



    ACT I
    
   
    
   
[Enter THESEUS, HIPPOLYTA, PHILOSTRATE, and Attendants.]
    THESEUS
    
    Now, fair Hippolyta, our nuptial hour
    
    Draws on apace; four happy days bring in
    
    Another moon; but, oh, methinks, how slow
    
    This old moon wanes! She lingers my desires,
    
    Like to a step-dame or a dowager,
    
    Long withering out a young man's revenue.
    
    
    HIPPOLYTA
    
    Four days will quickly steep themselves in nights;
    
    Four nights will quickly dream away the time;
    
    And then the moon, like to a silver bow
    
    New bent in heaven, shall behold the night
    
    Of our solemnities.
    
    
    THESEUS
    
    Go, Philostrate,
    
    Stir up the Athenian youth to merriments;
    
    Awake the pert and nimble spirit of mirth;
    
    Turn melancholy forth to funerals—
    
    The pale companion is not for our pomp.—
    
   
[Exit PHILOSTRATE.]
    Hippolyta, I woo'd thee with my sword,
    
    And won thy love doing thee injuries;
    
    But I will wed thee in another key,
    
    With pomp, with triumph, and with revelling.
    
   
[Enter EGEUS, HERMIA, LYSANDER, and DEMETRIUS.]
    EGEUS
    
    Happy be Theseus, our renownèd duke!
    
    
    THESEUS
    
    Thanks, good Egeus: what's the news with thee?
    
    
    EGEUS
    
    Full of vexation come I, with complaint
    
    Against my child, my daughter Hermia.—
    
    Stand forth, Demetrius.—My noble lord,
    
    This man hath my consent to marry her:—
    
    Stand forth, Lysander;—and, my gracious duke,
    
    This man hath bewitch'd the bosom of my child.
    
    Thou, thou, Lysander, thou hast given her rhymes,
    
    And interchang'd love-tokens with my child:
    
    Thou hast by moonlight at her window sung,
    
    With feigning voice, verses of feigning love;
    
    And stol'n the impression of her fantasy
    
    With bracelets of thy hair, rings, gawds, conceits,
    
    Knacks, trifles, nosegays, sweetmeats,—messengers
    
    Of strong prevailment in unharden'd youth;—
    
    With cunning hast thou filch'd my daughter's heart;
    
    Turned her obedience, which is due to me,
    
    To stubborn harshness.—And, my gracious duke,
    
    Be it so she will not here before your grace
    
    Consent to marry with Demetrius,
    
    I beg the ancient privilege of Athens,—
    
    As she is mine I may dispose of her:
    
    Which shall be either to this gentleman
    
    Or to her death; according to our law
    
    Immediately provided in that case.
    
    
    THESEUS
    
    What say you, Hermia? be advis'd, fair maid:
    
    To you your father should be as a god;
    
    One that compos'd your beauties: yea, and one
    
    To whom you are but as a form in wax,
    
    By him imprinted, and within his power
    
    To leave the figure, or disfigure it.
    
    Demetrius is a worthy gentleman.
    
    
    HERMIA
    
    So is Lysander.
    
    
    THESEUS
    
    In himself he is:
    
    But, in this kind, wanting your father's voice,
    
    The other must be held the worthier.
    
    
    HERMIA
    
    I would my father look'd but with my eyes.
    
    
    THESEUS
    
    Rather your eyes must with his judgment look.
    
    
    HERMIA
    
    I do entreat your grace to pardon me.
    
    I know not by what power I am made bold,
    
    Nor how it may concern my modesty
    
    In such a presence here to plead my thoughts:
    
    But I beseech your grace that I may know
    
    The worst that may befall me in this case
    
    If I refuse to wed Demetrius.
    
    
    THESEUS
    
    Either to die the death, or to abjure
    
    For ever the society of men.
    
    Therefore, fair Hermia, question your desires,
    
    Know of your youth, examine well your blood,
    
    Whether, if you yield not to your father's choice,
    
    You can endure the livery of a nun;
    
    For aye to be shady cloister mew'd,
    
    To live a barren sister all your life,
    
    Chanting faint hymns to the cold, fruitless moon.
    
    Thrice-blessèd they that master so their blood
    
    To undergo such maiden pilgrimage:
    
    But earthlier happy is the rose distill'd
    
    Than that which, withering on the virgin thorn,
    
    Grows, lives, and dies, in single blessedness.
    
    
    HERMIA
    
    So will I grow, so live, so die, my lord,
    
    Ere I will yield my virgin patent up
    
    Unto his lordship, whose unwishèd yoke
    
    My soul consents not to give sovereignty.
    
    
    THESEUS
    
    Take time to pause; and by the next new moon,—
    
    The sealing-day betwixt my love and me
    
    For everlasting bond of fellowship,—
    
    Upon that day either prepare to die
    
    For disobedience to your father's will;
    
    Or else to wed Demetrius, as he would;
    
    Or on Diana's altar to protest
    
    For aye austerity and single life.
    
    
    DEMETRIUS
    
    Relent, sweet Hermia;—and, Lysander, yield
    
    Thy crazèd title to my certain right.
    
    
    LYSANDER
    
    You have her father's love, Demetrius;
    
    Let me have Hermia's: do you marry him.
    
    
    EGEUS
    
    Scornful Lysander! true, he hath my love;
    
    And what is mine my love shall render him;
    
    And she is mine; and all my right of her
    
    I do estate unto Demetrius.
    
    
    LYSANDER
    
    I am, my lord, as well deriv'd as he,
    
    As well possess'd; my love is more than his;
    
    My fortunes every way as fairly rank'd,
    
    If not with vantage, as Demetrius's;
    
    And, which is more than all these boasts can be,
    
    I am belov'd of beauteous Hermia:
    
    Why should not I then prosecute my right?
    
    Demetrius, I'll avouch it to his head,
    
    Made love to Nedar's daughter, Helena,
    
    And won her soul; and she, sweet lady, dotes,
    
    Devoutly dotes, dotes in idolatry,
    
    Upon this spotted and inconstant man.
    
    
    THESEUS
    
    I must confess that I have heard so much,
    
    And with Demetrius thought to have spoke thereof;
    
    But, being over-full of self-affairs,
    
    My mind did lose it.—But, Demetrius, come;
    
    And come, Egeus; you shall go with me;
    
    I have some private schooling for you both.—
    
    For you, fair Hermia, look you arm yourself
    
    To fit your fancies to your father's will,
    
    Or else the law of Athens yields you up,—
    
    Which by no means we may extenuate,—
    
    To death, or to a vow of single life.—
    
    Come, my Hippolyta: what cheer, my love?
    
    Demetrius, and Egeus, go along;
    
    I must employ you in some business
    
    Against our nuptial, and confer with you
    
    Of something nearly that concerns yourselves.
    
    
    EGEUS
    
    With duty and desire we follow you.
    
   
[Exeunt THESEUS, HIPPOLYTA, EGEUS, DEMETRIUS, and Train.]
    LYSANDER
    
    How now, my love! why is your cheek so pale?
    
    How chance the roses there do fade so fast?
    
    
    HERMIA
    
    Belike for want of rain, which I could well
    
    Beteem them from the tempest of my eyes.
    
    
    LYSANDER
    
    Ah me! for aught that I could ever read,
    
    Could ever hear by tale or history,
    
    The course of true love never did run smooth:
    
    But either it was different in blood,—
    
    
    HERMIA
    
    O cross! Too high to be enthrall'd to low!
    
    
    LYSANDER
    
    Or else misgraffèd in respect of years;—
    
    
    HERMIA
    
    O spite! Too old to be engag'd to young!
    
    
    LYSANDER
    
    Or else it stood upon the choice of friends:
    
    
    HERMIA
    
    O hell! to choose love by another's eye!
    
    
    LYSANDER
    
    Or, if there were a sympathy in choice,
    
    War, death, or sickness, did lay siege to it,
    
    Making it momentary as a sound,
    
    Swift as a shadow, short as any dream;
    
    Brief as the lightning in the collied night
    
    That, in a spleen, unfolds both heaven and earth,
    
    And ere a man hath power to say, Behold!
    
    The jaws of darkness do devour it up:
    
    So quick bright things come to confusion.
    
    
    HERMIA
    
    If then true lovers have ever cross'd,
    
    It stands as an edict in destiny:
    
    Then let us teach our trial patience,
    
    Because it is a customary cross;
    
    As due to love as thoughts, and dreams, and sighs,
    
    Wishes and tears, poor fancy's followers.
    
    
    LYSANDER
    
    A good persuasion; therefore, hear me, Hermia.
    
    I have a widow aunt, a dowager
    
    Of great revenue, and she hath no child:
    
    From Athens is her house remote seven leagues;
    
    And she respects me as her only son.
    
    There, gentle Hermia, may I marry thee;
    
    And to that place the sharp Athenian law
    
    Cannot pursue us. If thou lovest me then,
    
    Steal forth thy father's house tomorrow night;
    
    And in the wood, a league without the town,
    
    Where I did meet thee once with Helena,
    
    To do observance to a morn of May,
    
    There will I stay for thee.
    
    
    HERMIA
    
    My good Lysander!
    
    I swear to thee by Cupid's strongest bow,
    
    By his best arrow, with the golden head,
    
    By the simplicity of Venus' doves,
    
    By that which knitteth souls and prospers loves,
    
    And by that fire which burn'd the Carthage queen,
    
    When the false Trojan under sail was seen,—
    
    By all the vows that ever men have broke,
    
    In number more than ever women spoke,—
    
    In that same place thou hast appointed me,
    
    Tomorrow truly will I meet with thee.
    
    
    LYSANDER
    
    Keep promise, love. Look, here comes Helena.
    
   
[Enter HELENA.]
    HERMIA
    
    God speed fair Helena! Whither away?
    
    
    HELENA
    
    Call you me fair? that fair again unsay.
    
    Demetrius loves your fair. O happy fair!
    
    Your eyes are lode-stars; and your tongue's sweet air
    
    More tuneable than lark to shepherd's ear,
    
    When wheat is green, when hawthorn buds appear.
    
    Sickness is catching: O, were favour so,
    
    Yours would I catch, fair Hermia, ere I go;
    
    My ear should catch your voice, my eye your eye,
    
    My tongue should catch your tongue's sweet melody.
    
    Were the world mine, Demetrius being bated,
    
    The rest I'd give to be to you translated.
    
    O, teach me how you look; and with what art
    
    You sway the motion of Demetrius' heart!
    
    
    HERMIA
    
    I frown upon him, yet he loves me still.
    
    
    HELENA
    
    O that your frowns would teach my smiles such skill!
    
    
    HERMIA
    
    I give him curses, yet he gives me love.
    
    
    HELENA
    
    O that my prayers could such affection move!
    
    
    HERMIA
    
    The more I hate, the more he follows me.
    
    
    HELENA
    
    The more I love, the more he hateth me.
    
    
    HERMIA
    
    His folly, Helena, is no fault of mine.
    
    
    HELENA
    
    None, but your beauty: would that fault were mine!
    
    
    HERMIA
    
    Take comfort; he no more shall see my face;
    
    Lysander and myself will fly this place.—
    
    Before the time I did Lysander see,
    
    Seem'd Athens as a paradise to me:
    
    O, then, what graces in my love do dwell,
    
    That he hath turn'd a heaven unto hell!
    
    
    LYSANDER
    
    Helen, to you our minds we will unfold:
    
    To-morrow night, when Phoebe doth behold
    
    Her silver visage in the watery glass,
    
    Decking with liquid pearl the bladed grass,—
    
    A time that lovers' flights doth still conceal,—
    
    Through Athens' gates have we devis'd to steal.
    
    
    HERMIA
    
    And in the wood where often you and I
    
    Upon faint primrose beds were wont to lie,
    
    Emptying our bosoms of their counsel sweet,
    
    There my Lysander and myself shall meet:
    
    And thence from Athens turn away our eyes,
    
    To seek new friends and stranger companies.
    
    Farewell, sweet playfellow: pray thou for us,
    
    And good luck grant thee thy Demetrius!—
    
    Keep word, Lysander: we must starve our sight
    
    From lovers' food, till morrow deep midnight.
    
    
    LYSANDER
    
    I will, my Hermia.
    
   
[Exit HERMIA.]
    Helena, adieu:
    
    As you on him, Demetrius dote on you!
    
   
[Exit LYSANDER.]
    HELENA
    
    How happy some o'er other some can be!
    
    Through Athens I am thought as fair as she.
    
    But what of that? Demetrius thinks not so;
    
    He will not know what all but he do know.
    
    And as he errs, doting on Hermia's eyes,
    
    So I, admiring of his qualities.
    
    Things base and vile, holding no quantity,
    
    Love can transpose to form and dignity.
    
    Love looks not with the eyes, but with the mind;
    
    And therefore is wing'd Cupid painted blind.
    
    Nor hath love's mind of any judgment taste;
    
    Wings and no eyes figure unheedy haste:
    
    And therefore is love said to be a child,
    
    Because in choice he is so oft beguil'd.
    
    As waggish boys in game themselves forswear,
    
    So the boy Love is perjur'd everywhere:
    
    For ere Demetrius look'd on Hermia's eyne,
    
    He hail'd down oaths that he was only mine;
    
    And when this hail some heat from Hermia felt,
    
    So he dissolv'd, and showers of oaths did melt.
    
    I will go tell him of fair Hermia's flight;
    
    Then to the wood will he to-morrow night
    
    Pursue her; and for this intelligence
    
    If I have thanks, it is a dear expense:
    
    But herein mean I to enrich my pain,
    
    To have his sight thither and back again.
    
   
[Exit HELENA.]
    
   
    
   
[Enter SNUG, BOTTOM, FLUTE, SNOUT, QUINCE, and STARVELING.]
    QUINCE
    
    Is all our company here?
    
    
    BOTTOM
    
    You were best to call them generally, man by man, according to the scrip.
    
    
    QUINCE
    
    Here is the scroll of every man's name, which is thought fit, through all Athens, to play in our interlude before the duke and duchess on his wedding-day at night.
    
    
    BOTTOM
    
    First, good Peter Quince, say what the play treats on; then read the names of the actors; and so grow to a point.
    
    
    QUINCE
    
    Marry, our play is—
    
     The most lamentable comedy and most cruel death of Pyramus and Thisby
    
    .
    
    
    BOTTOM
    
    A very good piece of work, I assure you, and a merry.— Now, good Peter Quince, call forth your actors by the scroll.— Masters, spread yourselves.
    
    
    QUINCE
    
    Answer, as I call you.—Nick Bottom, the weaver.
    
    
    BOTTOM
    
    Ready. Name what part I am for, and proceed.
    
    
    QUINCE
    
    You, Nick Bottom, are set down for Pyramus.
    
    
    BOTTOM
    
    What is Pyramus? a lover, or a tyrant?
    
    
    QUINCE
    
    A lover, that kills himself most gallantly for love.
    
    
    BOTTOM
    
    That will ask some tears in the true performing of it. If I do it, let the audience look to their eyes; I will move storms; I will condole in some measure. To the rest:—yet my chief humour is for a tyrant: I could play Ercles rarely, or a part to tear a cat in, to make all split.
    
    
   
The raging rocks
And shivering shocks
Shall break the locks
Of prison gates:
And Phibbus' car
Shall shine from far,
And make and mar
The foolish Fates.
    This was lofty.—Now name the rest of the players.—This is Ercles' vein, a tyrant's vein;—a lover is more condoling.
    
    
    QUINCE
    
    Francis Flute, the bellows-mender.
    
    
    FLUTE
    
    Here, Peter Quince.
    
    
    QUINCE
    
    Flute, you must take Thisby on you.
    
    
    FLUTE
    
    What is Thisby? a wandering knight?
    
    
    QUINCE
    
    It is the lady that Pyramus must love.
    
    
    FLUTE
    
    Nay, faith, let not me play a woman; I have a beard coming.
    
    
    QUINCE
    
    That's all one; you shall play it in a mask, and you may speak as small as you will.
    
    
    BOTTOM
    
    An I may hide my face, let me play Thisby too: I'll speak in a monstrous little voice;—'Thisne, Thisne!'— 'Ah, Pyramus, my lover dear; thy Thisby dear! and lady dear!'
    
    
    QUINCE
    
    No, no, you must play Pyramus; and, Flute, you Thisby.
    
    
    BOTTOM
    
    Well, proceed.
    
    
    QUINCE
    
    Robin Starveling, the tailor.
    
    
    STARVELING
    
    Here, Peter Quince.
    
    
    QUINCE
    
    Robin Starveling, you must play Thisby's mother.—
    
    Tom Snout, the tinker.
    
    
    SNOUT
    
    Here, Peter Quince.
    
    
    QUINCE
    
    You, Pyramus' father; myself, Thisby's father;—
    
    Snug, the joiner, you, the lion's part:—and, I hope, here is a play fitted.
    
    
    SNUG
    
    Have you the lion's part written? pray you, if it be, give it me, for I am slow of study.
    
    
    QUINCE
    
    You may do it extempore, for it is nothing but roaring.
    
    
    BOTTOM
    
    Let me play the lion too: I will roar that I will do any man's heart good to hear me; I will roar that I will make the duke say 'Let him roar again, let him roar again.'
    
    
    QUINCE
    
    An you should do it too terribly, you would fright the duchess and the ladies, that they would shriek; and that were enough to hang us all.
    
    
    ALL
    
    That would hang us every mother's son.
    
    
    BOTTOM
    
    I grant you, friends, if you should fright the ladies out of their wits, they would have no more discretion but to hang us: but I will aggravate my voice so, that I will roar you as gently as any sucking dove; I will roar you an 'twere any nightingale.
    
    
    QUINCE
    
    You can play no part but Pyramus; for Pyramus is a sweet-faced man; a proper man, as one shall see in a summer's day; a most lovely gentleman-like man; therefore you must needs play Pyramus.
    
    
    BOTTOM
    
    Well, I will undertake it. What beard were I best to play it in?
    
    
    QUINCE
    
    Why, what you will.
    
    
    BOTTOM
    
    I will discharge it in either your straw-colour beard, your orange-tawny beard, your purple-in-grain beard, or your French-crown-colour beard, your perfect yellow.
    
    
    QUINCE
    
    Some of your French crowns have no hair at all, and then you will play bare-faced.— But, masters, here are your parts: and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the palace wood, a mile without the town, by moonlight; there will we rehearse: for if we meet in the city, we shall be dogg'd with company, and our devices known. In the meantime I will draw a bill of properties, such as our play wants. I pray you, fail me not.
    
    
    BOTTOM
    
    We will meet; and there we may rehearse most obscenely and courageously. Take pains; be perfect; adieu.
    
    
    QUINCE
    
    At the duke's oak we meet.
    
    
    BOTTOM
    
    Enough; hold, or cut bow-strings.
    
   
[Exeunt.]