good of the people. All the repressed forces of her nature were poured into this single channel. She had no desire to conceal her situation, to disguise her influence over Odo. She wished it rather to be so visible a factor in his relations with his people that she should come to be regarded as the ultimate pledge of his good faith. But, like all the casuistical virtues, this position had the rigidity of something created to fit a special case; and the result was a fixity of attitude, which spread benumbingly over her whole nature. She was conscious of the change, yet dared not struggle against it, since to do so was to confess the weakness of her case. She had chosen to be regarded as a symbol rather than a woman, and there were moments when she felt as isolated from life as some marble allegory in its niche above the market-place.

It was the desire to associate herself with the Duke's public life that had induced her, after much hesitation, to accept the degree which the University had conferred on her. She had shared eagerly in the work of reconstructing the University, and had been the means of drawing to Pianura several teachers of distinction from Padua and Pavia. It was her dream to build up a seat of learning which should attract students from all parts of Italy; and though many young men of good family had withdrawn from the classes when the Barnabites were dispossessed, she was confident that they would soon be replaced by scholars from other states. She was resolved to identify herself openly with the educational reform which seemed to her one of the most important steps toward civic emancipation; and she had therefore acceded to the request of the faculty that, on receiving her degree, she should sustain a thesis before the University. This ceremony was to take place a few days hence, on the Duke's birthday; and, as the new charter was to be proclaimed on the same day, Fulvia had chosen as the subject of her discourse the Constitution recently promulgated in France.

She pushed aside the bundle of political pamphlets which she had been studying, and sat looking out at the strip of garden beyond the arches of the cloister. The narrow horizon bounded by convent walls symbolised fitly enough the life she had chosen to lead: a life of artificial restraints and renunciations, passive, conventual almost, in which even the central point of her love burned, now, with a calm devotional glow.

The door in the cloister opened and the Duke crossed the garden. He walked slowly, with the listless step she had observed in him of late; and as he entered she saw that he looked pale and weary.

"You have been at work again," she said. "A cabinet-meeting?"

"Yes," he answered, sinking into the Abbess's high carved chair.

He glanced musingly about the dim room, in which the shadow of the cloister made an early dusk. Its atmosphere of monastic calm, of which the significance did not escape him, fell soothingly on his spirit. It simplified his relation to Fulvia by tacitly restricting it within the bounds of a tranquil tenderness. Any other setting would have seemed less in harmony with their fate.

Better, perhaps, than Fulvia, he knew what ailed them both. Happiness had come to them, but it had come too late; it had come tinged with disloyalty to their early ideals; it had come when delay and disillusionment had imperceptibly weakened the springs of passion. For it is the saddest thing about sorrow that it deadens the capacity for happiness; and to Fulvia and Odo the joy they had renounced had returned with an exile's alien face.

Seeing that he remained silent, she rose and lit the shaded lamp on the table. He watched her as she moved across the room. Her step had lost none of its flowing grace, of that harmonious impetus which years ago had drawn his boyish fancy in its wake. As she bent above the lamp, the circle of light threw her face into relief against the deepening shadows of the room. She had changed, indeed, but as those change in whom the springs of life are clear and abundant: it was a development rather than a diminution. The old purity of outline remained; and deep below the surface, but still visible sometimes to his lessening insight, the old girlish spirit, radiant, tender and impetuous, stirred for a moment in her eyes.

The lamplight fell on the pamphlets she had pushed aside. Odo picked one up. "What are these?" he asked.

"They were sent to me by the English traveller whom Andreoni brought here."

He turned a few pages. "The old story," he said. "Do you never weary of it?"

"An old story?" she exclaimed. "I thought it had been the newest in the world. Is it not being written, chapter by chapter, before our very eyes?"

Odo laid the treatise aside. "Are you never afraid to turn the next page?" he asked.

"Afraid? Afraid of what?"

"That it may be written in blood."

She uttered a quick exclamation; then her face hardened, and she said in a low tone: "De Crucis has been with you."

He made the half-resigned, half-impatient gesture of the man who feels himself drawn into a familiar argument from which there is no issue.

"He left yesterday for Germany."

"He was here too long!" she said, with an uncontrollable escape of bitterness.

Odo sighed. "If you would but let me bring him to you, you would see that his influence over me is not what you think it."

She was silent a moment; then she said: "You are tired tonight. Let us not talk of these things."

"As you please," he answered, with an air of relief; and she rose and went to the harpsichord.

She played softly, with a veiled touch, gliding from one crepuscular melody to another, till the room was filled with drifts of sound that seemed like the voice of its own shadows. There had been times when he could have yielded himself to this languid tide of music, letting it loosen the ties of thought till he floated out into the soothing dimness of sensation; but now the present held him. To Fulvia, too, he knew the music was but a forced interlude, a mechanical refuge from thought. She had deliberately narrowed their intercourse to one central idea; and it was her punishment that silence had come to be merely an intensified expression of this idea.

When she turned to Odo she saw the same consciousness in his face. It was useless for them to talk of other things. With a pang of unreasoning regret she felt that she had become to him the embodiment of a single thought—a formula, rather than a woman.

"Tell me what you have been doing," she said.

The question was a relief. At once he began to separation of his work. All his thoughts, all his time, were given to the constitution which was to define the powers of Church and state. The difficulties increased as the work advanced; but the gravest difficulty was one of which he dared not tell her: his own growing distrust of the ideas for which he laboured. He was too keenly aware of the difference in their mental operations. With Fulvia, ideas were either rejected or at once converted into principles; with himself, they remained stored in the mind, serving rather as commentaries on life than as incentives to action. This perpetual accessibility to new impressions was a quality she could not understand, or could conceive of only as a weakness. Her own mind was like a garden in which nothing is ever transplanted. She allowed for no intermediate stages between error and dogma, for no shifting of the bounds of conviction; and this security gave her the singleness of purpose in which he found himself more and more deficient.

Odo remembered that he had once thought her nearness would dispel his hesitations. At first it had been so; but gradually the contact with her fixed enthusiasms had set up within him an opposing sense of the claims ignored. The element of dogmatism in her faith showed the discouraging sameness of the human mind. He perceived that to a spirit like Fulvia's it might become possible to shed blood in the cause of tolerance.

The rapid march of events in France had necessarily produced an opposite effect on minds so differently constituted. To Fulvia the year had been a year of victory, a glorious affirmation of her political creed. Step by step she had seen, as in some old allegorical painting, error fly before the shafts of truth. Where Odo beheld a conflagration she saw a sunrise; and all that was bare and cold in her own life was warmed and transfigured by that ineffable brightness.

She listened patiently while he enlarged on the difficulties of the case. The constitution was framed in all its details, but with its completion he felt more than ever doubtful of the wisdom of granting it. He would have welcomed any postponement that did not seem an admission of fear. He dreaded the inevitable break with the clergy, not so much because of the consequent danger to his own authority, as because he was increasingly conscious of the newness and clumsiness of the instrument with which he proposed to replace their tried and complex system. He mentioned to Fulvia the rumours of popular disaffection; but she swept them aside with a smile.

"The people mistrust you," she said. "And what does that mean? That you have given your enemies time to work on their credulity. The longer you delay the more opposition you will encounter. Father Ignazio would rather destroy the state than let it be saved by any hand but his."

Odo reflected. "Of all my enemies," he said, "Father Ignazio is the one I most respect, because he is the most sincere."

"He is the most dangerous, then," she returned. "A fanatic is always more powerful than a knave."

He was struck with her undiminished faith in the sufficiency of such generalisations. Did she really think that to solve such a problem it was only necessary to define it? The contact with her unfaltering assurance would once have given him a momentary glow; but now it left him cold.

She was speaking more urgently. "Surely," she said, "the noblest use a man can make of his own freedom is to set others free. My father said it was the only justification of kingship."

He glanced at her half-sadly. "Do you still fancy that kings are free? I am bound hand and foot."

"So was my father," she flashed back at him; "but he had the Promethean spirit."

She coloured at her own quickness, but Odo took the thrust tranquilly.

"Yes," he said, "your father had the Promethean spirit: I have not. The flesh that is daily torn from me does not grow again."

"Your courage is as great as his," she exclaimed, her tenderness in arms.

"No," he answered, "for his was hopeful." There was a pause, and then he began to speak of the day's work.

All the afternoon he had been in consultation with Crescenti, whose vast historical knowledge was of service in determining many disputed points in the tenure of land. The librarian was in sympathy with any measures tending to relieve the condition of the peasantry; yet he was almost as strongly opposed as Trescorre to any reproduction of the Tuscan constitution.

"He is afraid!" broke from Fulvia. She admired and respected Crescenti, yet she had never fully trusted him. The taint of ecclesiasticism was on him.

Odo smiled. "He has never been afraid of facing the charge of Jansenism," he replied. "All his life he has stood in open opposition to the Church party."

"It is one thing to criticise their dogmas, another to attack their privileges. At such a time he is bound to remember that he is a priest—that he is one of them."

"Yet, as you have often pointed out, it is to the clergy that France in great measure owes her release from feudalism."

She smiled coldly. "France would have won her cause without the clergy!"

"This is not France, then," he said with a sigh. After a moment he began again: "Can you not see that any reform which aims at reducing the power of the clergy must be more easily and successfully carried out if they can be induced to take part in it? That, in short, we need them at this moment as we have never needed them before? The example of France ought at least to show you that."

"The example of France shows me that, to gain a point in such a struggle, any means must be used! In France, as you say, the clergy were with the people—here they are against them. Where persuasion fails coercion must be used!"

Odo smiled faintly. "You might have borrowed that from their own armoury," he said.

She coloured at the sarcasm. "Why not?" she retorted. "Let them have a taste of their own methods! They know the kind of pressure that makes men yield—when they feel it they will know what to do."

He looked at her with astonishment. "This is Gamba's tone," he said. "I have never heard you speak in this way before."

She coloured again; and now with a profound emotion. "Yes," she said, "it is Gamba's tone. He and I speak for the same cause and with the same voice. We are of the people and we speak for the people. Who are your other counsellors? Priests and noblemen! It is natural enough that they should wish to make their side of the question heard. Listen to them, if you will—conciliate them, if you can! We need all the allies we can win. Only do not fancy they are really speaking for the people. Do not think it is the people's voice you hear. The people do not ask you to weigh this claim against that, to look too curiously into the defects and merits of every clause in their charter. All they ask is that the charter should be given them!"

She spoke with the low-voiced passion that possessed her at such moments. All acrimony had vanished from her tone. The expression of a great conviction had swept aside every personal animosity, and cleared the sources of her deepest feeling. Odo felt the pressure of her emotion. He leaned to her and their hands met.

"It shall be given them," he said.

She lifted her face to his. It shone with a great light. Once before he had seen it so illumined, but with how different a brightness! The remembrance stirred in him some old habit of the senses. He bent over and kissed her.

4.7.

Never before had Odo so keenly felt the difference between theoretical visions of liberty and their practical application. His deepest heart-searchings showed him as sincerely devoted as ever to the cause which had enlisted his youth. He still longed above all things to serve his fellows; but the conditions of such service were not what he had dreamed. How different a calling it had been in Saint Francis's day, when hearts inflamed with the new sense of brotherhood had but to set forth on their simple mission of almsgiving and admonition! To love one's neighbour had become a much more complex business, one that taxed the intelligence as much as the heart, and in the course of which feeling must be held in firm subjection to reason. He was discouraged by Fulvia's inability to understand the change. Hers was the missionary spirit; and he could not but reflect how much happier she would have been as a nun in a charitable order, a unit in some organised system of beneficence.

He too would have been happier to serve than to command! But it is not given to the lovers of the Lady Poverty to choose their special rank in her household. Don Gervaso's words came back to him with deepening significance, and he thought how truly the old chaplain's prayer had been fulfilled. Honour and power had come to him, and they had abased him to the dust. The "Humilitas" of his fathers, woven, carved and painted on every side, pursued him with an ironical reminder of his impotence.

Fulvia had not been mistaken in attributing his depression of spirit to de Crucis's visit. It was the first time that de Crucis had returned to Pianura since the new Duke's accession. Odo had welcomed him eagerly, had again pressed him to remain; but de Crucis was on his way to Germany, bound on some business which could not be deferred. Odo, aware of the renewed activity of the Jesuits, supposed that this business was connected with the flight of the French refugees, many of whom were gone to Coblentz; but on this point the abate was silent. Of the state of affairs in France he spoke openly and despondently. The immoderate haste with which the reforms had been granted filled him with fears for the future. Odo knew that Crescenti shared these fears, and the judgment of these two men, with whom he differed on fundamental principles, weighed with him far more than the opinions of the party he was supposed to represent. But he was in the case of many greater sovereigns of his day. He had set free the waters of reform, and the frail bark of his authority had been torn from its moorings and swept headlong into the central current.

The next morning, to his surprise, the Duchess sent one of her gentlemen to ask an audience. Odo at once replied that he would wait on her Highness; and a few moments later he was ushered into his wife's closet.

She had just left her toilet, and was still in the morning negligee worn during that prolonged and public ceremonial. Freshly perfumed and powdered, her eyes bright, her lips set in a nervous smile, she curiously recalled the arrogant child who had snatched her spaniel away from him years ago in that same room. And was she not that child, after all? Had she ever grown beyond the imperious instincts of her youth? It seemed to him now that he had judged her harshly in the first months of their marriage. He had felt a momentary impatience when he had tried to force her roving impulses into the line of his own endeavour: it was easier to view her leniently now that she had almost passed out of his life.

He wondered why she had sent for him. Some dispute with her household, doubtless; a quarrel with a servant, even—or perhaps some sordid difficulty with her creditors. But she began in a new key.

"Your Highness," she said, "is not given to taking my advice."

Odo looked at her in surprise. "The opportunity is not often accorded me," he replied with a smile.

Maria Clementina made an impatient gesture; then her face softened. Contradictory emotions flitted over it like the reflections cast by a hurrying sky. She came close to him and then drew away and seated herself in the high-backed chair where she had throned when he first saw her. Suddenly she blushed and began to speak.

"Once," she said in a low, almost inaudible voice, "I was able to give your Highness warning of an impending danger—" She paused and her eyes rested full on Odo.

He felt his colour rise as he returned her gaze. It was her first allusion to the past. He had supposed she had forgotten. For a moment he remained awkwardly silent.

"Do you remember?" she asked.

"I remember."

"The danger was a grave one. Your Highness may recall that but for my warning you would not have been advised of it."

"I remember," he said again.

She paused a moment. "The danger," she repeated, "was a grave one; but it threatened only your Highness's person. Your Highness listened to me then; will you listen again if I advise you of a greater—a peril threatening not only your person but your throne?"

Odo smiled. He could guess now what was coming. She had been drilled to act as the mouthpiece of the opposition. He composed his features and said quietly: "These are grave words, madam. I know of no such peril—but I am always ready to listen to your Highness."

His smile had betrayed him, and a quick flame of anger passed over her face.

"Why should you listen to me, since you never heed what I say?"

"Your Highness has just reminded me that I did so once—"

"Once!" she repeated bitterly. "You were younger then—and so was I!" She glanced at herself in the mirror with a dissatisfied laugh. Something in her look and movement touched the springs of compassion.

"Try me again," he said gently. "If I am older, perhaps I am also wiser, and therefore even more willing to be guided—we all knew that." She broke off, as though she felt her mistake and wished to make a fresh beginning. Again her face was full of fluctuating meaning; and he saw, beneath its shallow surface, the eddy of incoherent impulses. When she spoke, it was with a noble gravity.

"Your Highness," she said, "does not take me into your counsels; but it is no secret at court and in the town that you have in contemplation a grave political measure."

"I have made no secret of it," he replied.

"No—or I should be the last to know it!" she exclaimed, with one of her sudden lapses into petulance.

Odo made no reply. Her futility was beginning to weary him. She saw it and again attempted an impersonal dignity of manner.

"It has been your Highness's choice," she said, "to exclude me from public affairs. Perhaps I was not fitted by education or intelligence to share in the cares of government. Your Highness will at least bear witness that I have scrupulously respected your decision, and have never attempted to intrude upon your counsels."

Odo bowed. It would have been useless to remind her that he had sought her help and failed to obtain it.

"I have accepted my position," she continued. "I have led the life to which it has pleased your Highness to restrict me. But I have not been able to detach my heart as well as my thoughts from your Highness's interests. I have not learned to be indifferent to your danger."

Odo looked up quickly. She ceased to interest him when she spoke by the book, and he was impatient to make an end.

"You spoke of danger before," he said. "What danger?"

"That of forcing on your subjects liberties which they do not desire!"

"Ah," said he thoughtfully. That was all, then. What a poor tool she made! He marvelled that, in all these years, Trescorre's skilful hands should not have fashioned her to better purpose.

"Your Highness," he said, "has reminded me that since our marriage you had lived withdrawn from public affairs. I will not pause to dispute by whose choice this has been; I will in turn merely remind your Highness that such a life does not afford much opportunity of gauging public opinion."

In spite of himself a note of sarcasm had again crept into his voice; but to his surprise she did not seem to resent it.

"Ah," she exclaimed, with more feeling than she had hitherto shown, "you fancy that, because I am kept in ignorance of what you think, I am ignorant also of what others think of you! Believe me," she said, with a flash of insight that startled him, "I know more of you than if we stood closer. But you mistake my purpose. I have not sent for you to force my counsels on you. I have no desire to appear ridiculous. I do not ask you to hear what I think of your course, but what others think of it."

"What others?"

The question did not disconcert her. "Your subjects," she said quickly.

"My subjects are of many classes."

"All are of one class in resenting this charter. I am told you intend to proclaim it within a few days. I entreat you at least to delay, to reconsider your course. Oh, believe me when I say you are in danger! Of what use to offer a crown to our Lady, when you have it in your heart to slight her servants? But I will not speak of the clergy, since you despise them—nor of the nobles, since you ignore their claims. I will speak only of the people—the people, in whose interest you profess to act. Believe me, in striking at the Church you wound the poor. It is not their bodily welfare I mean—though Heaven knows how many sources of bounty must now run dry! It is their faith you insult. First you turn them against their masters, then against their God. They may acclaim you for it now—but I tell you they will hate you for it in the end!"

She paused, flushed with the vehemence of her argument, and eager to press it farther. But her last words had touched an unexpected fibre in Odo. He looked at her with his unseeing visionary gaze.

"The end?" he murmured. "Who knows what the end will be?"

"Do you still need to be told?" she exclaimed. "Must you always come to me to learn that you are in danger?"

"If the state is in danger the danger must be faced. The state exists for the people; if they do not need it, it has ceased to serve its purpose."

She clasped her hands in an ecstasy of wonder. "Oh, fool, madman—but it is not of the state I speak! It is you who are in danger—you—you—you—"

He raised his head with an impatient gesture.

"I?" he said. "I had thought you meant a graver peril."

She looked at him in silence. Her pride met his and thrilled with it; and for a moment the two were one.

"Odo!" she cried. She sank into a chair, and he went to her and took her hand.

"Such fears are worthy neither of us," he said gravely.

"I am not ashamed of them," she said. Her hand clung to him and she lifted her eyes to his face. "You will listen to me?" she whispered in a glow.

He drew back chilled. If only she had kept the feminine in abeyance! But sex was her only weapon.

"I have listened," he said quietly. "And I thank you."

"But you will not be counselled?"

"In the last issue one must be one's own counsellor."

Her face flamed. "If you were but that!" she tossed back at him.

The taunt struck him full. He knew that he should have let it lie; but he caught it up in spite of himself.

"Madam!" he said.

"I should have appealed to our sovereign, not to her servant!" she cried, dashing into the breach she had made.

He stood motionless, stunned almost. For what she had said was true. He was no longer the sovereign: the rule had passed out of his hands.

His silence frightened her. With an instinctive jealousy she saw that her words had started a train of thought in which she had no part. She felt herself ignored, abandoned; and all her passions rushed to the defence of her wounded vanity.

"Oh, believe me," she cried, "I speak as your Duchess, not as your wife. That is a name in which I should never dream of appealing to you. I have ever stood apart from your private pleasures, as became a woman of my house." She faced him with a flash of the Austrian insolence. "But when I see the state drifting to ruin as the result of your caprice, when I see your own life endangered, your people turned against you, religion openly insulted, law and authority made the plaything of this—this—false atheistical creature, that has robbed me—robbed me of all—" She broke off helplessly and hid her face with a sob.

Odo stood speechless, spell-bound. He could not mistake what had happened. The woman had surged to the surface at last—the real woman, passionate, self-centred, undisciplined, but so piteous, after all, in this sudden subjection to the one tenderness that survived in her. She loved him and was jealous of her rival. That was the instinct which had swept all others aside. At that moment she cared nothing for her safety or his. The state might perish if they but fell together. It was the distance between them that maddened her.

The tragic simplicity of the revelation left Odo silent. For a fantastic moment he yielded to the vision of what that waste power might have accomplished. Life seemed to him a confusion of roving force that met only to crash in ruins.

His silence drew her to her feet. She repossessed herself, throbbing but valiant.

"My fears for your Highness's safety have led my speech astray. I have given your Highness the warning it was my duty to give. Beyond that I had no thought of trespassing."

And still Odo was silent. A dozen answers struggled to his lips; but they were checked by the stealing sense of duality that so often paralysed his action. He had recovered his lucidity of vision, and his impulses faded before it like mist. He saw life again as it was, an incomplete and shabby business, a patchwork of torn and ravelled effort. Everywhere the shears of Atropos were busy, and never could the cut threads be joined again.

He took his wife's hand and bent over it ceremoniously. It lay in his like a stone.

4.8.

The jubilee of the Mountain Madonna fell on the feast of the Purification. It was mid-November, but with a sky of June. The autumn rains had ceased for the moment, and fields and orchards glistened with a late verdure.

Never had the faithful gathered in such numbers to do honour to the wonder-working Virgin. A widespread resistance to the influences of free thought and Jansenism was pouring fresh life into the old formulas of devotion. Though many motives combined to strengthen this movement, it was still mainly a simple expression of loyalty to old ideals, an instinctive rallying around a threatened cause. It is the honest conviction underlying all great popular impulses that gives them their real strength; and in this case the thousands of pilgrims flocking on foot to the mountain shrine embodied a greater moral force than the powerful ecclesiastics at whose call they had gathered.

The clergy themselves were come from all sides; while those that were unable to attend had sent costly gifts to the miraculous Virgin. The Bishops of Mantua, Modena, Vercelli and Cremona had travelled to Pianura in state, the people flocking out beyond the gates to welcome them. Four mitred Abbots, several Monsignori, and Priors, Rectors, Vicars-general and canons innumerable rode in the procession, followed on foot by the humble army of parish priests and by interminable confraternities of all orders.

The approach of the great dignitaries was hailed with enthusiasm by the crowds lining the roads. Even the Bishop of Pianura, never popular with the people, received an unwonted measure of applause, and the white-cowled Prior of the Dominicans, riding by stern and close-lipped as a monk of Zurbaran's, was greeted with frenzied acclamations. The report that the Bishop and the heads of the religious houses in Pianura were to set free suppers for the pilgrims had doubtless quickened this outburst of piety; yet it was perhaps chiefly due to the sense of coming peril that had gradually permeated the dim consciousness of the crowd.

In the church, the glow of lights, the thrilling beauty of the music and the glitter of the priestly vestments were blent in a melting harmony of sound and colour. The shrine of the Madonna shone with unearthly radiance. Hundreds of candles formed an elongated nimbus about her hieratic figure, which was surmounted by the canopy of cloth-of-gold presented by the Duke of Modena. The Bishops of Vercelli and Cremona had offered a robe of silver brocade studded with coral and turquoises, the devout Princess Clotilda of Savoy an emerald necklace, the Bishop of Pianura a marvellous veil of rose-point made in a Flemish convent; while on the statue's brow rested the Duke's jewelled diadem.

The Duke himself, seated in his tribune above the choir, observed the scene with a renewed appreciation of the Church's unfailing dramatic instinct. At first he saw in the spectacle only this outer and symbolic side, of which the mere sensuous beauty had always deeply moved him; but as he watched the effect produced on the great throng filling the aisles, he began to see that this external splendour was but the veil before the sanctuary, and to realise what de Crucis meant when he spoke of the deep hold of the Church upon the people. Every colour, every gesture, every word and note of music that made up the texture of the gorgeous ceremonial might indeed seem part of a long-studied and astutely-planned effect. Yet each had its root in some instinct of the heart, some natural development of the inner life, so that they were in fact not the cunningly-adjusted fragments of an arbitrary pattern but the inseparable fibres of a living organism. It was Odo's misfortune to see too far ahead on the road along which his destiny was urging him. As he sat there, face to face with the people he was trying to lead, he heard above the music of the mass and the chant of the kneeling throng an echo of the question that Don Gervaso had once put to him:—"If you take Christ from the people, what have you to give them instead?"

He was roused by a burst of silver clarions. The mass was over, and the Duke and Duchess were to descend from their tribune and venerate the holy image before it was carried through the church.

Odo rose and gave his hand to his wife. They had not seen each other, save in public, since their last conversation in her closet. The Duchess walked with set lips and head erect, keeping her profile turned to him as they descended the steps and advanced to the choir. None knew better how to take her part in such a pageant. She had the gift of drawing upon herself the undivided attention of any assemblage in which she moved; and the consciousness of this power lent a kind of Olympian buoyancy to her gait. The richness of her dress and her extravagant display of jewels seemed almost a challenge to the sacred image blazing like a rainbow beneath its golden canopy; and Odo smiled to think that his childish fancy had once compared the brilliant being at his side to the humble tinsel-decked Virgin of the church at Pontesordo.

As the couple advanced, stillness fell on the church. The air was full of the lingering haze of incense, through which the sunlight from the clerestory poured in prismatic splendours on the statue of the Virgin. Rigid, superhuman, a molten flamboyancy of gold and gems, the wonder-working Madonna shone out above her worshippers. The Duke and Duchess paused, bowing deeply, below the choir. Then they mounted the steps and knelt before the shrine. As they did so a crash broke the silence, and the startled devotees saw that the ducal diadem had fallen from the Madonna's head.

The hush prolonged itself a moment; then a canon sprang forward to pick up the crown, and with the movement a murmur rose and spread through the church. The Duke's offering had fallen to the ground as he approached to venerate the blessed image. That this was an omen no man could doubt. It needed no augur to interpret it. The murmur, gathering force as it swept through the packed aisles, passed from surprise to fear, from fear to a deep hum of anger;—for the people understood, as plainly as though she had spoken, that the Virgin of the Valseccas had cast from her the gift of an unbeliever...

---

The ceremonies over, the long procession was formed again and set out toward the city. The crowd had surged ahead, and when the Duke rode through the gates the streets were already thronged. Moving slowly between the compact mass of people he felt himself as closely observed as on the day of his state entry; but with far different effect. Enthusiasm had given way to a cold curiosity. The excitement of the spectators had spent itself in the morning, and the sight of their sovereign failed to rouse their flagging ardour. Now and then a cheer broke out, but it died again without kindling another in the uninflammable mass. Odo could not tell how much of this indifference was due to a natural reaction from the emotions of the morning, how much to his personal unpopularity, how much to the ominous impression produced by the falling of the Virgin's crown. He rode between his people oppressed by a sense of estrangement such as he had never known. He felt himself shut off from them by an impassable barrier of superstition and ignorance; and every effort to reach them was like the wrong turn in a labyrinth, drawing him farther away from the issue to which it seemed to lead.

As he advanced under this indifferent or hostile scrutiny, he thought how much easier it would be to face a rain of bullets than this withering glare of criticism. A sudden longing to escape, to be done with it all, came over him with sickening force. His nerves ached with the physical strain of holding himself upright on his horse, of preserving the statuesque erectness proper to the occasion. He felt like one of his own ancestral effigies, of which the wooden framework had rotted under the splendid robes. A congestion at the head of a narrow street had checked the procession, and he was obliged to rein in his horse. He looked about and found himself in the centre of the square near the Baptistery. A few feet off, directly in a line with him, was the weather-worn front of the Royal Printing-Press. He raised his head and saw a group of people on the balcony. Though they were close at hand, he saw them in a blur, against which Fulvia's figure suddenly detached itself. She had told him that she was to view the procession with the Andreonis; but through the mental haze which enveloped him her apparition struck a vague surprise. He looked at her intently, and their eyes met. A faint happiness stole over her face, but no recognition was possible, and she continued to gaze out steadily upon the throng below the balcony. Involuntarily his glance followed hers, and he saw that she was herself the centre of the crowd's attention. Her plain, almost Quakerish habit, and the tranquil dignity of her carriage, made her a conspicuous figure among the animated groups in the adjoining windows, and Odo, with the acuteness of perception which a public life develops, was instantly aware that her name was on every lip. At the same moment he saw a woman close to his horse's feet snatch up her child and make the sign against the evil eye. A boy who stood staring open-mouthed at Fulvia caught the gesture and repeated it; a barefoot friar imitated the boy, and it seemed to Odo that the familiar sign was spreading with malignant rapidity to the furthest limits of the crowd. The impression was only momentary; for the cavalcade was again in motion, and without raising his eyes he rode on, sick at heart...

---

At nightfall a man opened the gate of the ducal gardens below the Chinese pavilion and stepped out into the deserted lane. He locked the gate and slipped the key into his pocket; then he turned and walked toward the centre of the town. As he reached the more populous quarters his walk slackened to a stroll; and now and then he paused to observe a knot of merry-makers or look through the curtains of the tents set up in the squares.

The man was plainly but decently dressed, like a petty tradesman or a lawyer's clerk, and the night being chill he wore a cloak, and had drawn his hat-brim over his forehead. He sauntered on, letting the crowd carry him, with the air of one who has an hour to kill, and whose holiday-making takes the form of an amused spectatorship. To such an observer the streets offered ample entertainment. The shrewd air discouraged lounging and kept the crowd in motion; but the open platforms built for dancing were thronged with couples, and every peep-show, wine-shop and astrologer's booth was packed to the doors. The shrines and street-lamps being all alight, and booths and platforms hung with countless lanterns, the scene was as bright as day; but in the ever-shifting medley of peasant-dresses, liveries, monkish cowls and carnival disguises, a soberly-clad man might easily go unremarked.

Reaching the square before the Cathedral, the solitary observer pushed his way through the idlers gathered about a dais with a curtain at the back. Before the curtain stood a Milanese quack, dressed like a noble gentleman, with sword and plumed hat, and rehearsing his cures in stentorian tones, while his zany, in the short mask and green-and-white habit of Brighella, cracked jokes and turned hand-springs for the diversion of the vulgar.

"Behold," the charlatan was shouting, "the marvellous Egyptian love-philter distilled from the pearl that the great Emperor Antony dropped into Queen Cleopatra's cup. This infallible fluid, handed down for generations in the family of my ancestor, the High Priest of Isis—" The bray of a neighbouring show-man's trumpet cut him short, and yielding to circumstances he drew back the curtain, and a tumbling-girl sprang out and began her antics on the front of the stage.

"What did he say was the price of that drink, Giannina?" asked a young maid-servant pulling her neighbour's sleeve.

"Are you thinking of buying it for Pietrino, my beauty?" the other returned with a laugh. "Believe me, it is a sound proverb that says: When the fruit is ripe it falls of itself."

The girl drew away angrily, and the quack took up his harangue:—"The same philter, ladies and gentlemen—though in confessing it I betray a professional secret—the same philter, I declare to you on the honour of a nobleman, whereby, in your own city, a lady no longer young and no way remarkable in looks or station, has captured and subjugated the affections of one so high, so exalted, so above all others in beauty, rank, wealth, power and dignities—"

"Oh, oh, that's the Duke!" sniggered a voice in the crowd.

"Ladies and gentlemen, I name no names!" cried the quack impressively.

"No need to," retorted the voice.

"They do say, though, she gave him something to drink," said a young woman to a youth in a clerk's dress. "The saying is she studied medicine with the Turks."

"The Moors, you mean," said the clerk with an air of superiority.

"Well, they say her mother was a Turkey slave and her father a murderer from the Sultan's galleys."

"No, no, she's plain Piedmontese, I tell you. Her father was a physician in Turin, and was driven out of the country for poisoning his patients in order to watch their death-agonies."

"They say she's good to the poor, though," said another voice doubtfully.

"Good to the poor? Ay, that's what they said of her father. All I know is that she heard Stefano the weaver's lad had the falling sickness, and she carried him a potion with her own hands, and the next day the child was dead, and a Carmelite friar, who saw the phial he drank from, said it was the same shape and size as one that was found in a witch's grave when they were digging the foundations for the new monastery."

"Ladies and gentlemen," shrieked the quack, "what am I offered for a drop of this priceless liquor?"

The listener turned aside and pushed his way toward the farther end of the square. As he did so he ran against a merry-andrew who thrust a long printed sheet in his hand.

"Buy my satirical ballads, ladies and gentlemen!" the fellow shouted. "Two for a farthing, invented and written by an own cousin of the great Pasquino of Rome! What will you have, sir? Here's the secret history of a famous Prince's amours with an atheist—here's the true scandal of an illustrious lady's necklace—two for a farthing...and my humblest thanks to your excellency." He pocketed the coin, and the other, thrusting the broadsheets beneath his cloak, pushed on to the nearest coffee-house.

Here every table was thronged, and the babble of talk so loud that the stranger, hopeless of obtaining refreshment, pressed his way into the remotest corner of the room and seated himself on an empty cask. At first he sat motionless, silently observing the crowd; then he drew forth the ballads and ran his eye over them. He was still engaged in this study when his notice was attracted by a loud discussion going forward between a party of men at the nearest table. The disputants, petty tradesman or artisans by their dress, had evidently been warmed by a good flagon of wine, and their tones were so lively that every word reached the listener on the cask.

"Reform, reform!" cried one, who appeared by his dress and manner to be the weightiest of the company—"it's all very well to cry reform; but what I say is that most of those that are howling for it no more know what they're asking than a parrot that's been taught the litany. Now the first question is: who benefits by your reform? And what's the answer to that, eh? Is it the tradesmen? The merchants? The clerks, artisans, household servants, I ask you? I hear some of my fellow-tradesmen complaining that the nobility don't pay their bills. Will they be better paid, think you, when the Duke has halved their revenues? Will the quality keep up as large households, employ as many lacqueys, set as lavish tables, wear as fine clothes, collect as many rarities, buy as many horses, give us, in short, as many opportunities of making our profit out of their pleasure? What I say is, if we're to have new taxes, don't let them fall on the very class we live by!"

"That's true enough," said another speaker, a lean bilious man with a pen behind his ear. "The peasantry are the only class that are going to profit by this constitution."

"And what do the peasantry do for us, I should like to know?" the first speaker went on triumphantly. "As far as the fat friars go, I'm not sorry to see them squeezed a trifle, for they've wrung enough money out of our women-folk to lie between feathers from now till doomsday; but I say, if you care for your pockets, don't lay hands on the nobility!"

"Gently, gently, my friend," exclaimed a cautious flaccid-looking man setting down his glass. "Father and son, for four generations, my family have served Pianura with Church candles, and I can tell you that since these new atheistical notions came in, the nobility are not the good patrons they used to be. But as for the friars, I should be sorry to see them meddled with. It's true they may get the best morsel in the pot and the warmest seat on the hearth—and one of them, now and then, may take too long to teach a pretty girl her Pater Noster—but I'm not sure we shall be better off when they're gone. Formerly, if a child too many came to poor folk they could always comfort themselves with the thought that, if there was no room for him at home, the Church was there to provide for him. But if we drive out the good friars, a man will have to count mouths before he dares look at his wife too lovingly."

"Well," said the scribe with a dry smile, "I've a notion the good friars have always taken more than they gave; and if it were not for the gaping mouths under the cowl even a poor man might have victuals enough for his own."

The first speaker turned on him contentiously.

"Do I understand you are for this new charter, then?" he asked.

"No, no," said the other. "Better hot polenta than a cold ortolan. Things are none too good as they are, but I never care to taste first of a new dish. And in this case I don't fancy the cook."

"Ah, that's it," said the soft man. "It's too much like the apothecary's wife mixing his drugs for him. Men of Roman lineage want no women to govern them!" He puffed himself out and thrust a hand in his bosom. "Besides, gentlemen," he added, dropping his voice and glancing cautiously about the room, "the saints are my witness I'm not superstitious—but frankly, now, I don't much fancy this business of the Virgin's crown."

"What do you mean?" asked a lean visionary-looking youth who had been drinking and listening.

"Why, sir, I needn't say I'm the last man in Pianura to listen to women's tattle; but my wife had it straight from Cino the barber, whose sister is portress of the Benedictines, that, two days since, one of the nuns foretold the whole business, precisely as it happened—and what's more, many that were in the Church this morning will tell you that they distinctly saw the blessed image raise both arms and tear the crown from her head."

"H'm," said the young man flippantly, "what became of the Bambino meanwhile, I wonder?"

The scribe shrugged his shoulders. "We all know," said he, "that Cino the barber lies like a christened Jew; but I'm not surprised the thing was known in advance, for I make no doubt the priests pulled the wires that brought down the crown."

The fat man looked scandalised, and the first speaker waved the subject aside as unworthy of attention.

"Such tales are for women and monks," he said impatiently. "But the business has its serious side. I tell you we are being hurried to our ruin. Here's this matter of draining the marshes at Pontesordo. Who's to pay for that? The class that profits by it? Not by a long way. It's we who drain the land, and the peasants are to live on it."

The visionary youth tossed back his hair. "But isn't that an inspiration to you, sir?" he exclaimed. "Does not your heart dilate at the thought of uplifting the condition of your down-trodden fellows?"

"My fellows? The peasantry my fellows?" cried the other. "I'd have you know, my young master, that I come of a long and honourable line of cloth-merchants, that have had their names on the Guild for two hundred years and over. I've nothing to do with the peasantry, thank God!"

The youth had emptied another glass. "What?" he screamed. "You deny the universal kinship of man? You disown your starving brothers? Proud tyrant, remember the Bastille!" He burst into tears and began to quote Alfieri.

"Well," said the fat man, turning a disgusted shoulder on this display of emotion, "to my mind this business of draining Pontesordo is too much like telling the Almighty what to do. If God made the land wet, what right have we to dry it? Those that begin by meddling with the Creator's works may end by laying hands on the Creator."

"You're right," said another. "There's no knowing where these new-fangled notions may land us. For my part, I was rather taken by them at first; but since I find that his Highness, to pay for all his good works, is cutting down his household and throwing decent people out of a job—like my own son, for instance, that was one of the under-steward's boys at the palace—why, since then, I begin to see a little farther into the game."

A shabby shrewd-looking fellow in a dirty coat and snuff-stained stock had sauntered up to the table and stood listening with an amused smile.

"Ah," said the scribe, glancing up, "here's a thoroughgoing reformer, who'll be asking us all to throw up our hats for the new charter."

The new-comer laughed contemptuously. "I?" he said. "God forbid! The new charter's none of my making. It's only another dodge for getting round the populace—for appearing to give them what they would rise up and take if it were denied them any longer."

"Why, I thought you were hot for these reforms?" exclaimed the fat man with surprise.

The other shrugged. "You might as well say I was in favour of having the sun rise tomorrow. It would probably rise at the same hour if I voted against it. Reform is bound to come, whether your Dukes and Princes are for it or against it; and those that grant constitutions instead of refusing them are like men who tie a string to their hats before going out in a gale. The string may hold for a while—but if it blows hard enough the hats will all come off in the end."

"Ay, ay; and meanwhile we furnish the string from our own pockets," said the scribe with a chuckle.

The shabby man grinned. "It won't be the last thing to come out of your pockets," said he, turning to push his way toward another table.

The others rose and called for their reckoning; and the listener on the cask slipped out of his corner, elbowed a passage to the door and stepped forth into the square.

It was after midnight, a thin drizzle was falling, and the crowd had scattered. The rain was beginning to extinguish the paper lanterns and the torches, and the canvas sides of the tents flapped dismally, like wet sheets on a clothes-line. The man drew his cloak closer, and avoiding the stragglers who crossed his path, turned into the first street that led to the palace. He walked fast over the slippery cobble-stones, buffeted by a rising wind and threading his way between dark walls and sleeping house-fronts till he reached the lane below the ducal gardens. He unlocked the door by which he had come forth, entered the gardens, and paused a moment on the terrace above the lane.

Behind him rose the palace, a dark irregular bulk, with a lighted window showing here and there. Before him lay the city, an indistinguishable huddle of roofs and towers under the rainy night. He stood awhile gazing out over it; then he turned and walked toward the palace. The garden alleys were deserted, the pleached walks dark as subterranean passages, with the wet gleam of statues starting spectrally out of the blackness. The man walked rapidly, leaving the Borromini wing on his left, and skirting the outstanding mass of the older buildings. Behind the marble buttresses of the chapel, he crossed the dense obscurity of a court between high walls, found a door under an archway, turned a key in the lock, and gained a spiral stairway as dark as the court. He groped his way up the stairs and paused a moment on the landing to listen. Then he opened another door, lifted a heavy hanging of tapestry, and stepped into the Duke's closet. It stood empty, with a lamp burning low on the desk.

The man threw off his cloak and hat, dropped into a chair beside the desk, and hid his face in his hands.

4.9.

It was the eve of the Duke's birthday. A cabinet council had been called in the morning, and his Highness's ministers had submitted to him the revised draft of the constitution which was to be proclaimed on the morrow.

Throughout the conference, which was brief and formal, Odo had been conscious of a subtle change in the ministerial atmosphere. Instead of the current of resistance against which he had grown used to forcing his way, he became aware of a tacit yielding to his will. Trescorre had apparently withdrawn his opposition to the charter, and the other ministers had followed suit. To Odo's overwrought imagination there was something ominous in the change. He had counted on the goad of opposition to fight off the fatal languor which he had learned to expect at such crises. Now that he found there was to be no struggle he understood how largely his zeal had of late depended on such factitious incentives. He felt an irrational longing to throw himself on the other side of the conflict, to tear in bits the paper awaiting his signature, and disown the policy which had dictated it. But the tide of acquiescence on which he was afloat was no stagnant back-water of indifference, but the glassy reach just above the fall of a river. The current was as swift as it was smooth, and he felt himself hurried forward to an end he could no longer escape. He took the pen which Trescorre handed him, and signed the constitution.

The meeting over, he summoned Gamba. He felt the need of such encouragement as the hunchback alone could give. Fulvia's enthusiasms were too unreal, too abstract. She lived in a region of ideals, whence ugly facts were swept out by some process of mental housewifery which kept her world perpetually smiling and immaculate. Gamba at least fed his convictions on facts. If his outlook was narrow it was direct: no roseate medium of fancy was interposed between his vision and the truth.

He stood listening thoughtfully while Odo poured forth his doubts.

"Your Highness may well hesitate," he said at last. "There are always more good reasons against a new state of things than for it. I am not surprised that Count Trescorre appears to have withdrawn his opposition. I believe he now honestly wishes your Highness to proclaim the constitution."

Odo looked up in surprise. "You do not mean that he has come to believe in it?"

Gamba smiled. "Probably not in your Highness's sense; but he may have found a use of his own for it."

"What do you mean?" Odo asked.

"If he does not believe it will benefit the state he may think it will injure your Highness."

"Ah—" said the Duke slowly.

There was a pause, during which he was possessed by the same shuddering reluctance to fix his mind on the facts before him as when he had questioned the hunchback about Momola's death. He longed to cast the whole business aside, to be up and away from it, drawing breath in a new world where every air was not tainted with corruption. He raised his head with an effort.

"You think, then, that the liberals are secretly acting against me in this matter?"

"I am persuaded of it, your Highness."

Odo hesitated. "You have always told me," he began again, "that the love of dominion was your brother's ruling passion. If he really believes this movement will be popular with the people, why should he secretly oppose it, instead of making the most of his own share in it as the minister of a popular sovereign?"

"For several reasons," Gamba answered promptly. "In the first place, the reforms your Highness has introduced are not of his own choosing, and Trescorre has little sympathy with any policy he has not dictated. In the second place, the powers and opportunities of a constitutional minister are too restricted to satisfy his appetite for rule; and thirdly—" he paused a moment, as though doubtful how his words would be received—"I suspect Trescorre of having a private score against your Highness, which he would be glad to pay off publicly."

Odo fell silent, yielding himself to a fresh current of thought.

"I know not what score he may have against me," he said at length; "but what injures me must injure the state, and if Trescorre has any such motive for withdrawing his opposition, it must be because he believes the constitution will defeat its own ends."

"He does believe that, assuredly; but he is not the only one of your Highness's ministers that would ruin the state on the chance of finding an opportunity among the ruins."

"That is as it may be," said Odo with a touch of weariness. "I have seen enough of human ambition to learn how limited and unimaginative a passion it is. If it saw farther I should fear it more. But if it is short-sighted it sees clearly at close range; and the motive you ascribe to Trescorre would imply that he believes the constitution will be a failure."

"Without doubt, your Highness. I am convinced that your ministers have done all they could to prevent the proclamation of the charter, and failing that, to thwart its workings if it be proclaimed. In this they have gone hand in hand with the clergy, and their measures have been well taken. But I do not believe that any state of mind produced by external influences can long withstand the natural drift of opinion; and your Highness may be sure that, though the talkers and writers are mostly against you in this matter, the mass of the people are with you."

Odo answered with a despairing gesture. "How can I be sure, when the people have no means of expressing their needs? It is like trying to guess the wants of a deaf and dumb man!"

The hunchback flushed suddenly. "The people will not always be deaf and dumb," he said. "Some day they will speak."

"Not in my day," said Odo wearily. "And meanwhile we blunder on, without ever really knowing what incalculable instincts and prejudices are pitted against us. You and your party tell me the people are sick of the burdens the clergy lay on them—yet their blind devotion to the Church is manifest at every turn, and it did not need the business of the Virgin's crown to show me how little reason and justice can avail against such influences."

Gamba replied by an impatient gesture. "As to the Virgin's crown," he said, "your Highness must have guessed it was one of the friars' tricks: a last expedient to turn the people against you. I was not bred up by a priest for nothing; I know what past masters those gentry are in raising ghosts and reading portents. They know the minds of the poor folk as the herdsman knows the habits of his cattle; and for generations they have used that knowledge to bring the people more completely under their control."

"And what have we to oppose to such a power?" Odo exclaimed. "We are fighting the battle of ideas against passions, of reflection against instinct; and you have but to look in the human heart to guess which side will win in such a struggle. We have science and truth and common-sense with us, you say—yes, but the Church has love and fear and tradition, and the solidarity of nigh two thousand years of dominion."

Gamba listened in respectful silence; then he replied with a faint smile: "All that your Highness says is true; but I beg leave to relate to your Highness a tale which I read lately in an old book of your library. According to this story it appears that when the early Christians of Alexandria set out to destroy the pagan idols in the temples they were seized with great dread at sight of the god Serapis; for even those that did not believe in the old gods feared them, and none dared raise a hand against the sacred image. But suddenly a soldier who was bolder than the rest flung his battle-axe at the figure—and when it broke in pieces, there rushed out nothing worse than a great company of rats."...

---

The Duke had promised to visit Fulvia that evening. For several days his state of indecision had made him find pretexts for avoiding her; but now that the charter was signed and he had ordered its proclamation, he craved the contact of her unwavering faith.

He found her alone in the dusk of the convent parlour; but he had hardly crossed the threshold before he was aware of an indefinable change in his surroundings. She advanced with an impulsiveness out of harmony with the usual tranquillity of their meetings, and he felt her hand tremble and burn in his. In the twilight it seemed to him that her very dress had a warmer rustle and glimmer, that there emanated from her glance and movements some heady fragrance of a long-past summer. He smiled to think that this phantom coquetry should have risen at the summons of an academic degree; but some deeper sense in him was stirred as by a vision of waste riches adrift on the dim seas of chance.

For a moment she sat silent, as in the days when they had been too near each other for many words; and there was something indescribably soothing in this dreamlike return to the past. It was he who roused himself first.

"How young you look!" he said, giving involuntary utterance to his thought.

"Do I?" she answered gaily. "I am glad of that, for I feel extraordinarily young tonight. Perhaps it is because I have been thinking a great deal of the old days—of Venice and Turin—and of the high-road to Vercelli, for instance." She glanced at him with a smile.

"Do you know," she went on, moving to a seat at his side, and laying a hand on the arm of his chair, "that there is one secret of mine you have never guessed in all these years?"

Odo returned her smile. "What is it, I wonder?" he said.

She fixed him with bright bantering eyes. "I knew why you deserted us at Vercelli." He uttered an exclamation, but she lifted a hand to his lips. "Ah, how angry I was then—but why be angry now? It all happened so long ago; and if it had not happened—who knows?—perhaps you would never have pitied me enough to love me as you did." She laughed softly, reminiscently, leaning back as if to let the tide of memories ripple over her. Then she raised her head suddenly, and said in a changed voice: "Are your plans fixed for tomorrow?"

Odo glanced at her in surprise. Her mind seemed to move as capriciously as Maria Clementina's.

"The constitution is signed," he answered, "and my ministers proclaim it tomorrow morning." He looked at her a moment, and lifted her hand to his lips. "Everything has been done according to your wishes," he said.

She drew away with a start, and he saw that she had turned pale. "No, no—not as I wish," she murmured. "It must not be because I wish—" she broke off and her hand slipped from his.

"You have taught me to wish as you wish," he answered gently. "Surely you would not disown your pupil now?"

Her agitation increased. "Do not call yourself that!" she exclaimed. "Not even in jest. What you have done has been done of your own choice—because you thought it best for your people. My nearness or absence could have made no difference."

He looked at her with growing wonder. "Why this sudden modesty?" he said with a smile. "I thought you prided yourself on your share in the great work."

She tried to force an answering smile, but the curve broke into a quiver of distress, and she came close to him, with a gesture that seemed to take flight from herself.

"Don't say it, don't say it!" she broke out. "What right have they to call it my doing? I but stood aside and watched you and gloried in you—is there any guilt to a woman in THAT?" She clung to him a moment, hiding her face in his breast.

He loosened her arms gently, that he might draw back and look at her. "Fulvia," he asked, "what ails you? You are not yourself tonight. Has anything happened to distress you? Have you been annoyed or alarmed in any way?—It is not possible," he broke off, "that Trescorre has been here—?"

She drew away, flushed and protesting. "No, no," she exclaimed. "Why should Trescorre come here? Why should you fancy that any one has been here? I am excited, I know; I talk idly; but it is because I have been thinking too long of these things—"

"Of what things?"

"Of what people say—how can one help hearing that? I sometimes fancy that the more withdrawn one lives the more distinctly one hears the outer noises."

"But why should you heed the outer noises? You have never done so before."

"Perhaps I was wrong not to do so before. Perhaps I should have listened sooner. Perhaps others have seen—understood—sooner than I—oh, the thought is intolerable!"

She moved a pace or two away, and then, regaining the mastery of her lips and eyes, turned to him with a show of calmness.

"Your heart was never in this charter—" she began.

"Fulvia!" he cried protestingly; but she lifted a silencing hand. "Ah, I have seen it—I have felt it—but I was never willing to own that you were right. My pride in you blinded me, I suppose. I could not bear to dream any fate for you but the greatest. I saw you always leading events, rather than waiting on them. But true greatness lies in the man, not in his actions. Compromise, delay, renunciation—these may be as heroic as conflict. A woman's vision is so narrow that I did not see this at first. You have always told me that I looked only at one side of the question; but I see the other side now—I see that you were right."

Odo stood silent. He had followed her with growing wonder. A volte-face so little in keeping with her mental habits immediately struck him as a feint; yet so strangely did it accord with his own secret reluctances that these inclined him to let it pass unquestioned.

Some instinctive loyalty to his past checked the temptation. "I am not sure that I understand you," he said slowly. "Have you lost faith in the ideas we have worked for?"

She hesitated, and he saw the struggle beneath her surface calmness. "No, no," she exclaimed quickly, "I have not lost faith in them—"

"In me, then?"

She smiled with a disarming sadness. "That would be so much simpler!" she murmured.

"What do you mean, then?" he urged. "We must understand each other." He paused, and measured his words out slowly. "Do you think it a mistake to proclaim the constitution tomorrow?"

Again her face was full of shadowy contradictions. "I entreat you not to proclaim it tomorrow," she said in a low voice.

Odo felt the blood drum in his ears. Was not this the word for which he had waited? But still some deeper instinct held him back, warning him, as it seemed, that to fall below his purpose at such a juncture was the only measurable failure. He must know more before he yielded, see deeper into her heart and his; and each moment brought the clearer conviction that there was more to know and see.

"This is unlike you, Fulvia," he said. "You cannot make such a request on impulse. You must have a reason."

She smiled. "You told me once that a woman's reasons are only impulses in men's clothes."

But he was not to be diverted by this thrust. "I shall think so now," he said, "unless you can give me some better account of yours!"

She was silent, and he pressed on with a persistency for which he himself could hardly account: "You must have a reason for this request."

"I have one," she said, dropping her attempts at evasion.

"And it is—?"

She paused again, with a look of appeal against which he had to stiffen himself.

"I do not believe the time has come," she said at length.

"You think the people are not ready for the constitution?"

She answered with an effort: "I think the people are not ready for it."

He fell silent, and they sat facing each other, but with eyes apart.

"You have received this impression from Gamba, from Andreoni—from the members of our party?" he asked.

She made no reply.

"Remember, Fulvia," he went on almost sternly, "that this is the end for which we have worked together all these years—the end for which we renounced each other and went forth in our youth, you to exile and I to an unwilling sovereignty. It was because we loved this cause better than ourselves that we had strength to give up for it our personal hopes of happiness. If we betray the cause from any merely personal motive we shall have fallen below our earlier selves." He waited again, but she was still silent. "Can you swear to me," he went on, "that no such motive influences you now? That you honestly believe we have been deceived and mistaken? That our years of faith and labour have been wasted, and that, if mankind is to be helped, it is to be in other ways and by other efforts than ours?"

He stood before her accusingly, almost, the passion of the long fight surging up in him as he felt the weapon drop from his hand.

Fulvia had sat motionless under his appeal; but as he paused she rose with an impulsive gesture. "Oh, why do you torment me with questions?" she cried, half-sobbing. "I venture to counsel a delay, and you arraign me as though I stood at the day of judgment!"

"It IS our day of judgment," he retorted. "It is the day on which life confronts us with our own actions, and we must justify them or own ourselves deluded." He went up to her and caught her hands entreatingly. "Fulvia," he said, "I too have doubted, wavered—and if you will give me one honest reason that is worthy of us both—"

She broke from him to hide her weeping. "Reasons! reasons!" she stammered. "What does the heart know of reasons? I ask a favour—the first I ever asked of you—and you answer it by haggling with me for reasons!"

Something in her voice and gesture was like a lightning-flash over a dark landscape. In an instant he saw the pit at his feet.

"Some one has been with you. Those words were not yours," he cried.

She rallied instantly. "That is a pretext for not heeding them!" she returned.

The lightning glared again. He stepped close and faced her.

"The Duchess has been here," he said.

She dropped into a chair and hid her face from him. A wave of anger mounted from his heart, choking back his words and filling his brain with its fumes. But as it subsided he felt himself suddenly cool, firm, attempered. There could be no wavering, no self-questioning now.

"When did this happen?" he asked.

She shook her head despairingly.

"Fulvia," he said, "if you will not speak I will speak for you. I can guess what arguments were used—what threats, even. Were there threats?" burst from him in a fresh leap of anger.

She raised her head slowly. "Threats would not have mattered," she said.

"But your fears were played on—your fears for my safety?—Fulvia, answer me!" he insisted.

She rose suddenly and laid her arms about his shoulders, with a gesture half-tender, half-maternal.

"Oh," she said, "why will you torture me? I have borne much for our love's sake, and would have borne this too—in silence, like the rest—but to speak of it is to relieve it; and my strength fails me!"

He held her hands fast, keeping his eyes on hers. "No," he said, "for your strength never failed you when there was any call on it; and our whole past calls on it now. Rouse yourself, Fulvia: look life in the face! You were told there might be troubles tomorrow—that I was in danger, perhaps?"

"There was worse—there was worse," she shuddered.

"Worse?"

"The blame was laid on me—the responsibility. Your love for me, my power over you, were accused. The people hate me—they hate you for loving me! Oh, I have destroyed you!" she cried.

Odo felt a slow cold strength pouring into all his veins. It was as though his enemies, in thinking to mix a mortal poison, had rendered him invulnerable. He bent over her with great gentleness.

"Fulvia, this is madness," he said. "A moment's thought must show you what passions are here at work. Can you not rise above such fears? No one can judge between us but ourselves."

"Ah, but you do not know—you will not understand. Your life may be in danger!" she cried.

"I have been told that before," he said contemptuously. "It is a common trick of the political game."

"This is no trick," she exclaimed. "I was made to see—to understand—and I swear to you that the danger is real."

"And what if it were? Is the Church to have all the martyrs?" said he gaily. "Come, Fulvia, shake off such fancies. My life is as safe as yours. At worst there may be a little hissing to be faced. That is easy enough compared to facing one's own doubts. And I have no doubts now—that is all past, thank heaven! I see the road straight before me—as straight as when you showed it to me once before, years ago, in the inn-parlour at Peschiera. You pointed the way to it then; surely you would not hold me back from it now?"

He took her in his arms and kissed her lips to silence.

"When we meet tomorrow," he said, releasing her, "It will be as teacher and pupil, you in your doctor's gown and I a learner at your feet. Put your old faith in me into your argument, and we shall have all Pianura converted."

He hastened away through the dim gardens, carrying a boy's heart in his breast.

4.10.

The University of Pianura was lodged in the ancient Signoria or Town Hall of the free city; and here, on the afternoon of the Duke's birthday, the civic dignitaries and the leading men of the learned professions had assembled to see the doctorate conferred on the Signorina Fulvia Vivaldi and on several less conspicuous candidates of the other sex.

The city was again in gala dress. Early that morning the new constitution had been proclaimed, with much firing of cannon and display of official fireworks; but even these great news, and their attendant manifestations, had failed to enliven the populace, who, instead of filling the streets with their usual stir, hung massed at certain points, as though curiously waiting on events. There are few sights more ominous than that of a crowd thus observing itself, watching in inconscient suspense for the unknown crisis which its own passions have engendered.

It was known that his Highness, after the public banquet at the palace, was to proceed in state to the University; and the throng was thick about the palace gates and in the streets betwixt it and the Signoria. Here the square was close-packed, and every window choked with gazers, as the Duke's coach came in sight, escorted meagrely by his equerries and the half-dozen light-horse that preceded him. The small escort, and the marked absence of military display, perhaps disappointed the splendour-loving crowd; and from this cause or another, scarce a cheer was heard as his Highness descended from his coach, and walked up the steps to the porch of ancient carved stone where the faculty awaited him.

The hall was already filled with students and graduates, and with the guests of the University. Through this grave assemblage the Duke passed up to the row of armchairs beneath the dais at the farther end of the room. Trescorre, who was to have attended his Highness, had excused himself on the plea of indisposition, and only a few gentlemen-in-waiting accompanied the Duke; but in the brown half-light of the old Gothic hall their glittering uniforms contrasted brilliantly with the black gowns of the students, and the sober broadcloth of the learned professions. A discreet murmur of enthusiasm rose at their approach, mounting almost to a cheer as the Duke bowed before taking his seat; for the audience represented the class most in sympathy with his policy and most confident of its success.

The meetings of the faculty were held in the great council-chamber where the Rectors of the old free city had assembled; and such a setting was regarded as peculiarly appropriate to the present occasion. The fact was alluded to, with much wealth of historical and mythological analogy, by the President, who opened the ceremonies with a polysyllabic Latin oration, in which the Duke was compared to Apollo, Hercules and Jason, as well as to the flower of sublunary heroes.

This feat of rhetoric over, the candidates were called on to advance and receive their degrees. The men came first, profiting by the momentary advantage of sex, but clearly aware of its inability to confer even momentary importance in the eyes of the impatient audience. A pause followed, and then Fulvia appeared. Against the red-robed faculty at the back of the dais, she stood tall and slender in her black cap and gown. The high windows of painted glass shed a paleness on her face, but her carriage was light and assured as she advanced to the President and knelt to receive her degree. The parchment was placed in her hand, the furred hood laid on her shoulders; then, after another flourish of rhetoric, she was led to the lectern from which her discourse was to be delivered. Odo sat just below her, and as she took her place their eyes met for an instant. He was caught up in the serene exaltation of her look, as though she soared with him above wind and cloud to a region of unshadowed calm; then her eyes fell and she began to speak.

She had a pretty mastery of Latin, and though she had never before spoken in public, her poetical recitations, and the early habit of intercourse with her father's friends, had given her a fair measure of fluency and self-possession. These qualities were raised to eloquence by the sweetness of her voice, and by the grave beauty which made the academic gown seem her natural wear, rather than a travesty of learning. Odo at first had some difficulty in fixing his attention on what she said; and when he controlled his thoughts she was in the height of her panegyric of constitutional liberty. She had begun slowly, almost coldly; but now her theme possessed her. One by one she evoked the familiar formulas with which his mind had once reverberated. They woke no echo in him now; but he saw that she could still set them ringing through the sensibilities of her hearers. As she stood there, a slight impassioned figure, warming to her high argument, his sense of irony was touched by the incongruity of her background. The wall behind her was covered by an ancient fresco, fast fading under its touches of renewed gilding, and representing the patron scholars of the mediaeval world: the theologians, law-givers and logicians under whose protection the free city had placed its budding liberties. There they sat, rigid and sumptuous on their Gothic thrones: Origen, Zeno, David, Lycurgus, Aristotle; listening in a kind of cataleptic helplessness to a confession of faith that scattered their doctrines to the winds. As he looked and listened, a weary sense of the reiterance of things came over him. For what were these ancient manipulators of ideas, prestidigitators of a vanished world of thought, but the forbears of the long line of theorists of whom Fulvia was the last inconscient mouthpiece? The new game was still played with the old counters, the new jugglers repeated the old tricks; and the very words now poured out in defence of the new cause were but mercenaries scarred in the service of its enemies. For generations, for centuries, man had fought on; crying for liberty, dreaming it was won, waking to find himself the slave of the new forces he had generated, burning and being burnt for the same beliefs under different guises, calling his instinct ideas and his ideas revelations; destroying, rebuilding, falling, rising, mending broken weapons, championing extinct illusions, mistaking his failures for achievements and planting his flag on the ramparts as they fell. And as the vision of this inveterate conflict rose before him, Odo saw that the beauty, the power, the immortality, dwelt not in the idea but in the struggle for it.

His resistance yielded as this sense stole over him, and with an almost physical relief he felt himself drawn once more into the familiar current of emotion. Yes, it was better after all to be one of that great unconquerable army, though, like the Trojans fighting for a phantom Helen, they might be doing battle for the shadow of a shade; better to march in their ranks, endure with them, fight with them, fall with them, than to miss the great enveloping sense of brotherhood that turned defeat to victory.

As the conviction grew in him, Fulvia's words regained their lost significance. Through the set mask of language the living thoughts looked forth, old indeed as the world, but renewed with the new life of every heart that bore them. She had left the abstract and dropped to concrete issues: to the gift of the constitution, the benefits and obligations it implied, the new relations it established between ruler and subject and between man and man. Odo saw that she approached the question without flinching. No trace remained of the trembling woman who had clung to him the night before. Her old convictions repossessed her and she soared above human fears.

So engrossed was he that he had been unaware of a growing murmur of sound which seemed to be forcing its way from without through the walls of the ancient building. As Fulvia's oration neared its end the murmur rose to a roar. Startled faces were turned toward the doors of the council-chamber, and one of the Duke's gentlemen left his seat and made his way through the audience. Odo sat motionless, his eyes on Fulvia. He noticed that her face paled as the sound reached her, but there was no break in the voice with which she uttered the closing words of her peroration. As she ended, the noise was momentarily drowned under a loud burst of clapping; but this died in a hush of apprehension through which the outer tumult became more ominously audible. The equerry reentered the hall with a disordered countenance. He hastened to the Duke and addressed him urgently.

"Your Highness," he said, "the crowd has thickened and wears an ugly look. There are many friars abroad, and images of the Mountain Virgin are being carried in procession. Will your Highness be pleased to remain here while I summon an escort from the barracks?"

Odo was still watching Fulvia. She had received the applause of the audience with a deep reverence, and was now in the act of withdrawing to the inner room at the back of the dais. Her eyes met Odo's; she smiled and the door closed on her. He turned to the equerry.

"There is no need of an escort," he said. "I trust my people if they do not trust me."

"But, your Highness, the streets are full of demagogues who have been haranguing the people since morning. The crowd is shouting against the constitution and against the Signorina Vivaldi."

A flame of anger passed over the Duke's face; but he subdued it instantly.

"Go to the Signorina Vivaldi," he said, pointing to the door by which Fulvia had left the hall. "Assure her that there is no danger, but ask her to remain where she is till the crowd disperses, and request the faculty in my name to remain with her."

The equerry bowed, and hurried up the steps of the dais, while the Duke signed to his other companions to precede him to the door of the hall. As they walked down the long room, between the close-packed ranks of the audience, the outer tumult surged threateningly toward them. Near the doorway, another of the gentlemen-in-waiting was seen to speak with the Duke.

"Your Highness," he said, "there is a private way at the back by which you may yet leave the building unobserved."

"You appear to forget that I entered it publicly," said Odo.

"But, your Highness, we cannot answer for the consequences—"

The Duke signed to the ushers to throw open the doors. They obeyed, and he stepped out into the stone vestibule preceding the porch. The iron-barred outer doors of this vestibule were securely bolted, and the porter hung back in affright at the order to unlock them.

"Your Highness, the people are raving mad," he said, flinging himself on his knees.

Odo turned impatiently to his escort. "Unbar the doors, gentlemen," he said. The blood was drumming in his ears, but his eye was clear and steady, and he noted with curious detachment the comic agony of the fat porter's face, and the strain and swell of the equerry's muscles as he dragged back the ponderous bolts.

The doors swung open, and the Duke emerged. Below him, still with that unimpaired distinctness of vision which seemed a part of his heightened vitality, he saw a great gesticulating mass of people. They packed the square so closely that their own numbers held them immovable, save for their swaying arms and heads; and those whom the square could not contain had climbed to porticoes, balconies and cornices, and massed themselves in the neck of the adjoining streets. The handful of light-horse who had escorted the Duke's carriage formed a single line at the foot of the steps, so that the approach to the porch was still clear; but it was plain that the crowd, with its next movement, would break through this slender barrier and hem in the Duke.

At Odo's appearance the shouting had ceased and every eye was turned on him. He stood there, a brilliant target, in his laced coat of peach-coloured velvet, his breast covered with orders, a hand on his jewelled sword-hilt. For a moment sovereign and subjects measured each other; and in that moment Odo drank his deepest draught of life. He was not thinking now of the constitution or its opponents. His present business was to get down the steps and into the carriage, returning to the palace as openly as he had come. He was conscious of neither pity nor hatred for the throng in his path. For the moment he regarded them merely as a natural force, to be fought against like storm or flood. His clearest sensation was one of relief at having at last some material obstacle to spend his strength against, instead of the impalpable powers which had so long beset him. He felt, too, a boyish satisfaction at his own steadiness of pulse and eye, at the absence of that fatal inertia which he had come to dread. So clear was his mental horizon that it embraced not only the present crisis, but a dozen incidents leading up to it. He remembered that Trescorre had urged him to take a larger escort, and that he had refused on the ground that any military display might imply a doubt of his people. He was glad now that he had done so. He would have hated to slink to his carriage behind a barrier of drawn swords. He wanted no help to see him through this business. The blood sang in his veins at the thought of facing it alone.

The silence lasted but a moment; then an image of the Mountain Virgin was suddenly thrust in air, and a voice cried out: "Down with our Lady's enemies! We want no laws against the friars!"

A howl caught up the words and tossed them to and fro above the seething heads. Images of the Virgin, religious banners, the blue-and-white of the Madonna's colours, suddenly canopied the crowd.

"We want the Barnabites back!" sang out another voice.

"Down with the free-thinkers!" yelled a hundred angry throats.

A stone or two sped through the air and struck the sculptures of the porch.

"Your Highness!" cried the equerry who stood nearest, and would have snatched the Duke back within doors.

For all answer, Odo stepped clear of the porch and advanced to the edge of the steps. As he did so, a shower of missiles hummed about him, and a stone struck him on the lip. The blood rushed to his head, and he swayed in the sudden grip of anger; but he mastered himself and raised his lace handkerchief to the cut.

His gentlemen had drawn their swords; but he signed to them to sheathe again. His first thought was that he must somehow make the people hear him. He lifted his hand and advanced a step; but as he did so a shot rang out, followed by a loud cry. The lieutenant of the light-horse, infuriated by the insult to his master, had drawn the pistol from his holster and fired blindly into the crowd. His bullet had found a mark, and the throng hissed and seethed about the spot where a man had fallen. At the same instant Odo was aware of a commotion in the group behind him, and with a great plunge of the heart he saw Fulvia at his side. She still wore the academic dress, and her black gown detached itself sharply against the bright colours of the ducal uniforms.

Groans and hisses received her, but the mob hung back, as though her look had checked them. Then a voice shrieked out: "Down with the atheist! We want no foreign witches!" and another caught it up with the yell: "She poisoned the weaver's boy! Her father was hanged for murdering Christian children!"

The cry set the crowd in motion again, and it rolled toward the line of mounted soldiers at the foot of the steps. The men had their hands on their holsters; but the Duke's call rang out: "No firing!" and drawing their blades, they sat motionless to receive the shock.

It came, dashed against them and dispersed them. Only a few yards lay now between the people and their sovereign. But at that moment another shot was fired. This time it came from the thick of the crowd. The equerries' swords leapt forth again, and they closed around the Duke and Fulvia.

"Save yourself, sir! Back into the building!" one of the gentlemen shouted; but Odo had no eyes for what was coming. For as the shot was heard he had seen a change in Fulvia. A moment they had stood together, smiling, undaunted, hands locked and wedded eyes, then he felt her dissolve against him and drop between his arms.

A cry had gone out that the Duke was wounded, and a leaden silence fell on the crowd. In that silence Odo knelt, lifting Fulvia's head to his breast. No wound showed through her black gown. She lay as though smitten by some invisible hand. So deep was the hush that her least whisper must have reached him; but though he bent close no whisper came. The invisible hand had struck the very source of life; and to these two, in their moment of final reunion, with so much unsaid between them that now at last they longed to say, there was left only the dumb communion of fast-clouding eyes...

A clatter of cavalry was heard down the streets that led to the square. The equerry sent to warn Fulvia had escaped from the back of the building and hastened to the barracks to summon a regiment. But the soldiery were no longer needed. The blind fury of the mob had died of its own excess. The rumour that the Duke was hurt brought a chill reaction of dismay, and the rioters were already scattering when the cavalry came in sight. Their approach turned the slow dispersal to a stampede. A few arrests were made, the remaining groups were charged by the soldiers, and presently the square lay bare as a storm-swept plain, though the people still hung on its outskirts, ready to disband at the first threat of the troops.

It was on this solitude that the Duke looked out as he regained a sense of his surroundings. Fulvia had been carried into the audience-chamber and laid on the dais, her head resting on the velvet cushions of the ducal chair. She had died instantly, shot through the heart, and the surgeons summoned in haste had soon ceased from their ineffectual efforts. For a long time Odo knelt beside her, unconscious of all but that one wild moment when life at its highest had been dashed into the gulf of death. Thought had ceased, and neither rage nor grief moved as yet across the chaos of his being. All his life was in his eyes, as they drew up, drop by drop, the precious essence of her loveliness. For she had grown, beneath the simplifying hand of death, strangely yet most humanly beautiful. Life had fallen from her like the husk from the flower, and she wore the face of her first hopes. The transition had been too swift for any backward look, any anguished rending of the fibres, and he felt himself, not detached by the stroke, but caught up with her into some great calm within the heart of change.

He knew not how he found himself once more on the steps above the square. Below him his state carriage stood in the same place, flanked by the regiment of cavalry. Down the narrow streets he saw the brooding cloud of people, and the sight roused his blood. They were his enemies now—he felt the warm hate in his veins. They were his enemies, and he would face them openly. No closed chariot guarded by troops—he would not have so much as a pane of glass between himself and his subjects. He descended the steps, bade the colonel of the regiment dismount, and sprang into his saddle. Then, at the head of his soldiers, at a foot-pace, he rode back through the packed streets to the palace.

In the palace, courtyard and vestibule were thronged with courtiers and lacqueys. He walked through them with his head high, the cut on his lip like the mark of a hot iron in the dead whiteness of his face. At the head of the great staircase Maria Clementina waited. She sprang forward, distraught and trembling, her face as blanched as his.

"You are safe—you are safe—you are not hurt—" she stammered, catching at his hands.

A shudder seized him as he put her aside.

"Odo! Odo!" she cried passionately, and made as though to bar his way.

He gave her a blind look and passed on down the long gallery to his closet.

4.11.

The joy of reprisals lasted no longer than a summer storm. To hurt, to silence, to destroy, was too easy to be satisfying. The passions of his ancestors burned low in Odo's breast: though he felt Bracciaforte's fury in his veins he could taste no answering gratification of revenge. And the spirit on which he would have spent his hatred was not here or there, as an embodied faction, but everywhere as an intangible influence. The acqua tofana of his enemies had pervaded every fibre of the state.

The mist of anguish lifted, he saw himself alone among ruins. For a moment Fulvia's glowing faith had hung between him and a final vision of the truth; and as his convictions weakened he had replaced them with an immense pity, an all-sufficing hope. Sentimental verbiage: he saw it clearly now. He had been the dupe of the old word-jugglery which was forever confounding fact and fancy in men's minds. For it was essentially an age of words: the world was drunk with them, as it had once been drunk with action; and the former was the deadlier drug of the two. He looked about him languidly, letting the facts of life filter slowly through his faculties. The sources of energy were so benumbed in him that he felt like a man whom long disease had reduced to helplessness and who must laboriously begin his bodily education again. Hate was the only passion which survived, and that was but a deaf intransitive emotion coiled in his nature's depths.

Sickness at last brought its obliteration. He sank into gulfs of weakness and oblivion, and when the rise of the tide floated him back to life, it was to a life as faint and colourless as infancy. Colourless too were the boundaries on which he looked out: the narrow enclosure of white walls, opening on a slit of pale spring landscape. His hands lay before him, white and helpless on the white coverlet of his bed. He raised his eyes and saw de Crucis at his side. Then he began to remember. There had been preceding intervals of consciousness, and in one of them, in answer perhaps to some vaguely-uttered wish for light and air, he had been carried out of the palace and the city to the Benedictine monastery on its wooded knoll beyond the Piana. Then the veil had dropped again, and his spirit had wandered in a dim place of shades. There was a faint sweetness in coming back at last to familiar sights and sounds. They no longer hurt like pressure on an aching nerve: they seemed rather, now, the touch of a reassuring hand.

As the contact with life became closer and more sustained he began to watch himself curiously, wondering what instincts and habits of thought would survive his long mental death. It was with a bitter, almost pitiable disappointment that he found the old man growing again in him. Life, with a mocking hand, brought him the cast-off vesture of his past, and he felt himself gradually compressed again into the old passions and prejudices. Yet he wore them with a difference—they were a cramping garment rather than a living sheath. He had brought back from his lonely voyagings a sense of estrangement deeper than any surface-affinity with things.

As his physical strength returned, and he was able to leave his room and walk through the long corridors to the outer air, he felt the old spell which the life of Monte Cassino had cast on him. The quiet garden, with its clumps of box and lavender between paths converging to the statue of Saint Benedict; the cloisters paved with the monks' nameless graves; the traces of devotional painting left here and there on the weather-beaten walls, like fragments of prayer in a world-worn mind: these formed a circle of tranquillising influences in which he could gradually reacquire the habit of living.

He had never deceived himself as to the cause of the riots. He knew from Gamba and Andreoni that the liberals and the court, for once working in unison, had provoked the blind outburst of fanaticism which a rasher judgment might have ascribed to the clergy. The Dominicans, bigoted and eager for power, had been ready enough to serve such an end, and some of the begging orders had furnished the necessary points of contact with the people; but the movement was at bottom purely political, and represented the resistance of the privileged classes to any attack on their inherited rights.

As such, he could no longer regard it as completely unreasonable. He was beginning to feel the social and political significance of those old restrictions and barriers against which his early zeal had tilted. Certainly in the ideal state the rights and obligations of the different classes would be more evenly adjusted. But the ideal state was a figment of the brain. The real one, as Crescenti had long ago pointed out, was the gradual and heterogeneous product of remote social conditions, wherein every seeming inconsistency had its roots in some bygone need, and the character of each class, with its special passions, ignorances and prejudices, was the sum total of influences so ingrown and inveterate that they had become a law of thought. All this, however, seemed rather matter for philosophic musing than for definite action. His predominant feeling was still that of remoteness from the immediate issues of life: the soeva indignatio had been succeeded by a great calm.

The soothing influences of the monastic life had doubtless helped to tide him over the stormy passage of returning consciousness. His sensitiveness to these influences inclined him for the first time to consider them analytically. Hitherto he had regarded the Church as a skilfully-adjusted engine, the product of human passions scientifically combined to obtain the greatest sum of tangible results. Now he saw that he had never penetrated beneath the surface. For the Church which grasped, contrived, calculated, struggled for temporal possessions and used material weapons against spiritual foes—this outer Church was nothing more than the body, which, like any other animal body, had to care for its own gross needs, nourish, clothe, defend itself, fight for a footing among the material resistances of life—while the soul, the inner animating principle, might dwell aloof from all these things, in a clear medium of its own.

To this soul of the Church his daily life now brought him close. He felt it in the ordered beneficence of the great community, in the simplicity of its external life and the richness and suavity of its inner relations. No alliance based on material interests, no love of power working toward a common end, could have created that harmony of thought and act which was reflected in every face about him. Each of these men seemed to have FOUND OUT SOMETHING of which he was still ignorant.

What it was, de Crucis tried to tell him as they paced the cloisters together or sat in the warm stillness of the budding garden. At the first news of the Duke's illness the Jesuit had hastened to Pianura. No companionship could have been so satisfying to Odo. De Crucis's mental attitude toward mankind might have been defined as an illuminated charity. To love men, or to understand them, is not as unusual as to do both together; and it was the intellectual acuteness of his friend's judgments that made their Christian amenity so seductive to Odo.

"The highest claim of Christianity," the Jesuit said one morning, as they sat on a worn stone bench at the end of the sunny vine-walk, "is that it has come nearer to solving the problem of men's relations to each other than any system invented by themselves. This, after all, is the secret principle of the Church's vitality. She gave a spiritual charter of equality to mankind long before the philosophers thought of giving them a material one. If, all the while, she has been fighting for dominion, arrogating to herself special privileges, struggling to preserve the old lines of social and legal demarcation, it has been because for nigh two thousand years she has cherished in her breast the one free city of the spirit, because to guard its liberties she has had to defend and strengthen her own position. I do not ask you to consider whence comes this insight into the needs of man, this mysterious power over him; I ask you simply to confess them in their results. I am not of those who believe that God permits good to come to mankind through one channel only, and I doubt not that now and in times past the thinkers whom your Highness follows have done much to raise the condition of their fellows; but I would have you observe that, where they have done so, it has been because, at bottom, their aims coincided with the Church's. The deeper you probe into her secret sources of power, the more you find there, in the germ if you will, but still potentially active, all those humanising energies which work together for the lifting of the race. In her wisdom and her patience she may have seen fit to withhold their expression, to let them seek another outlet; but they are there, stored in her consciousness like the archetypes of the Platonists in the Universal Mind. It is the knowledge of this, the sure knowledge of it, which creates the atmosphere of serenity that you feel about you. From the tilling of the vineyards, or the dressing of a beggar's sores, to the loftiest and most complicated intellectual labour imposed on him, each brother knows that his daily task is part of a great scheme of action, working ever from imperfection to perfection, from human incompleteness to the divine completion. This sense of being, not straws on a blind wind of chance, but units in an ordered force, gives to the humblest Christian an individual security and dignity which kings on their thrones might envy.

"But not only does the Church anticipate every tendency of mankind; alone of all powers she knows how to control and direct the passions she excites. This it is which makes her an auxiliary that no temporal prince can well despise. It is in this aspect that I would have your Highness consider her. Do not underrate her power because it seems based on the commoner instincts rather than on the higher faculties of man. That is one of the sources of her strength. She can support her claims by reason and argument, but it is because her work, like that of her divine Founder, lies chiefly among those who can neither reason nor argue, that she chooses to rest her appeal on the simplest and most universal emotions. As, in our towns, the streets are lit mainly by the tapers before the shrines of the saints, so the way of life would be dark to the great multitude of men but for the light of faith burning within them..."

Meanwhile the shufflings of destiny had brought to Trescorre the prize for which he waited. During the Duke's illness he had been appointed regent of Pianura, and his sovereign's reluctance to take up the cares of government had now left him for six months in authority. The day after the proclaiming of the constitution Odo had withdrawn his signature from it, on the ground that the concessions it contained were inopportune. The functions of government went on again in the old way. The old abuses persisted, the old offences were condoned: it was as though the apathy of the sovereign had been communicated to his people. Centuries of submission were in their blood, and for two generations there had been no warfare south of the Alps.

For the moment men's minds were turned to the great events going forward in France. It had not yet occurred to the Italians that the recoil of these events might be felt among themselves. They were simply amused spectators, roused at last to the significance of the show, but never dreaming that they might soon be called from the wings to the footlights. To de Crucis, however, the possibility of such a call was already present, and it was he who pressed the Duke to return to his post. A deep reluctance held Odo back. He would have liked to linger on in the monastery, leading the tranquil yet busy life of the monks, and trying to read the baffling riddle of its completeness. At that moment it seemed to him of vastly more importance to discover the exact nature of the soul—whether it was in fact a metaphysical entity, as these men believed, or a mere secretion of the brain, as he had been taught to think—than to go back and govern his people. For what mattered the rest, if he had been mistaken about the soul?

With a start he realised that he was going as his cousin had gone—that this was but another form of the fatal lethargy that hung upon his race. An effort of the will drew him back to Pianura, and made him resume the semblance of authority; but it carried him no farther. Trescorre ostensibly became prime minister, and in reality remained the head of the state. The Duke was present at the cabinet meetings but took no part in the direction of affairs. His mind was lost in a maze of metaphysical speculations; and even these served him merely as some cunningly-contrived toy with which to trick his leisure.

His revocation of the charter had necessarily separated him from Gamba and the advanced liberals. He knew that the hunchback, ever scornful of expediency, charged him with disloyalty to the people; but such charges could no longer wound. The events following the Duke's birthday had served to crystallise the schemes of the little liberal group, and they now formed a campaign of active opposition to the government, attacking it by means of pamphlets and lampoons, and by such public speaking as the police allowed. The new professors of the University, ardently in sympathy with the constitutional movement, used their lectures as means of political teaching, and the old stronghold of dogma became the centre of destructive criticism. But as yet these ideas formed but a single live point in the general numbness.

Two years passed in this way. North of the Alps, all Europe was convulsed, while Italy was still but a sleeper who tosses in his sleep. In the two Sicilies, the arrogance and perfidy of the government gave a few martyrs to the cause, and in Bologna there was a brief revolutionary outbreak; but for the most part the Italian states were sinking into inanition. Venice, by recalling her fleet from Greece, let fall the dominion of the sea. Twenty years earlier Genoa had basely yielded Corsica to France. The Pope condemned the French for their outrages on religion, and his subjects murdered Basseville, the agent of the new republic. The sympathies and impulses of the various states were as contradictory as they were ineffectual.

Meanwhile, in France, Europe was trying to solve at a stroke the problems of a thousand years. All the repressed passions which civilisation had sought, however imperfectly, to curb, stalked abroad destructive as flood and fire. The great generation of the Encyclopaedists had passed away, and the teachings of Rousseau had prevailed over those of Montesquieu and Voltaire. The sober sense of the economists was swept aside by the sound and fury of the demagogues, and France was become a very Babel of tongues. The old malady of words had swept over the world like a pestilence.

To the little Italian courts, still dozing in fancied security under the wing of Bourbon and Hapsburg suzerains, these rumours were borne by the wild flight of emigres—dead leaves loosened by the first blast of the storm. Month by month they poured across the Alps in ever-increasing numbers, bringing confused contradictory tales of anarchy and outrage. Among those whom chance thus carried to Pianura were certain familiars of the Duke's earlier life—the Count Alfieri and his royal mistress, flying from Paris, and arriving breathless with the tale of their private injuries. To the poet of revolt this sudden realisation of his doctrines seemed in fact a purely personal outrage. It was as though a man writing an epic poem on an earthquake should suddenly find himself engulphed. To Alfieri the downfall of the French monarchy and the triumph of democratic ideas meant simply that his French investments had shrunk to nothing, and that he, the greatest poet of the age, had been obliged, at an immense sacrifice of personal dignity, to plead with a drunken mob for leave to escape from Paris. To the wider aspect of the "tragic farce," as he called it, his eyes remained obstinately closed. He viewed the whole revolutionary movement as a conspiracy against his comfort, and boasted that during his enforced residence in France he had not so much as exchanged a word with one of the "French slaves, instigators of false liberty," who, by trying to put into action the principles taught in his previous works, had so grievously interfered with the composition of fresh masterpieces.

The royal pretensions of the Countess of Albany—pretentions affirmed rather than abated as the tide of revolution rose—made it impossible that she should be received at the court of Pianura; but the Duke found a mild entertainment in Alfieri's company. The poet's revulsion of feeling seemed to Odo like the ironic laughter of the fates. His thoughts returned to the midnight meetings of the Honey Bees, and to the first vision of that face which men had lain down their lives to see. Men had looked on that face since then, and its horror was reflected in their own.

Other fugitives to Pianura brought another impression of events—that comic note which life, the supreme dramatic artist, never omits from her tragedies. These were the Duke's old friend the Marquis de Coeur-Volant, fleeing from his chateau as the peasants put the torch to it, and arriving in Pianura destitute, gouty and middle-aged, but imperturbable and epigrammatic as ever. With him came his Marquise, a dark-eyed lady, stout to unwieldiness and much given to devotion, in whom it was whispered (though he introduced her as the daughter of a Venetian Senator) that a reminiscent eye might still detect the outline of the gracefullest Columbine who had ever flitted across the Italian stage. These visitors were lodged by the Duke's kindness in the Palazzo Cerveno, near the ducal residence; and though the ladies of Pianura were inclined to look askance on the Marquise's genealogy, yet his Highness's condescension, and her own edifying piety, had soon allayed these scruples, and the salon of Madame de Coeur-Volant became the rival of Madame d'Albany's.

It was, in fact, the more entertaining of the two; for, in spite of his lady's austere views, the Marquis retained that gift of social flexibility that was already becoming the tradition of a happier day. To the Marquis, indeed, the revolution was execrable not so much because of the hardships it inflicted, as because it was the forerunner of social dissolution—the breaking-up of the regime which had made manners the highest morality, and conversation the chief end of man. He could have lived gaily on a crust in good company and amid smiling faces; but the social deficiencies of Pianura were more difficult to endure than any material privation. In Italy, as the Marquis had more than once remarked, people loved, gambled, wrote poetry, and patronised the arts; but, alas, they did not converse. Coeur-Volant could not conceal from his Highness that there was no conversation in Pianura; but he did his best to fill the void by the constant exercise of his own gift in that direction, and to Odo at least his talk seemed as good as it was copious. Misfortune had given a finer savour to the Marquis's philosophy, and there was a kind of heroic grace in his undisturbed cultivation of the amenities.

While the Marquis was struggling to preserve the conversational art, and Alfieri planning the savage revenge of the Misogallo, the course of affairs in France had gained a wilder impetus. The abolition of the nobility, the flight and capture of the King, his enforced declaration of war against Austria, the massacres of Avignon, the sack of the Tuileries—such events seemed incredible enough till the next had crowded them out of mind. The new year rose in blood and mounted to a bloodier noon. All the old defences were falling. Religion, monarchy, law, were sucked down into the whirlpool of liberated passions. Across that sanguinary scene passed, like a mocking ghost, the philosophers' vision of the perfectibility of man. Man was free at last—freer than his would-be liberators had ever dreamed of making him—and he used his freedom like a beast. For the multitude had risen—that multitude which no man could number, which even the demagogues who ranted in its name had never seriously reckoned with—that dim, grovelling indistinguishable mass on which the whole social structure rested. It was as though the very soil moved, rising in mountains or yawning in chasms about the feet of those who had so long securely battened on it. The earth shook, the sun and moon were darkened, and the people, the terrible unknown people, had put in the sickle to the harvest.

Italy roused herself at last. The emissaries of the new France were swarming across the Alps, pervading the peninsula as the Jesuits had once pervaded Europe; and in the mind of a young general of the republican army visions of Italian conquest were already forming. In Pianura the revolutionary agents found a strong republican party headed by Gamba and his friends, and a government weakened by debt and dissensions. The air was thick with intrigue. The little army could no longer be counted on, and a prolonged bread-riot had driven Trescorre out of the ministry and compelled the Duke to appoint Andreoni in his place. Behind Andreoni stood Gamba and the radicals. There could be no doubt which way the fortunes of the duchy tended. The Duke's would-be protectors, Austria and the Holy See, were too busy organising the hasty coalition of the powers to come to his aid, had he cared to call on them. But to do so would have been but another way of annihilation. To preserve the individuality of his state, or to merge it in the vision of a United Italy, seemed to him the only alternatives worth fighting for. The former was a futile dream, the latter seemed for a brief moment possible. Piedmont, ever loyal to the monarchical principle, was calling on her sister states to arm themselves against the French invasion. But the response was reluctant and uncertain. Private ambitions and petty jealousies hampered every attempt at union. Austria, the Bourbons and the Holy See held the Italian principalities in a network of conflicting interests and obligations that rendered free action impossible. Sadly Victor Amadeus armed himself alone against the enemy.

Under such conditions Odo could do little to direct the course of events. They had passed into more powerful hands than his. But he could at least declare himself for or against the mighty impulse which was behind them. The ideas he had striven for had triumphed at last, and his surest hold on authority was to share openly in their triumph. A profound horror dragged him back. The new principles were not those for which he had striven. The goddess of the new worship was but a bloody Maenad who had borrowed the attributes of freedom. He could not bow the knee in such a charnel-house. Tranquilly, resolutely, he took up the policy of repression. He knew the attempt was foredoomed to failure, but that made no difference now: he was simply acting out the inevitable.

The last act came with unexpected suddenness. The Duke woke one morning to find the citadel in the possession of the people. The impregnable stronghold of Bracciaforte was in the hands of the serfs whose fathers had toiled to build it, and the last descendant of Bracciaforte was virtually a prisoner in his palace. The revolution took place quietly, without violence or bloodshed. Andreoni waited on the Duke, and a cabinet-council was summoned. The ministers affected to have yielded reluctantly to popular pressure. All they asked was a constitution and the assurance that no resistance would be offered to the French.

The Duke requested a few hours for deliberation. Left alone, he summoned the Duchess's chamberlain. The ducal pair no longer met save on occasions of state: they had not exchanged a word since the death of Fulvia Vivaldi. Odo sent word to her Highness that he could no longer answer for her security while she remained in the duchy, and that he begged her to leave immediately for Vienna. She replied that she was obliged for his warning, but that while he remained in Pianura her place was at his side. It was the answer he had expected—he had never doubted her courage—but it was essential to his course that she should leave the duchy without delay, and after a moment's reflection he wrote a letter in which he informed her that he must insist on her obedience. No answer was returned, but he learned that she had turned white, and tearing the letter in shreds had called for her travelling-carriage within the hour. He sent to enquire when he might take leave of her, but she excused herself on the plea of indisposition, and before nightfall he heard the departing rattle of her wheels.

He immediately summoned Andreoni and announced his unconditional refusal of the terms proposed to him. He would not give a constitution or promise allegiance to the French. The minister withdrew, and Odo was left alone. He had dismissed his gentlemen, and as he sat in his closet a sense of deathlike isolation came over him. Never had the palace seemed so silent or so vast. He had not a friend to turn to. De Crucis was in Germany, and Trescorre, it was reported, had privately attended the Duchess in her flight. The waves of destiny seemed closing over Odo, and the circumstances of his past rose, poignant and vivid, before his drowning sight.

And suddenly, in that moment of failure and abandonment, it seemed to him again that life was worth the living. His indifference fell from him like a garment. The old passion of action awoke and he felt a new warmth in his breast. After all, the struggle was not yet over: though Piedmont had called in vain on the Italian states, an Italian sword might still be drawn in her service. If his people would not follow him against France he could still march against her alone. Old memories hummed in him at the thought. He recalled how his Piedmontese ancestors had gone forth against the same foe, and the stout Donnaz blood began to bubble in his veins.

A knock roused him and Gamba entered by the private way. His appearance was not unexpected to Odo, and served only to reinforce his new-found energy. He felt that the issue was at hand. As he expected, Gamba had been sent to put before him more forcibly and unceremoniously the veiled threat of the ministers. But the hunchback had come also to plead with his master in his own name, and in the name of the ideas for which they had once laboured together. He could not believe that the Duke's reaction was more than momentary. He could not calculate the strength of the old associations which, now that the tide had set the other way, were dragging Odo back to the beliefs and traditions of his caste.

The Duke listened in silence; then he said: "Discussion is idle. I have no answer to give but that which I have already given." He rose from his seat in token of dismissal.

The moment was painful to both men. Gamba drew nearer and fell at the Duke's feet.

"Your Highness," he said, "consider what this means. We hold the state in our hands. If you are against us you are powerless. If you are with us we can promise you more power than you ever dreamed of possessing."

The Duke looked at him with a musing smile. "It is as though you offered me gold in a desert island," he said. "Do not waste such poor bribes on me. I care for no power but the power to wipe out the work of these last years. Failing that, I want nothing that you or any other man can give."

Gamba was silent a moment. He turned aside into the embrasure of the window, and when he spoke again it was in a voice broken with grief.

"Your Highness," he said, "if your choice is made, ours is made also. It is a hard choice, but these are fratricidal hours. We have come to the parting of the ways."

The Duke made no sign, and Gamba went on with gathering anguish: "We would have gone to the world's end with your Highness for our leader!"

"With a leader whom you could lead," Odo interposed. He went up to Gamba and laid a hand on his shoulder. "Speak out, man," he said. "Say what you were sent to say. Am I a prisoner?"

The hunchback burst into tears. Odo, with his arms crossed, stood leaning against the window. The other's anguish seemed to deepen his detachment.

"Your Highness—your Highness—" Gamba stammered.

The Duke made an impatient gesture. "Come, make an end," he said.

Gamba fell back with a profound bow.

"We do not ask the surrender of your Highness's person," he said.

"Not even that?" Odo returned with a faint sneer.

Gamba flushed to the temples, but the retort died on his lips.

"Your Highness," he said, scarce above a whisper, "the gates are guarded; but the word for tonight is 'Humilitas.'" He knelt and kissed Odo's hand. Then he rose and passed out of the room...

---

Before dawn the Duke left the palace. The high emotions of the night had ebbed. He saw himself now, in the ironic light of morning, as a fugitive too harmless to be worth pursuing. His enemies had let him keep his sword because they had no cause to fear it. Alone he passed through the gardens of the palace, and out into the desert darkness of the streets. Skirting the wall of the Benedictine convent where Fulvia had lodged, he gained a street leading to the marketplace. In the pallor of the waning night the ancient monuments of his race stood up mournful and deserted as a line of tombs. The city seemed a grave-yard and he the ineffectual ghost of its dead past. He reached the gates and gave the watchword. The gates were guarded, as he had been advised; but the captain of the watch let him pass without show of hesitation or curiosity. Though he made no effort at disguise he went forth unrecognised, and the city closed her doors on him as carelessly as on any passing wanderer.

Beyond the gates a lad from the ducal stables waited with a horse. Odo sprang into the saddle and rode on toward Pontesordo. The darkness was growing thinner, and the meagre details of the landscape, with its huddled farm-houses and mulberry-orchards, began to define themselves as he advanced. To his left the field stretched, grey and sodden; ahead, on his right, hung the dark woods of the ducal chase. Presently a bend of the road brought him within sight of the keep of Pontesordo. His way led past it, toward Valsecca; but some obscure instinct laid a detaining hand on him, and at the cross-roads he bent to the right and rode across the marshland to the old manor-house.

The farmyard lay hushed and deserted. The peasants who lived there would soon be afoot; but for the moment Odo had the place to himself. He tethered his horse to a gate-post and walked across the rough cobble-stones to the chapel. Its floor was still heaped with farm-tools and dried vegetables, and in the dimness a heavier veil of dust seemed to obscure the painted walls. Odo advanced, picking his way among broken ploughshares and stacks of maize, till he stood near the old marble altar, with its sea-gods and acanthus volutes. The place laid its tranquillising hush on him, and he knelt on the step beneath the altar. Something stirred in him as he knelt there—a prayer, yet not a prayer—a reaching out, obscure and inarticulate, toward all that had survived of his early hopes and faiths, a loosening of old founts of pity, a longing to be somehow, somewhere reunited to his old belief in life.

How long he knelt he knew not; but when he looked up the chapel was full of a pale light, and in the first shaft of the sunrise the face of Saint Francis shone out on him...He went forth into the daybreak and rode away toward Piedmont.

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